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Posted
Legacy broadcasting has taken a big shift over the decades, with the shift to digital and now to streaming. Nick and Doug discuss the broadcast, film, and streaming industries, and where heading.
0:00 - Intro
0:50 - From Legacy Broadcasting to Online Content
8:42 - Democratization of Technology
14:03 - Will Smartphones Replace Cine Cameras and Camcorders?
24:32 - The Oversaturation of Content
25:32 - How Does AI Fit Into the Puzzle?
31:20 - NAB 2027
Posted
Doug and Nick are back in the B&H booth's temporary podcast studio to share highlights from day 2 of the NAB Show 2026 (including a few unannounced products!). Ridiculously powerful lighting, broadcasting lenses, shoulder rigs—you won't want to miss a thing from our Las Vegas NAB 2026 roundup!
0:00 - DJI Gear
0:58 - Aputure Booth
7:49 - FUJIFILM Booth
10:20 - Canon Booth
17:49 - SmallRig Booth
25:21 - Nanlux & Nanlite Booth
29:28 - Acsoon Booth
33:30 - Viltrox Booth
36:20 - What's Next?
Posted
Doug and Nick sit down at the B&H Podcast booth to discuss the new announcements from NAB Day 1, such as RODE's RODECaster Studio, GoPro's entrance into cine cameras, DaVinci Resolve's new photo editing feature, and so much more. Whether you're interested in cine cameras, new livestreaming setup, or broadcasting, there's something for you in this video!
0:00 Tilta Booth
4:25 Blackmagic Design Booth
10:50 GoPro Booth
16:13 Atomos Booth
20:46 RØDE Booth
25:17 Adobe Booth
29:21 What's Next?
by Zack Young · Posted
Hollyland is stepping things up with the new Pyro Ultra system, wireless transmitters and receivers capable of sending low latency 4K60p video using proprietary TWiFi technology. Connect one transmitter to an unlimited number of receivers, with automatic frequency hopping and an impressive line-of-sight transmission range of 4900’.
by Jordan Gallant · Posted
Atomos is scaling up its monitoring solutions with the release of the Sumo PRO-19 4K HDR Monitor-Recorder-Switcher. The new iteration of the 19” monitor features a notable display resolution upgrade to UHD 4K HDR while maintaining a combination of live switching and routing capabilities. Like most Atomos monitors, the Sumo PRO-19 features both SDI and HDMI connectivity, comprehensive color support, and a wide array of
Posted
People have been sleeping on the RED DIGITAL CINEMA V-RAPTOR XE. It's more than just a full-frame version of the KOMODO-X. Nick shares where this cine camera sits in RED's lineup and gets hands-on in for outdoor and indoor locations.
0:00 - Sizzle Reel
0:30 - Intro
1:53 - V-Raptor XE Specs
4:08 - Autofocus
5:03 - Dynamic Range & Low Light Performance
6:16 - Concurrent Pro-Res Proxy Recording
6:58 - Ergonomics
7:48 - File Sizes
9:10 - 2.2.1beta Firmware Updates
9:38 - Upgrade Program
10:04 - Takeaways
Sponsored by
by Zack Young · Posted
Canon has unveiled three unique products for the professional broadcast space, including a CINE-SERVO 40-1200mm T5.0-10.8 lens with a built-in 1.5x extender, the compact and powerful RC-1P300 PTZ controller, and the long range ultra-high-sensitivity MS-510 multipurpose camera.
The CINE-SERVO 40-1200mm T5.0-10.8 will be
by Zack Young · Posted
GoPro is taking a bold leap forward with their new MISSION 1 line of compact cameras. Billed as the world’s smallest, lightest, most rugged cinema cameras, initial offerings include the MISSION 1 PRO, capable of 8K60p and 4K240p, the MISSION 1, which supports 8K30p and 4K120p, and the MISSION 1 PRO ILS, which swaps the fixed lens for a Micro Four Thirds (MFT) lens mount. All three
by Zack Young · Posted
Anamorphic options continue to grow more compact and affordable with the new DZOFilm Arcana T2.1 primes. These PL-mount lenses feature a 1.5x squeeze and are available in 32mm, 45mm, 75mm, or as a set with all three. The Arcana primes promise full frame sensor coverage with dramatic oval bokeh and anamorphic flares that mirror
by Zack Young · Posted
Blackmagic Design announced a wide variety of new products in advance of next week's National Association of Broadcasters (NAB) show, including switchers, converters, cameras, and more. Many of them utilize the latest in 100G Ethernet technology and adhere to SMPTE 2110 standards. Let's break down what we saw and where the future of broadcast is headed.
Live Production Solutions
The Blackmagic ATEM 4 M/E Constellation IP is a new switcher with 32 possible inputs and a standards converter on each, routed via four 100GbE ports that can each
by John Foldi · Posted
One flight for limitless creativity. With the announcement of the Avata 360, DJI has entered the 360-degree drone category in a big way. The Avata 360 is actually a hybrid, using a twisting gimbal for dual-camera modes—360 and Single Lens—maintaining the Avata’s FPV legacy.
DJI Avata 360
The Avata 360 is available in
Posted
What is open gate, and how can it streamline your video production? Doug will show you how to get the most out of open gate, such as cropping from horizontal (16:9) to vertical (9:16).
0:00 - What Is Open Gate Video?
0:42 - Why Use Open Gate?
2:17 - Advantage 1
3:07 - Advantage 2
3:53 - 3x2 and 4x3
5:08 - Why Is It Called Open Gate
Posted
Do your outdoor portraits suffer from a well-exposed subject but blown-out background? A strobe light is key in that situation, and Godox's AD800Pro flash is here to help. Join Juan for an outdoor portrait photoshoot to showcase how, with just one light, you can transform your portraits.
0:00 - Intro
0:22 - Outdoor Portrait Samples
0:51 - Flash vs. No Flash
1:42 - Who Is This For?
2:29 - Studio Lighting Outdoors
2:49 - Recycle Time
3:12 - Battery Life/Power
3:55 - Miscellaneous Specs
Sponsored by
by Zack Young · Posted
On-camera monitors continue to grow in popularity with filmmakers and photographers wanting a bigger, better view of their image than a flip-out LCD can provide. The Desview R5II 5.5" touchscreen monitor is, on paper, a great offering: lightweight, affordable, versatile, and bright. It even comes with useful accessories like a swivel-and-tilt shoe mount, a sunshade, a USB drive for loading LUTs, and a couple variations of HDMI
Posted
When you're shooting an indie film and are short on time, having gear that eases the video production process smoother is a lifesaver. Enter Impact’s new KeyGrip series: a lineup that innovates on the tried-and-true grip gear. Join us on set to see how we light a scene using these KeyGrip Stands.
0:00 - Today's Video Shoot
0:52 - Why Use Impact's KeyGrip Stands?
2:44 - Lighting Each Scene
5:57 - On-Set Video Monitoring
6:28 - Slider Shot
7:25 - Our Overall Thoughts
8:26 - It's Not About Talent by Doug Guerra
Sponsored by