About 11 filtered results
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Jabari runs down the entire lineup of DZOFilm's Arles Prime Cine Lens and takes the five-lens set to record some test footage.
0:00 - About DZOFilm's Arles Lineup
0:40 - Vista Vision Sensor Coverage
1:31 - Flares & Bokeh
2:04 - Aperture & Shared Specs
2:44 - Today's Video Shoot
3:50 - Test Footage
5:47 - Conclusion
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The Leica M11 Monochrom weds timeless style with one of the most unique digital sensor designs in the world. Built around a 60MP monochrome BSI CMOS sensor, the latest iteration of Leica’s Monochrom line produces striking black-and-white stills with incredible detail and dynamic range. Housed in an M11’s body, dipped in black paint, this chic camera continues Leica’s digital twist on the storied tradition of black-and-white photography
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Sony has upgraded its all-purpose prime for a new generation of hybrid creators with the FE 50mm f/1.4 GM lens. Delivering Sony’s highest level of optical performance from a surprisingly compact build, this fast prime excels at still and video capture.
Sony FE 50mm f/1.4 GM Lens
From fashion to food, weddings to picnics, the new lens is sure to become a
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Let’s take a look at DZOFilm's line of macro prime lenses and how they look when used for food videography. Each lens includes ARRI PL and Canon EF lens mounts, making it suitable for use with a wider selection of cameras.
DZO Film 35, 65, 90mm primes
The 32mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:1
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Sigma is adding two wide-angle prime lenses to its premium Art lens family—the Sigma 20mm f/1.4 DG DN Art and the Sigma 24mm f/1.4 DG DN Art lens for Sony E-mount and L-Mount full-frame digital cameras. With features designed to control sagittal coma flare, special lens coatings
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Our video team tests the DZOFilm VESPID Prime Lens Kit, which is well-suited for filmmaking productions, ranging from independent to studio. These affordable cinema lenses boast impressive build quality, versatile mount-ability, and stunning cinematic image quality.
Have you used any of these lenses? Share your experiences below in the Comments section!
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Nikon has just announced the first macro lenses to join the Z-mount lineup: the NIKKOR Z MC 105mm f/2.8 VR S and NIKKOR Z MC 50mm f/2.8. Both lenses allow Nikon mirrorless shooters to achieve a 1:1 magnification ratio with native Z-mount lenses—no need to rely on the
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Hot on the heels of its latest G Master lens, Sony has just announced three new compact primes in its G Series lineup: the FE 24mm f/2.8 G, FE 40mm f/2.5 G, and
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Sony has officially entered the realm of extremely fast glass with its newest addition to the G Master family: the FE 50mm f/1.2 GM lens. Not only does the new lens add one of the most popular prime focal lengths to Sony’s top-tier lineup, but it also becomes Sony’s fastest E-mount lens to date. The flexibility of the 50mm focal length and brightness of an f/1.2 aperture make this lens an ideal candidate for portraiture and fashion, whether
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Sony Artisan Ben Lowy takes the new Sony FE 20mm f/1.8 G Lens out for a spin around New York City. This lightweight lens is great for landscape photography, astrophotography, street photography, and filmmakers.Features include three extra-low-dispersion elements, 7.5-inch close-focusing distance, a manual aperture ring, and a custom function button.Order at: Sony FE 20mm f/1.8 G Lens
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Canon has developed a completely new line of fast PL-mount cinema primes, named Sumire, which are designed for beautiful rendering characteristics as they approach wide open. Jake Estes, from B&H, took this set of full-frame lenses out for a test shoot with the Canon C700 FF and shared his thoughts. The set included a 14mm T3.1,