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Posted
As you delve deeper into the more advanced side of video codecs, the information can be overwhelming. Doug is here to simplify the complexities, helping you choose a codec for filming, editing, and delivery.
1:11 - This Video's Objectives
1:12 - Hardware Compatibility
4:49 Chroma Subsampling
8:15 - 8-bit vs. 10-bit
12:04 - How to Choose
14:37 - Real-World Example
by Zack Young · Posted
Panasonic brings more networking and imaging improvements to their Professional line of studio and broadcast cameras with the new box-style AK-UBX100 4K Multi-Purpose Camera. Featuring an impressive 19.29MP MOS image sensor alongside multiple 12G-SDI and fiber outputs, the camera is compatible with SMPTE ST 2110 standards, NDI High Bandwidth streaming, and
Posted
If you're looking to become a professional filmmaker, you'll need to understand what codecs are, how to choose them, and how to use them. In part 1 of 2, Doug simplifies the tangled web of knowledge that is video codecs, sharing the fundamentals.
0:00 - What You'll Learn
1:04 - What Is a Codec?
2:25 - Why Are Codecs Necessary?
3:27 - How to Codecs Work?
6:53 - Choosing the Right Codec
14:24 - Inter vs. Intraframe
17:32 - What's Next?
by Zack Young · Posted
Large color-accurate production monitors remain the best way to view and compose shots on set, especially with larger crews, and Elvid continues to make them more affordable with their accessible and capable new STV-280-4KHDR 28” StudioVision 4K HDR Monitor. This monitor packs a ton of inputs—two HDMI 2.0, two HDMI 1.4, 3G-SDI, DVI, and VGA—that support a variety of HD and 4K signals spanning NTSC and PAL.
by Zack Young · Posted
Hohem brings their latest artificial intelligence tools to prosumer gimbals with the new iSteady MT3 AI camera stabilizer. The MT3 is an easy way to achieve steady moving shots with mirrorless cameras, action cameras, and smartphones, employing Hohem’s latest AI-enhanced tracking algorithms. The gimbal has 360° pan, 270° tilt (upped to almost 300° with the Pro variation), and 90° roll rotation, as well as streamlined horizontal-to-vertical
by Mary Latvis · Posted
Widely used on both classic feature films and newer digital productions, Cooke’s Panchro line features a unique look designed to draw your viewer into your story. The new ARRI LPL-mount Cooke Panchro 65/i series offers this distinctive aesthetic for large-format cameras with up to VistaVision sensors.
Posted
So, you're a filmmaker looking for an on-camera external monitor. Sidney simplifies the shopping process by comparing the specs for each of these monitors and sharing which works for each budget type, from beginners to indie filmmakers.
0:00 - Intro
0:37 - Budget Monitor
1:46 - Mid-Range Monitors
4:47 - High-End Monitors
7:01 - Which Is the Right Choice?
Posted
This two-part series is filled with tips and tricks to help you harness the full power of Lightroom Classic. Photographer Clifford Pickett covers every aspect you need to know about the Lightroom Classic ecosystem, and he means everything.
0:00 Intro
2:51 Recap on Part 1
6:45 Syncing
7:49 Crop mode
8:15 Key words
10:47 Target collection
12:29 Grouping & stacking
19:38 Renaming catalogs
21:14 Changing default catalog
Posted
Doug demonstrates three video lighting setups for the various sets in our studio. Consistency, reliability, and repeatability are the name of the game. However, we can streamline the process to save us time during video production. You'll learn the step-by-step process of how to light a video in a way that allows for multiple options.
0:00 - Our Studio Setups
1:25 - Lighting Setup 1
4:14 - Lighting Setup 2
8:32 - Green Screen - Lighting Setup 3
11:26 - Why This Is Important
Sponsored by
Posted
Sony's new PXW-Z300 3-CMOS XDCAM Camcorder is perfect for camera operators looking to capture high-quality video in the field, or someone looking to add a camcorder to their existing Sony ecosystem. Join Sidney to learn this camcorder's specs and see the test footage he shot!
0:00 - Sample Footage
0:39 - Digital Signatures
1:13 - Sensor & Video
1:32 - Lens
1:42 - AI-Powered AF
2:05 - LCD Monitor
2:27 - Power
2:37 - V & Cold Shoe Mount
2:59 - Buttons & Ports
3:33 - S-Cine Tone Gamma Curve
4:14 - Who Is This Camcorder For?
Posted
This two-part series is filled with tips and tricks to help you harness the full power of Lightroom/LRC. Photographer Clifford Pickett covers every aspect you need to know about the Lightroom Ecosystem.
0:00 - Intro
5:00 - Shortcuts
8:02 - GED - Grid, Loupe, Develop
10:08 - Auto adjust tones
13:53 - White balance
15:18 - Zoom & full screen
21:26 - Searching in your library
28:53 - Info overlay
31:47 - Rest
33:49 - Library filters
41:55 - Overlay
45:38 - Black & White
48:25 - Library view options
52:53 - Clipping
54:39 - Color &
Posted
Join Deanna as she welcomes professional side-quester, storyteller, and video editor, Mylene Mae (@mylenesmind). Mylene shares her personal journey, including how she pivoted from working in STEM and got started in video, as well as her learning process and the struggles of digesting long-form content. They discuss the importance betting on yourself, staying curious, and forgetting the metrics and finding the fun in content creation.
Guest Bio: Mylene Mae
Mylene Mae is
Posted
Depending on what you're recording, there's a GoPro Action Camera our there for you. Which models can shoot in RAW? Which offer 360-degree video? Which performs best in low light? Patrick breaks it all down, comparing specs and testing the HERO, LIT HERO, HERO12 Black, MAX 260, and MAX2 360.
0:00 - The Very First GoPro
0:28 - Hero Action Cameras
1:16 - Hero13 Black
1:50 - Max Series
2:31 - How Do You Choose?
3:12 - Spec Comparison Charts
2:25 - Patrick's Pick
Sponsored by
Posted
Photographers and partners of Back Left Media, Alex Geiger and Paul Seibert, were given the new Canon EOS R6 Mark III to set out and get their honest first impression of it. They took it on tour with a local artist to capture photos and videos. In their presentation, they break down the newest features of the Canon EOS R6 Mark III and discuss the results from their latest project.
0:00 - Intro / About Alex & Paul
4:26 - Back Left