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by Bjorn Petersen · Posted
Widening the pool of ultra-wide L-mount lenses, Leica has just announced a pair of lenses for its mirrorless system: the Super-Vario-Elmarit-SL 14-24mm f/2.8 ASPH. zoom and Super-APO-Summicron-SL 21mm f/2 ASPH. prime. Dubbed “Super Wide” lenses in Leica lingo, these expansive lenses offer broader fields of
by Shawn C. Steiner · Posted
B&H is back from break and, if you like lenses, we have great news for you. Nikon has the biggest launch of the bunch with the NIKKOR Z 600mm f/6.3 VR S Lens. Its phase fresnel element makes this lens smaller and lighter than traditional super teles. Meanwhile, Canon went in the complete opposite direction with the RF
by Mos Khan · Posted
This week, Leica announced the long-awaited successor to its SOFORT instant film series of cameras, aptly dubbed the SOFORT 2. It features a minimalistic, lightweight design with rounded corners and is available in black, red, and white colorways. Images are captured via a 2.4mm f/2 lens, which provides a 28mm field of view. Exposure is also controlled automatically by the camera, making operation a breeze.
by Bjorn Petersen · Posted
Super-telephoto and handheld don't always go together, but Nikon has mixed the two concepts with the new NIKKOR Z 600mm f/6.3 VR S lens—its lightest prime super-telephoto yet, for nimble handling and great reach. This Z-mount lens will be a difference-maker for birders, sports shooters, and wildlife photographers looking for a more compact lens option without sacrificing on focal length, optics, or lens performance.
Posted
Canon has launched its widest RF-mount lens yet: the RF 10-20mm f/4 L IS STM, an ultra-wide zoom that serves as the mirrorless follow-up to the popular EF 11-24mm f/4L USM lens. Now expanding to 10mm, this new zoom has even broader coverage for more dynamic angles, along with a smaller, lighter body, optical image stabilization, and refined optics for excellent sharpness.
by Todd Vorenkamp · Posted
Announced together, but at truly opposite ends of the focal-length spectrum, Tamron has unveiled its new Tamron 150-500mm f/5-6.7 Di III VXD super-telephoto zoom lens, designed for full-frame mirrorless cameras, and the Tamron 11-20mm f/2.8 Di III-A RXD—an ultra-wide zoom lens made for APS-C-format mirrorless cameras
by Bjorn Peterson · Posted
Sigma is making a splash with two new lens announcements: first is the 10-18mm f/2.8 DC DN Contemporary, a compact wide-angle zoom for APS-C-format L-Mount, Sony E, and FUJIFILM X mirrorless cameras. The second is a development announcement for the forthcoming 70-200mm f/2.8 DG DN OS Sports lens―the long-awaited
by Shawn C. Steiner · Posted
With several new products to discuss, the last few days leading up to B&H's holiday break have been pretty exciting. Nikon dropped an optic with a new name, the ultra-high-performance NIKKOR Z 135mm f/1.8 S Plena Lens. Meanwhile, DJI shared yet another announcement this year: the Mini 4 Pro, which
Posted
Introduced as “a new visual experience,” Nikon has just announced the NIKKOR Z 135mm f/1.8 S Plena lens for its mirrorless Z system. This short-telephoto prime is all about being the quintessential portrait lens; it emphasizes accurate rendering, smooth bokeh, and high sharpness, along with a focal length that flatters subjects and allows for an ideal amount of subject-background separation.
by Shawn C. Steiner · Posted
It’s going to be hard to follow up a week of Bild Expo and then IBC, but we can try with a few key announcements. Nikon took a very, very good shot at it with the release of the Zf, a retro-styled full-frame camera that takes the classic looks of the FM2 and combines them with modern imaging tech from the current Z Series mirrorless lineup. Nikon also released a teaser for the mysterious “Plena,” although we will have to wait until next week
by Rebecca Melville · Posted
FUJIFILM is redefining compactness with its new INSTAX PAL, a palm-sized digital camera designed to snap photos anywhere and print them later. This will be the first INSTAX camera that does not print photos itself—instead, it’s meant to connect to FUJIFILM’s line of INSTAX mobile printers.
INSTAX PAL
Posted
At Sony Kando this year, we tested the new Sony FE 16-35mm f/2.8 GM II Lens for landscape photography. Landscape photographers will appreciate this wide-angle zoom’s features, such as better sharpness at the corners, an 8.6" minimum focus distance, and an overall smaller form factor.
0:00 - Introduction
0:27 - Features
2:04 - Design
2:33 - Final Thoughts
What will you be photographing with the Sony FE 16-35mm f/2.8 GM II Lens? Let us know in the Comments section, below.
Posted
Celebrity and music photographer Jeremy Saffer shares his top five tips for band photo shoots. From directing to lighting to camera settings, you’ll learn what you need to take great photos of musicians.
0:00 - Introduction
0:16 - Tip 1
1:40 - Tip 2
3:19 - Tip 3
4:32 - Tip 4
6:29 - Tip 5
Do you have any tips of your own to share? Do so in the Comments section, below.
Posted
Tamron just released the newest version of the 70-180mm f/2.8 Di III VC VXD G2 lens. With its updated autofocus, vibration compensation, and custom switch, this lens is perfect for handheld shooters.
0:00 - Introduction
0:33 - New Updates
1:25 - New Features
2:32 - Final Thoughts
What will you photograph with the updated Tamron lens? Elaborate in the Comments section, below.
by Shawn C. Steiner · Posted
If you haven't gotten your fill of new products after last week's Bild Expo—and there was a cornucopia of news—then we have another exciting week for you. In the leadup to IBC, which opens today in Amsterdam, The Netherlands, we will be sharing multiple announcements with a good mix of photo and cinema products.
IBC 2023 starts on Friday, September 15, 2023, in Amsterdam. Stay tuned for announcements of new gear for film and TV production.
Perhaps the biggest news is the launch of the