Wide-Angle Lenses
Wide-angle lenses have been a staple of Venus Optics for years, so it makes sense that the brand is quadrupling down with four fresh cine lenses that refine and expand the lineup. The new Laowa 9mm T5.8 VV Cine, 10mm T2.9 Zero-D VV Cine,
Opening the year with a bit of fan service, Nikon announced a pair of anticipated products: a new super-zoom, the COOLPIX P1100 digital camera, and the company’s first-ever 35mm f/1.2 S lens for its Z series mirrorless cameras. The P1100 replaces the popular—and in used markets, pricey—P1000, a
0 Views ·Posted
FUJIFILM has just released the ultra-wide-angle GF 20-35mm f/4 R WR Lens for the medium format FUJIFILM GFX system. This compact lens (no larger than a full-frame camera lens) is the GFX System’s widest-ever optic (prime or zoom) with a full-frame equivalent field of view of 16-28mm and a constant f/4 maximum aperture. Like the other lenses in the GFX System, this new zoom lens is designed to provide spectacular results for landscape,
0 Views ·Posted
Sigma is adding two wide-angle prime lenses to its premium Art lens family—the Sigma 20mm f/1.4 DG DN Art and the Sigma 24mm f/1.4 DG DN Art lens for Sony E-mount and L-Mount full-frame digital cameras. With features designed to control sagittal coma flare, special lens coatings
0 Plays ·Posted
On this week’s episode of the B&H Photography Podcast, we welcome back an old friend of the show, photographer Mark Mann. Mann is known for a catalog of portrait work that includes celebrities, musicians, and politicians of the highest regard. In our previous episode with Mann, we discussed photographing Bill Murray
0 Plays ·Posted
Photographer Sally Davies embodies a beautiful creative spirit, and I think that spirit also resides in the homes of the 72 New Yorkers she photographed, who are included in her wonderful portrait book, appropriately titled, New Yorkers. If this spirit does not exist and Davies is not in tune with it, how could she have captured such wonderful stories of people and their places and done it so efficiently, in some cases in just minutes?
We
0 Views ·Posted
Olympus has announced a new wide-angle zoom lens ideally suited for landscape, cityscape, and travel photography, as well as video applications. The M.Zuiko Digital ED 8-25mm f/4.0 PRO lens is a compact, weather-sealed gem enabling high-resolution capture with edge-to-edge sharpness, even at its maximum aperture. This Micro Four Thirds mount lens provides the 35mm focal length equivalent of 16-50mm, which is a truly versatile
0 Views ·Posted
Sony has just announced the fourteenth lens to join its coveted G Master lineup: the ultra-compact, ultra-fast, and ultra-wide 14mm f/1.8 GM Lens. Ideal for capturing landscape, architecture, and astronomical subjects, as well as creative portraits and close-ups, this low-distortion prime delivers the optical quality that has come to characterize Sony’s top tier of lenses while remaining impressively compact and
A friend of mine once described his favorite wide-angle lens as his “gateway to landscape photography,” and that’s a pretty good metaphor for wide-angle lenses if I ever heard one. Wide-angle lenses and ultra-wide-angle lenses naturally lend themselves to capturing landscapes with a sense of depth. They also tend to capture a sense of drama that you seldom get when photographing landscapes with longer focal length lenses.
Photographs © Allan Weitz 2021
Wide-angle lenses feature angles of view (AoVs) ranging from about 63° to about 74°, which
When it comes to capturing the world’s scenic vistas, there is nothing quite like photographing natural or urban beauty with a premium high-end landscape lens. The traditional “landscape lens” for generations of photographers has been the wide-angle prime lens. While the modern prime lens cannot be beat for its optical quality and performance,
Many new photographers find that their images lack a certain feel or “pop.” While it is tempting to think that buying the newest version of your DSLR or mirrorless interchangeable lens camera is the key to unlocking your hidden photographic potential, it is not. If you want to move your photos from “meh” to “wow!” there are two things you should focus on (no pun intended): composition and upgraded optics. This
0 Plays ·Posted
On today’s episode of the B&H Photography Podcast, we welcome wedding and portrait photographer Kesha Lambert. We are excited to speak with Lambert about her approach to wedding photography on today’s show, but she is also speaking at the upcoming 4th annual Depth of Field Portrait, Wedding, and Event Photography Conference, which is a
I’ll never forget the first time I looked through the viewfinder of a camera fitted with a 20mm ultra-wide-angle lens. Everything looked amazing and I blew several rolls of film shooting everything I saw along the way. Prior to using this “exotic” lens, I had never shot with anything wider than the 50mm normal that came with my first 35mm camera.
The sobering part came when I developed the film and started eyeballing the results of my first outing. In a word, they were underwhelming, but I kept at it until I figured out how to use ultra-wide-
Macro photography never ceases to amaze me. Show me the face of a jumping spider reproduced at life-size or greater and I’ll undoubtedly stop what I’m doing and stare at it for a while. What’s interesting is how ultra-wide-angle lenses, which are available for DSLRs and
In addition to its innovative image-processing abilities, the recently introduced Zeiss ZX1 is also notable as being the first camera to wear the Zeiss nameplate in five decades. This Classic Camera review is about the last camera to wear the Zeiss nameplate—the Zeiss Ikon Hologon Ultrawide (1969-71), which was as technically remarkable as its 21st-century follow-up act. Although this article is a classic “camera” review, the story is really about