About 140 filtered results
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Canon announces its third lens of 2024 and the smallest and lightest zoom lens of the RF lineup, the RF 28-70mm f/2.8 IS STM for full-frame and APS-C EOS R-series mirrorless cameras. Equally suited for stills and video, the lens’ innovative design benefits both the image quality and the lightweight, compact form factor. Its bright maximum aperture and versatile field of view makes it ideal for content creators seeking a high
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At long last, Nikon announces its newest Z-mount lens, the NIKKOR Z 50mm f/1.4, finally bringing photography’s most timeless lens configuration into its mirrorless fold. The 50mm f/1.4 has been the standard bearer for speed, excellence, and affordability in prime lenses for generations, and Nikon aims to bring the same high-quality, low-cost versatility to its Z-series mirrorless system.
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Meet the Nikon NIKKOR Z 35mm f/1.4 Lens, a hybrid full-frame camera lens. Its well-balanced and lightweight design make it ideal for gimbal video shooting and as an everyday carry lens for travel and street shooting.
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Sony just announced the ZV-E10 II mirrorless camera, the second-gen follow-up to 2021's ZV-E10, Sony's first mirrorless camera designed specifically for vloggers. Version II features a wealth of new upgrades, including the same sensor used in Sony's powerful FX30 and a6700 cameras, as well as several updates that bring it in line with Sony’s other compact cine-focused bodies. Launching alongside the ZV-E10 II is another second-gen product and
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Professional photographer Chris Orwig and B&H's Derek Fahsbender discuss Chris's most versatile lens, which covers the majority of his commercial, engagement, musician, and wedding portraits.
0:00 - Intro
0:50 - And the Lens Is...
5:32 - About Chris
7:06 - His Other Go-To Lenses
8:19 - Why This Focal Range
18:27 - The Cons
20:06 - Versatility of Images
26:01 - Does Gear Matter?
37:06 - Photoshoot Galleries
46:07 - Developing a Flow & Understanding Your Gear
56:15 - What is Right for You?
1:02:16 - Final Thoughts
Sponsored by
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Canon EF 35mm f/1.4L II USM fans, rejoice! The legendary lens has finally received its RF upgrade with the new RF 35mm f/1.4 L VCM. The latest addition to Canon’s L-series lineup is 27% lighter than its EF equivalent, while maintaining a similar sharpness, character, and lack of chromatic aberration.
Canon has also announced the EOS C400 Cinema Camera and Cine-Servo 17-120mm T2.95-3.9 Lens;
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Sigma just announced the 28-45mm f/1.8 DG DN Art Lens, the world's-first f/1.8 zoom for full-frame cameras. This groundbreaking new lens acts as a full-frame spiritual successor to Sigma's wildly popular 18-35mm f/1.8 DC HSM Art lens for APS-C SLRs. Like its iconic predecessor, the 28-45mm f/1.8 DG DN offers the flexibility of a zoom with the speed of a prime.
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For photographers and videographers seeking great specs in a small body, the new Panasonic Lumix S9 could be just the ticket. This mirrorless camera packs a 24.4MP full-frame sensor into the first compact design in the Lumix S series, coming in at only 14.2 oz. The S9 also includes Panasonic’s advanced Phase Hybrid autofocus system, in-body stabilization, and 6K video codecs. For people looking to step up from a
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Sigma has announced the 24-70mm f/2.8 DG DN II Art lens, featuring improved optics, a smaller and lighter design, and faster focusing performance. It’s an evolution of one of Sigma's most-beloved flagship lenses and a standout zoom within the DG DN Art lineup.
Sigma 24-70mm f/2.8 DG DN II Art Lens
Sigma’s reputation for
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What better way to celebrate Venus Optics' 10-year anniversary than with a 10mm lens? The Venus Optics Laowa 10mm is the world's widest f/2.8 full-frame, rectilinear lens. Remarkably, this lens is not a fish-eye and features close to zero distortions. Sam shares the specs of this ultra-wide angle lens, as well as his cityscape and macro images.
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Hot on the heels of February’s 24-50mm announcement, Sony is back with another compact, short-range zoom: the FE 16-25mm f/2.8 G. This ultra-wide full-frame lens is all about portability, with a sleek design and a useful range that hits an everyday sweet spot for those photographing architecture, interiors, landscapes, and street subjects. And with a constant f/2.8 maximum aperture, it’s a solid choice for low-light shooting.
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Nikon is announcing the NIKKOR Z 28-400mm f/4-8 VR lens, a versatile, wide-to-super-tele zoom lens for its Z line of mirrorless cameras. It’s the second such lens in the Z series, arriving four years after 2020’s 24-200mm f/3.5-6.3 lens. While similar in intent to its predecessor, the 28-400mm brings a suite of upgrades to match its extended telephoto reach to make it an even more versatile option for travel, live event, and
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Fast, sharp, and small, Sigma has just announced the 50mm f/1.2 DG DN Art lens for L-Mount and Sony E systems. This is the third 50mm DG DN lens in Sigma’s lineup and among the brightest lenses the company has ever released, offering exceptional performance in low-light conditions, as well as giving you the utmost
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Join Sony creator and educator Reza Malayeri as he showcases the powerful AI Subject Detection and Autofocus features of Sony’s a7R V camera. Malayeri explains how to create stunning portraits with these new features and Sony’s latest 50mm f/1.4 G-Master lens.
0:00 - Introduction
2:23 - About Malayeri
3:30 - Key Specs of the Sony a7R
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Join Matt Zefi at a local baseball game in Santo Domingo, Dominican Republic, as he puts Sigma's 500mm f/5.6 DG DN OS Sport Lens to the test.
0:00 - Introduction
0:31 - Specs and First Impressions
2:07 - In Action and Images
3:29 - Camera Settings
4:18 - Customizing
5:11 - Zefi's Thoughts
What do you think of this Sigma lens? Share your thoughts in the Comments section, below.