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by Mary Latvis · Posted
Continuing to expand its line of popular high-performance video cameras, Kinefinity has introduced the new Vista Full-Frame 6K Digital Cinema Camera. Positioned as a more affordable option for creators, this compact camera features full-frame 6K capture at rates up to 50 FPS and up to UHD 4K at 100 fps in Super 35. Available with user-interchangeable Kinemount,
by Mary Latvis · Posted
LED panels are a key component of the LED volume walls that form the backdrop for virtual production, an increasingly popular technique used in feature film and television production. This emerging technology enables productions to recreate the look of fictional worlds, far-flung or difficult-to-access locations, or multiple real-world sites in the controlled, safer, and more comfortable environs of a soundstage. Crucial specs to look for in an LED panel include a low pixel pitch of <3mm (high-density pixel count), high brightness levels,
by Mary Latvis · Posted
XR (Extended Reality) and VP (Virtual Production) are two terms you’ll hear used to describe professional video capture on special stages equipped with LED volume wall backgrounds. In consultation with the experts in The Studio B&H, here we review the components needed to set up an XR stage and break down some of the specifics of this VP capture technique.
Extended Reality vs. Virtual Production
XR and VP stages both use
by Zack Young · Posted
Core SWX has officially unveiled their new PowerVault System, centered around a powerful and customizable Base station with five modular bays and compatibility spanning twelve battery types. This charging hub is housed in an IP65-rated hard case for maximum portability, and features multiple USB-C outputs to charge additional accessories, making it an ideal choice for professionals that need a ton of power.
by Mary Latvis · Posted
Experienced cinematographers and videographers know that shoot days can run the gamut from capturing absolutely every second of a “reality show” star’s day to the more measured pace of a dialogue-based feature that may even, time permitting, include rehearsals. The new NANO X SNAP 99Wh Li-Ion Battery from Core SWX has a modular, scalable design that covers your power needs for this wide variety of production scenarios.
by Mary Latvis · Posted
Optimal imaging for virtual production (VP) requires certain camera functions that are not integral to all video cameras. A global shutter (or fast readout speeds), genlock capability, and timecode input are key factors to look for when selecting a camera for your VP video capture. Let’s review these specifications and highlight several cameras that incorporate these key specs.
Global Shutter Sensor
Most video cameras are designed with a “rolling” shutter that successively scans each row of photosites (the physical embodiments of pixels) on
by Zack Young · Posted
Thypoch has unveiled the new Simera-C 16mm T1.9 full-frame cine lens, available in E- and M-mounts, along with a Simera-C six-lens kit and custom foam inserts. The 16mm is now the widest focal length in the series, with a 106° field of view. At T1.9, it’s a tad slower than the T1.5 maximum aperture seen in the rest of the line, but still quite impressive for so wide a focal length. The 6-lens kit, also available in E- and M-mounts, contains the 16mm, 21mm, 28mm, 35mm, 50mm, and
by Mary Latvis · Posted
Large-scale LED signage display walls have been a boon for retailers, sports broadcasts, and live events, providing clear viewing and immediate content updates. The LED volume walls used for OSVP (On-Set Virtual Production) take these massive displays a step further, upping multiple specs to produce stunningly lifelike, high-resolution video that serves as an immersive backdrop for capturing live talent and creating
by Jordan Gallant · Posted
by Zack Young · Posted
Canon has unveiled the EOS R6 V, a new full-frame RF-mount camera capable of 7K open gate recording, active cooling, 5-axis in-body stabilization, and Dual Pixel CMOS Autofocus II. This compact video-forward body is ideal for content creation, streaming, podcasting, and a host of other modern production scenarios. Releasing alongside the EOS R6 V is a new
by Steven Gladstone · Posted
This article is an introduction to virtual production using photogrammetry and lidar. In this article I will discuss what photogrammetry is, and how advances in lidar scanning allow you to use it in pre-viz as well as production.
What Is Photogrammetry?
Simply put photogrammetry is the process of creating a 3D image, or gleaning 3D information about a location from 2D images. Essentially you use a series of 2D images to create a 3D “map” of a surface, area, or room.
Why Use Photogrammetry?
Photogrammetry enables you to make realistic and
by Jennifer Hahn · Posted
Keep your lighting nimble in any shooting environment with the new Omnibar LED linear light fixtures just announced by ARRI. These narrow LED lights come in 2’ and 4’ lengths and in black and classic ARRI blue/silver housings, and they are packed with features, including daisy-chaining, IP65 weatherproof, wireless remote control options, magnetic optics, and a built-in battery. The lights come in multiple packages to fit your workflow.
by Zack Young · Posted
In an increasingly digital world, it’s often no longer feasible for an entire technical team to be on site for a production. But as more infrastructure moves to the cloud, physical camera hardware still often stands in the way by requiring in-person setup and fine tuning. That’s where PTZ cameras come in. With their ability to be remotely panned, tilted, and zoomed, they open up a world of possibilities for remote production. So what are the best ways to utilize them? Let’s dive in!
by Zack Young · Posted
ARRI is raising the bar for lens control with the new cforce MAX lens motor. Expect speeds of up to 400 teeth per second, plus low latency, LBUS compatibility, a touchscreen interface, and four-level adjustable torque. The cforce MAX is twice as fast and 15% lighter than cforce Plus motors, yet just as powerful. Compared to cforce Mini motors, expect twice the speed and strength with only a 15% increase in size. With its impressive balance of weight and
by Zack Young · Posted
Hollyland is stepping things up with the new Pyro Ultra system, wireless transmitters and receivers capable of sending low latency 4K60p video using proprietary TWiFi technology. Connect one transmitter to an unlimited number of receivers, with automatic frequency hopping and an impressive line-of-sight transmission range of 4900’.