Virtual Production

by Zack Young ·Posted
Sony has announced their first ever camera tracking system, the OCELLUS (ASR-CT1), which consists of a sensor unit, processing box, and three lens encoders. The system can be used with a wide variety of cinema and broadcast cameras, providing marker-free tracking through a host of infrared LED sensors. The captured tracking data can help with virtual productions, augmented reality overlays, on-set compositing, post-
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Steve Giralt teaches you how to edit your virtual production content in DaVinci Resolve, including how to work with RED's Phantom Track technology. 0:00 - In Today's Video 0:33 - Phantom Track Edit 6:29 - Main Edit 17:17 - Final Thoughts Sponsored by
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Steve Giralt explains what image-based lighting (IBL) is, how it works, and what its role is in virtual production. 0:00 - In Today's Video 0:25 - What Is Image-Based Lighting? 1:33 - Demo 4:31 - Image-Based Lighting Breakdown 7:00 - LED Walls 8:10 - Recap Sponsored by
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Steve Giralt breaks down how virtual production works, including how to control your virtual environment, motion control, how to light your scene, phantom track, and more. 0:00 - Today's Video Shoot 2:02 - Lighting the Unreal Scene 2:49 - Robots & Motion Control 4:20 - Camera & Lens 8:06 - Phantom Track 10:13 - Virtually Location Scout 12:52 - Live Demo 15:14 - Live Demo 2 16:25 - What's Next? Sponsored by
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What is virtual production, and how do you do it? Join Steve Giralt in his studio, The Garage, to learn the basics of virtual production, including its origins, gear, and much more. 0:00 - Cold Open 0:48 - In Today's Video 1:06 - Origins of Virtual Production 2:07 - Why Use Virtual Production? 4:28 - ICVFX (In-Camera Video Effects) LED Volume Virtual Production 5:20 - Hardware for Virtual Production 7:22 - Tracking System 7:34 - Master Clock 8:23 - Camera 8:48 - LED Wall Content 10:02 - Lighting 10:43 - Frustum Projection 12:15 - Wrapping Up
by Mary Latvis ·Posted
Live 8K cinema-quality streaming, live cinematic production, virtual production, VFX, and RAW R3D capture―all are now possible using the dedicated RED Connect Module from RED DIGITAL CINEMA for V-RAPTOR/XL cameras. Not only does the RED Connect Module enable simultaneous streaming and recording, but it does so at rates up to 8K 120 fps or 4K 240 fps. Multicamera users will appreciate the RED Connect Module’s ability to sync numerous cameras using genlock and timecode via PTP (SMPTE ST 2059-2) and a single-mode LC connection at rates up to 10
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Virtual production is transforming the art and craft of storytelling and revolutionizing the film and entertainment industry. Extended Reality (XR) LED technology was pioneered by Industrial Light & Magic for Star Wars and is utilized beautifully in Disney’s The Mandalorian. We are taking you behind the scenes to see what goes into these deeply immersive experiences. Join Dmitri Gunn, Executive Director of TEDxCambridge, and Lawrence Jones, Virtual Production Director of TEDxCambridge, as they demystify the world of XR LED virtual
by Steven Gladstone ·Posted
In the ever-changing, innovative world of video production, making a new camcorder-purchasing decision requires up-to-date knowledge of the latest features available, along with an understanding of tried-and-true technology. Even seasoned professionals will need to take some time to research the myriad choices offered, then carefully determine which camera fits their needs. The specific requirements of wedding videography add another dimension to the process. Reliability, exceptional video in low-light conditions, and high optical zoom range