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by Zack Young · Posted
While you may have heard about the XGRIDS PortalCam in our introduction to Photogrammetry and Gaussian Splatting, inside the camera and its ecosystem are some truly unique capabilities that deserve a closer look. What's the most effective way to do spatial capture? What is a
by Zack Young · Posted
There's nothing like the feeling you get after playing your footage from an arduous day of filming, when you realize that everything you shot looks like your camera stumbled into a rogue washing machine, which then toppled down a comically large mountain range. Nothing like it. Unintentionally shaky footage can make a seemingly successful shoot become the bane of one's career. While there are certain measures one can take to mitigate the shakiness of footage in post, nothing will be as painless as simply stabilizing during production—hence the
by Mary Latvis · Posted
Along with your lens and recording media, batteries have to be considered one of the most crucial components in your video camera rig. In an update to their selection of pro batteries, SmallRig has introduced two new versions of a couple of V-mount batteries: the VB99 Pro Mini V-Mount Battery and the x Caleb
by Mary Latvis · Posted
Ready to reliably link participants in remote workspaces, the BenQ Board CP5505 Series 55" and Board CP7505 Series 75" commercial monitors provide a complete teleconferencing solution. These UHD 4K touchscreen displays provide an integrated 50MP video camera,
by Zack Young · Posted
For those needing a portable monitor, switcher, and streaming device, check out the new OBSBOT Talent 2, an all-in-one multi-cam live streaming and production studio. With the Talent 2, you can stream, record, and switch up to 11 video sources at 4K60p. Building on the original Talent’s 5.4” screen, the Talent 2 has a 7” 1920 x 1080 AMOLED touchscreen capable of 800 nits, a big step up
by Mary Latvis · Posted
Atomos, a go-to source for professional video monitors, has updated their product line with two new monitors: the 7” Shinobi 7 II and the 19” Shogun AV-19M. Each is designed to enable filmmakers, photographers, and crew members to monitor, control, and deliver the images they envision at all
by Zack Young · Posted
Panasonic is shaking up the professional PTZ game with the new AW-UE200, AW-UE210, AW-UER200, and AW-UER210, all available in black or white and featuring a groundbreaking global shutter MOS sensor. The R-variations add a roll functionality while the 210-versions sport built-in SMPTE ST 2110 and Dante compatibility. These pro-level 4K PTZ cameras are built for demanding sports, live events, virtual production, corporate video, and more.
by Mary Latvis · Posted
Long a popular, reliable source for video switching systems, the TriCaster series from Vizrt now features a simplified lineup. Live broadcasters and event producers can now access one unified architecture with three tiers: the TriCaster Vizion with 8 or 16 SDI I/O,
by Zack Young · Posted
Sony is giving a big hand to video shooters with the new RM-DP7 and RM-DP5 cinema line monitor controllers. These 1920 x 1080 7” and 5” monitors have factory-calibrated colors, 2000 nits of brightness, BIG6 setting adjustments, and more. Both feature user-adjustable LUTs, dust and moisture resistance, and assignable buttons alongside a control knob and multi-function dial. They’ll work with the FX5, FX3, FX2, and FX30 at launch, with FX6
by Mary Latvis · Posted
Aimed at high-end, cine-style productions, the new NIKKOR Z CINEMA 50mm T1.9 VV Lens is part of an upcoming nine-lens series covering larger than full-frame sensors. Compatible with RED V-RAPTOR [X] VV cameras, these lenses feature high optical performance and a precise autofocus function. Continuing the fusion of Nikon engineering and RED DIGITAL CINEMA recording/color science, Nikon has also released v2
by Zack Young · Posted
Sirui continues to provide anamorphic innovation with their new Saturn V2 series, 1.6x-squeeze T2.9 cine lenses with full-frame coverage and support for both horizontal and vertical anamorphic shooting. The lenses weigh under 500g and have neutral flaring that adapts to the color of the light source. The initial set consists of a 35mm, 50mm, and 75mm, and is available in Sony E, Canon RF, and L-mount.
In addition to their impressive weight
by Atane Ofiaja · Posted
Expanding their camera range for project site and location monitoring applications, enlaps has unveiled the Tikee Mini S with Soft Case and Tikee Mini S Pack Kit camera bundles for fleet management.
enlaps Tikee Mini S Pack Kit
Equipped with Wi-Fi and 4G LTE connectivity (subscription and SIM card required for 4G LTE), the battery-powered
by Mary Latvis · Posted
Fresh in with the 2026 fall lens crop, the DZOFilm Arles 25-75mm and 65-180mm T2.6 FF Zoom Cine Lenses bring the soft, natural bokeh and cinematic, painterly depth of the existing Arles prime series to your shoot in a convenient zoom form. Available individually and in a two-lens set, these
Posted
Matt tests out the Tilta Nucleus Autofocus Adapter, showing you how to set it up and demo footage. Stick around until the end to hear Matt's thoughts.
0:00 - Elevator Pitch
0:26 - Today's Camera Setup
1:26 - Adding Lens to Library
6:17 - Autofocus Tests (In Studio & Outdoors)
8:58 - Matt's Thoughts
Sponsored by
by Zack Young · Posted
With cameras outputting increasingly higher resolutions, many creatives are deciding to de-sharpen their images and find new ways to wipe away some of that digital sheen, easing highlight transitions in the process and adding analog warmth to modern video. Kondor Blue’s first entry into the world of softening is their Opaline Diffusion Filter, with a new screw-on offering now available in a variety of sizes and strengths. We