Mirrorless Lenses

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Sony just announced the ZV-E10 II mirrorless camera, the second-gen follow-up to 2021's ZV-E10, Sony's first mirrorless camera designed specifically for vloggers. Version II features a wealth of new upgrades, including the same sensor used in Sony's powerful FX30 and a6700 cameras, as well as several updates that bring it in line with Sony’s other compact cine-focused bodies. Launching alongside the ZV-E10 II is another second-gen product and
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Professional photographer Chris Orwig and B&H's Derek Fahsbender discuss Chris's most versatile lens, which covers the majority of his commercial, engagement, musician, and wedding portraits. 0:00 - Intro 0:50 - And the Lens Is... 5:32 - About Chris 7:06 - His Other Go-To Lenses 8:19 - Why This Focal Range 18:27 - The Cons 20:06 - Versatility of Images 26:01 - Does Gear Matter? 37:06 - Photoshoot Galleries 46:07 - Developing a Flow & Understanding Your Gear 56:15 - What is Right for You? 1:02:16 - Final Thoughts Sponsored by
by Bjorn Petersen ·Posted
If you’re a travel photographer looking for a one-lens solution and tend to prefer the telephoto end of your zooms, Tamron has just announced the ideal all-in-one zoom for you: the 50-300mm f/4.5-6.3 Di III VC VXD . This is a wider telephoto zoom, covering from normal to super-tele fields of view—an interesting alternative to the traditional wide-angle to super-tele lens and the pure telephoto zoom. Complementing the unique range
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Canon EF 35mm f/1.4L II USM fans, rejoice! The legendary lens has finally received its RF upgrade with the new RF 35mm f/1.4 L VCM. The latest addition to Canon’s L-series lineup is 27% lighter than its EF equivalent, while maintaining a similar sharpness, character, and lack of chromatic aberration. Canon has also announced the EOS C400 Cinema Camera and Cine-Servo 17-120mm T2.95-3.9 Lens;
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Sigma just announced the 28-45mm f/1.8 DG DN Art Lens, the world's-first f/1.8 zoom for full-frame cameras. This groundbreaking new lens acts as a full-frame spiritual successor to Sigma's wildly popular 18-35mm f/1.8 DC HSM Art lens for APS-C SLRs. Like its iconic predecessor, the 28-45mm f/1.8 DG DN offers the flexibility of a zoom with the speed of a prime.
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For photographers and videographers seeking great specs in a small body, the new Panasonic Lumix S9 could be just the ticket. This mirrorless camera packs a 24.4MP full-frame sensor into the first compact design in the Lumix S series, coming in at only 14.2 oz. The S9 also includes Panasonic’s advanced Phase Hybrid autofocus system, in-body stabilization, and 6K video codecs. For people looking to step up from a
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Sigma has announced the 24-70mm f/2.8 DG DN II Art lens, featuring improved optics, a smaller and lighter design, and faster focusing performance. It’s an evolution of one of Sigma's most-beloved flagship lenses and a standout zoom within the DG DN Art lineup. Sigma 24-70mm f/2.8 DG DN II Art Lens Sigma’s reputation for
by Bjorn Petersen ·Posted
The Simera 28mm f/1.4 and Simera 35mm f/1.4 are two of the latest wide-angle prime lenses for Sony E, Nikon Z, Canon RF, and FUJIFILM X mounts releasing from Thypoch, a relative newcomer to the mirrorless world. While the company hasn’t been around that long,
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What better way to celebrate Venus Optics' 10-year anniversary than with a 10mm lens? The Venus Optics Laowa 10mm is the world's widest f/2.8 full-frame, rectilinear lens. Remarkably, this lens is not a fish-eye and features close to zero distortions. Sam shares the specs of this ultra-wide angle lens, as well as his cityscape and macro images.
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Hot on the heels of February’s 24-50mm announcement, Sony is back with another compact, short-range zoom: the FE 16-25mm f/2.8 G. This ultra-wide full-frame lens is all about portability, with a sleek design and a useful range that hits an everyday sweet spot for those photographing architecture, interiors, landscapes, and street subjects. And with a constant f/2.8 maximum aperture, it’s a solid choice for low-light shooting.
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Nikon is announcing the NIKKOR Z 28-400mm f/4-8 VR lens, a versatile, wide-to-super-tele zoom lens for its Z line of mirrorless cameras. It’s the second such lens in the Z series, arriving four years after 2020’s 24-200mm f/3.5-6.3 lens. While similar in intent to its predecessor, the 28-400mm brings a suite of upgrades to match its extended telephoto reach to make it an even more versatile option for travel, live event, and
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Fast, sharp, and small, Sigma has just announced the 50mm f/1.2 DG DN Art lens for L-Mount and Sony E systems. This is the third 50mm DG DN lens in Sigma’s lineup and among the brightest lenses the company has ever released, offering exceptional performance in low-light conditions, as well as giving you the utmost
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Join Sony creator and educator Reza Malayeri as he showcases the powerful AI Subject Detection and Autofocus features of Sony’s a7R V camera. Malayeri explains how to create stunning portraits with these new features and Sony’s latest 50mm f/1.4 G-Master lens. 0:00 - Introduction 2:23 - About Malayeri 3:30 - Key Specs of the Sony a7R
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Join Matt Zefi at a local baseball game in Santo Domingo, Dominican Republic, as he puts Sigma's 500mm f/5.6 DG DN OS Sport Lens to the test. 0:00 - Introduction 0:31 - Specs and First Impressions 2:07 - In Action and Images 3:29 - Camera Settings 4:18 - Customizing 5:11 - Zefi's Thoughts What do you think of this Sigma lens? Share your thoughts in the Comments section, below.
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Are you interested in landscape photography, but don't want to lug around heavy lenses? Join Sony Alpha ambassador Mahesh Thapa as he explains the numerous benefits of using Sony’s high-quality f/4 lenses for landscape photography. 0:00 - Introduction 2:30 - When Thapa Started to Use f/4 Lenses 4:52 - Why Use f/4 Lenses? 11:24 - What About Astrophotography? 13:34 - Then vs. Now 21:11 - Ultralight Full-Frame and APS-C Lenses 28:20 - Why Consider Lenses Faster Than f/4? 31:42 - Q&A What lenses do you typically use? Let us know in the