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by Mary Latvis · Posted
Content creators looking to affordably expand their lens kits will be pleased with the latest glass selections from 7artisans. These new lenses include the Spectrum 120mm T2.9 2x Macro for full-frame shooters and the 35mm f/1.4 in APS-C format.
7artisans Photoelectric Spectrum 120mm T2.9 Full-Frame 2x Macro Lens
Designed
by Mary Latvis · Posted
Lightweight and compact, the new amaran Pano 60c and 120c LED panel lights offer a bright, portable lighting solution for event capture and on-the-go creators. These laptop-sized panels output 6290 and 13,490 lux respectively with bright, natural light and vivid colors in a temperature range of 2300-10,000K.
amaran Pano 120c RGB COB Mobile
by Jordan Gallant · Posted
We have a wide variety of products to cover this week, so let’s jump right in! Canon released the PowerShot V1 and EOS R50 V cameras. RED added a new firmware update to the KOMODO cinema camera. Thypoch made some upgrades to its Simera lens design.
Additions to Canon’s V-Series Launch
Canon is bringing two new compact cameras to their robust lineup sure to please both amateur hobbyists and content creators. The
by Mary Latvis · Posted
In a truly exciting development for aspiring filmmakers, RED DIGITAL CINEMA has substantially lowered the cost of its KOMODO 6K cinema camera to just $2995. They’ve also released a firmware update that improves the KOMODO’s performance, including adding some features found in the more advanced
by Zack Young · Posted
Sony has announced the VENICE 2 Extension System Mini, a new iteration of the popular Rialto expansion unit that allows users to disconnect the sensor block from the body of their VENICE 2 to make the camera more nimble and portable. The Extension System Mini is about 70% smaller and lighter than its predecessor, the VENICE Extension System 2, and features the full-frame 8.6K sensor that has made the VENICE 2 such a popular option for
by Zack Young · Posted
Sony has announced their first ever camera tracking system, the OCELLUS (ASR-CT1), which consists of a sensor unit, processing box, and three lens encoders. The system can be used with a wide variety of cinema and broadcast cameras, providing marker-free tracking through a host of infrared LED sensors. The captured tracking data can help with virtual productions, augmented reality overlays, on-set compositing, post
by Zack Young · Posted
Wide-angle lenses have been a staple of Venus Optics for years, so it makes sense that the brand is quadrupling down with four fresh cine lenses that refine and expand the lineup. The new Laowa 9mm T5.8 VV Cine, 10mm T2.9 Zero-D VV Cine,
by Mary Latvis · Posted
If you’re a storyteller who appreciates the rich, appealing natural look of classic films, Tokina’s new Vista-C Prime Lenses have you covered. This set of nine primes ranging from 18mm to 135mm combines a unique vintage look with the ease of a modern lens design, offering coverage for up to full-frame and large format sensors including VistaVision.
by Atane Ofiaja · Posted
Expanding its time-lapse camera lineup for long-term outdoor projects, Brinno recently unveiled the BCC5000 Outdoor Time-Lapse Camera Bundle. The bundle features a TLC5000 time-lapse camera, an ATH5000 construction power housing, two MRB1000 rechargeable battery packs, and an ACC5000 clamp mount kit.
by Zack Young · Posted
Sirui unveiled their new Vision Prime T1.4 full-frame cine lens series alongside a 20mm T1.8 anamorphic lens. The Vision Prime series kicks off with a 24mm, 35mm, and 50mm T1.4 lenses. The Vision Primes are Sony E-mount out of the box but include a set of user-changeable RF-, Z-, and L-mounts. Sirui’s other announcement, the 20mm T1.8 1.33x autofocus anamorphic lens, is the widest focal length we’ve seen with anamorphic AF lenses, a burgeoning category that so far
by Jordan Gallant · Posted
Taking the improvements of the Shinobi II, the Shinobi GO from Atomos is a lower-cost version for budget filmmakers looking to expand their on-camera monitoring setup without breaking the bank. The Shinobi GO features the same 5.2” 1920 x 1080 resolution display with 1500 cd/m² maximum brightness for daylight visibility. While it might not boast the revolutionary camera control, DCI 4K support, and other advanced
by Zack Young · Posted
Manfrotto has announced new 190- and 055-series tripods designed for photographers and videographers. Lightweight yet capable of holding hefty camera rigs, these new tripod legs are built to withstand tough shooting conditions and support you wherever you go. The fresh photo-centric offerings are the Manfrotto 190X3 3-Section AS
Posted
DJI is bringing its RS stabilization algorithm to both smartphone and mirrorless vlogging with the new RS 4 Mini Handheld Gimbal Stabilizer. Weighing only 2 lb, the RS 4 Mini boasts a compact form factor capable of supporting lightweight camera rigs up to 4.4 lb. Dual quick-release plates allow you to switch out your camera batteries or memory cards without needing to rebalance your gimbal motors.
by Jennifer Hahn · Posted
The wait is over for the next handheld smartphone gimbals from DJI: the Osmo Mobile 7 and Osmo Mobile 7P (and a new series of accessories) have just been released and they pack a whole lot of features into their tiny, portable package. Gimbal highlights include even quicker folding
by Jennifer Hahn · Posted
To solve the issues of latency and other obstacles that hinder long-range wireless video transmission, Hollyland has released the Cosmo C2 wireless transmission system using their newly developed HEVO 2.0 technology. Whether you’re live streaming, broadcasting, or monitoring multiple camera feeds, the Cosmo C2 delivers pristine video up to 3000’ line-of-sight, three times the distance of its predecessor the Cosmo C1. The C2 comes in a two transmitter and