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by Luke Rollins · Posted
For years, Tokina has made some of the best wide-angle zoom lenses for Nikon, Canon, and Sony APS-C cameras. Now the brand is bringing this high-performance and quality lineage to the world of mirrorless with the new ultra-wide-angle zoom Tokina atx-m 11-18mm f/2.8 E lens for FUJIFILM X cameras with a 35mm equivalent focal length of 17-27mm.
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Canon announces its third lens of 2024 and the smallest and lightest zoom lens of the RF lineup, the RF 28-70mm f/2.8 IS STM for full-frame and APS-C EOS R-series mirrorless cameras. Equally suited for stills and video, the lens’ innovative design benefits both the image quality and the lightweight, compact form factor. Its bright maximum aperture and versatile field of view makes it ideal for content creators seeking a high
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At long last, Nikon announces its newest Z-mount lens, the NIKKOR Z 50mm f/1.4, finally bringing photography’s most timeless lens configuration into its mirrorless fold. The 50mm f/1.4 has been the standard bearer for speed, excellence, and affordability in prime lenses for generations, and Nikon aims to bring the same high-quality, low-cost versatility to its Z-series mirrorless system.
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Meet the Nikon NIKKOR Z 35mm f/1.4 Lens, a hybrid full-frame camera lens. Its well-balanced and lightweight design make it ideal for gimbal video shooting and as an everyday carry lens for travel and street shooting.
by Anthony Gagliardi · Posted
Tamron has announced a new all-in-one zoom lens with the 28-300mm f/4-7.1 Di III VC VXD for Sony E-Mount full-frame cameras. A versatile addition to their line up at an affordable price point, this lens covers macro to telephoto shooting and everything in between with features that also make it a capable option for video. This lens is great for those looking to upgrade from a kit lens to get more out of their camera, or for
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Sony just announced the ZV-E10 II mirrorless camera, the second-gen follow-up to 2021's ZV-E10, Sony's first mirrorless camera designed specifically for vloggers. Version II features a wealth of new upgrades, including the same sensor used in Sony's powerful FX30 and a6700 cameras, as well as several updates that bring it in line with Sony’s other compact cine-focused bodies. Launching alongside the ZV-
by Bjorn Petersen · Posted
If you’re a travel photographer looking for a one-lens solution and tend to prefer the telephoto end of your zooms, Tamron has just announced the ideal all-in-one zoom for you: the 50-300mm f/4.5-6.3 Di III VC VXD. This is a wider telephoto zoom, covering from normal to super-tele fields of view—an interesting alternative to the traditional wide-angle to super-tele lens and
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Canon EF 35mm f/1.4L II USM fans, rejoice! The legendary lens has finally received its RF upgrade with the new RF 35mm f/1.4 L VCM. The latest addition to Canon’s L-series lineup is 27% lighter than its EF equivalent, while maintaining a similar sharpness, character, and lack of chromatic aberration.
Canon has also announced the EOS C400 Cinema Camera and Cine-Servo 17-120mm T2.95-3.9 Lens;
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Sigma just announced the 28-45mm f/1.8 DG DN Art Lens, the world's-first f/1.8 zoom for full-frame cameras. This groundbreaking new lens acts as a full-frame spiritual successor to Sigma's wildly popular 18-35mm f/1.8 DC HSM Art lens for APS-C SLRs. Like its iconic predecessor, the 28-45mm f/1.8 DG DN offers the flexibility of a zoom with the speed of a prime.
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For photographers and videographers seeking great specs in a small body, the new Panasonic Lumix S9 could be just the ticket. This mirrorless camera packs a 24.4MP full-frame sensor into the first compact design in the Lumix S series, coming in at only 14.2 oz. The S9 also includes Panasonic’s advanced Phase Hybrid autofocus system, in-body stabilization, and 6K video codecs. For people looking to step up from a
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Sigma has announced the 24-70mm f/2.8 DG DN II Art lens, featuring improved optics, a smaller and lighter design, and faster focusing performance. It’s an evolution of one of Sigma's most-beloved flagship lenses and a standout zoom within the DG DN Art lineup.
Sigma 24-
by Bjorn Petersen · Posted
The Simera 28mm f/1.4 and Simera 35mm f/1.4 are two of the latest wide-angle prime lenses for Sony E, Nikon Z, Canon RF, and FUJIFILM X mounts releasing from Thypoch, a relative newcomer to the mirrorless world. While the company hasn’t been around that long,
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What better way to celebrate Venus Optics' 10-year anniversary than with a 10mm lens? The Venus Optics Laowa 10mm is the world's widest f/2.8 full-frame, rectilinear lens. Remarkably, this lens is not a fish-eye and features close to zero distortions. Sam shares the specs of this ultra-wide angle lens, as well as his cityscape and macro images.
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Hot on the heels of February’s 24-50mm announcement, Sony is back with another compact, short-range zoom: the FE 16-25mm f/2.8 G. This ultra-wide full-frame lens is all about portability, with a sleek design and a useful range that hits an everyday sweet spot for those photographing architecture, interiors, landscapes, and street subjects. And with a constant f/2.8 maximum aperture, it’s a solid choice
by Bjorn Petersen · Posted
Creating zooms to impress even the most staunch prime lens adherents, Tamron has just announced two new lenses for Sony E mirrorless cameras: the 35-150mm f/2-2.8 Di III VXD and the 28-75mm f/2.8 Di III VXD G2.
On March 27, 2024, Tamron announced the