About 12 filtered results
Posted
Anamorphic, probe, full-frame, and fast are some of the words to describe the lenses highlighted in this video! Doug is on the floor at NAB 2025 with the details on NiSi's AUREUS PRIME T1.4 lineup, BLAZAR LENS's Mantis anamorphic lineup, ARRI's Enso prime lineup, and Venus Optics's Laowa Probe Zoom lenses.
0:00 - NiSi AUREUS PRIME
3:06 - BLAZAR LENS Mantis Anamorphic Lenses
5:10 - ARRI Enso Prime Lineup
7:27 - Laowa Probe Zoom Lenses
Posted
Jabari runs down the entire lineup of DZOFilm's Arles Prime Cine Lens and takes the five-lens set to record some test footage.
0:00 - About DZOFilm's Arles Lineup
0:40 - Vista Vision Sensor Coverage
1:31 - Flares & Bokeh
2:04 - Aperture & Shared Specs
2:44 - Today's Video Shoot
3:50 - Test Footage
5:47 - Conclusion
Posted
The 2024 holiday season is here! Jabari shares which cine lens to gift the filmmaker in your life, whether they’re searching for their first one, or looking to get the Hollywood look for a fraction of the price.
0:00 Intro
0:24 Investment Lenses: For Aspiring Cinematographers
2:52 Personal Set: For the Working Filmmaker
4:16 Anamorphic Lenses: For the Cinema Purist
5:36 Budget Lenses: Their First Cinema Lenses
7:32 Which to Buy?
Posted
Posted
Let’s take a look at DZOFilm's line of macro prime lenses and how they look when used for food videography. Each lens includes ARRI PL and Canon EF lens mounts, making it suitable for use with a wider selection of cameras.
DZO Film 35, 65, 90mm primes
The 32mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:1
Posted
Our video team tests the DZOFilm VESPID Prime Lens Kit, which is well-suited for filmmaking productions, ranging from independent to studio. These affordable cinema lenses boast impressive build quality, versatile mount-ability, and stunning cinematic image quality.
Have you used any of these lenses? Share your experiences below in the Comments section!
Posted
See how the brand new ARRI Signature Zooms were integrated into the emerging world of LED Video Wall and Virtual Production for a fashion shoot with the set design rendered in real time via Epic Games’ Unreal Engine.
Have you used ARRI Signature Zooms on your film or video production? Tell us about your experience in the Comments, below!
Posted
There is a new cinema zoom lens in B&H's inventory—the Sony FE C 16-35mm T3.1 G—and we are testing it on the Sony PXW FX6 cinema camera. This lens has been designed for filmmakers and video professionals, combining traditional cinema lens operability with the benefits of the Sony E Mount, which allows for autofocus and precise manual focus control. The 16-35mm offers superior sharpness, excellent resolution, a constant aperture of T3.1,
Posted
B&H’s Michel Suissa talks with DPs Logan Schneider and Jimmy Matlosz about their experiences filming with ARRI’s Signature Zoom Lenses.
After you've enjoyed this conversation, learn more about The Studio at B&H Professional Services and shop for the ARRI Signature Zooms.
Similar videos you’ll enjoy:
520 Views· Posted
Sony has just announced the Sony FX9 XDCAM Cinema Camera. Jeff Rojas sat down for an in-depth first look of the camera with Sony's Tom Cubby. A worthy successor to the Sony FS7 and FS7II, the PXW-FX9 features a new full-frame 6K Exmor R sensor, 15+ stops of dynamic range, dual native 800/4000 ISOs, a variable ND and fast hybrid auto focus.
Also announced, Sony’s new
1,057 Views· Posted
Canon has developed a completely new line of fast PL-mount cinema primes, named Sumire, which are designed for beautiful rendering characteristics as they approach wide open. Jake Estes, from B&H, took this set of full-frame lenses out for a test shoot with the Canon C700 FF and shared his thoughts. The set included a 14mm T3.1,
1,321 Views· Posted
Cinematographer Mark Raker gets his hands on Sigma’s FF high-speed prime focal lenses and pairs them with a Canon C700 shooting at 5.9K and a Sony A7S II shooting at 4K. With specs like a 95mm front diameter, 0.8 moduling,