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by Mathew Malwitz · Posted
For years, young photo enthusiasts have been striving to add a nostalgic look to their photos. From smartphone camera filters to old hand-me-down point-and-shoot cameras, we’ve been chasing a look that just can’t be replicated. That is, unless you design a camera specifically to accomplish that goal. And that’s exactly what Kodak did with the Charmera keychain camera
by Josh Taylor · Posted
Many experienced photographers think of fast moderate telephoto lenses, as “portrait lenses” because so many professional portrait photographers rely on them. Lenses in the 85-105mm focal length range with maximum apertures between f/1.4 and f/2.8 can capture frame-filling headshots and head-and-shoulders portraits at moderate shooting distances, thus minimizing apparent perspective distortion—the dreaded “big-nose effect”—in close-ups. And they deliver very shallow depth of field at their widest apertures, creating compelling pictorial
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Join Maria Perez as she photographs Japan with the FUJIFILM X100VI. The camera’s new features allow for even more flexibility and spontaneity while traveling than its predecessor, the X100. Watch Perez put the X100VI through its paces as she makes images in a variety of genres, such as portraiture, architecture, street, landscape, and food.
0:00 - Introduction
0:35 - New Specs
2:27 - Portraits and Details
3:05 -
by Rebecca Melville · Posted
When FUJIFILM'S INSTAX announced its INSTAX Pal, I knew I wanted to try it. Maybe it's memories of my borderline millennial/gen-z childhood talking, but this gadget reminded me of Hit Clips, Tamagotchis, and various other keychain toys that defined growing up in the early
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Let's take a look at the Nikon NIKKOR Z 400mm f/2.8! Made for Nikon's Z mount, this super-telephoto lens is perfect for sports and wildlife photography, with a maximum aperture of f/2.8 and built-in 1.4x teleconverter, as well as sophisticated optical, autofocus, and VR systems.
What would you capture with this camera lens? Let us know below in the Comments section!
by Bjorn Petersen · Posted
Marrying its digital and instant film systems, FUJIFILM’s INSTAX MINI EVO seems to get a lot right about what makes a successful instant film camera. It’s funny that much of what makes this camera successful is a healthy dose of inspiration from the brand’s mirrorless X system of cameras. Characterized by its retro looks and 100 distinct combinations of creative lens and film effects, this camera keeps what’s fun about instant film photography but
by Shawn C. Steiner · Posted
Not gonna lie—the ZEISS ZX1 is not for everyone. It’s a unique, beautiful, and pricey camera option for a select few. Summed up, it is a full-frame camera system with integrated editing and sharing features in a compact, all-in-one body meant to be a perfect companion for capturing life’s moments. If all those things appeal to you, then it could be close to the perfect camera.
by Bjorn Petersen · Posted
Continuing to add to its growing DG DN lineup of full-frame mirrorless lenses, Sigma has just released a trio of new lenses, along with a new designation for lenses that are sleek and stylish. Introducing the 65mm f/2 DG DN Contemporary, 35mm f/2 DG DN Contemporary, and 24mm f/
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In this lens review, Jake tests the Tamron 70-180mm f/2.8 Di III VXD in both photo and video scenarios. Compact and fast, this lens was specially designed for full-frame Sony E-mount cameras and rounds out Tamron's offering for this series.
And while you're contemplating your next lens acquisition, watch our hands-on review of the
by Allan Weitz · Posted
Most photographers use sharpness as qualifier to rate the quality of their lenses, but as any seasoned photographer can tell you, resolution isn’t the end-all when it comes to ranking lens qualities. If anything, it’s the character of a lens—the way it renders your subject, that determines the quality of a lens. In this article, we will discuss lenses that bring something special to the party—lenses that break from the rest of the pack.
Pinholes
Some of the earliest photographs were captured with cameras obscura, which have evolved into
by John Harris · Posted
I am in a year-long quest to find the right camera/lens combination that will give me a wide-angle (24mm, 28mm, or 35mm equivalent) fixed focal length setup for everyday carry and general street photography. I have been experimenting with small form factor mirrorless and point-and-shoot cameras such as the Sony a6500 and FUJIFILM X100F
by Allan Weitz · Posted
I'm a big fan of smaller, lighter camera gear, so when Tamron announced a trio of lightweight, compact prime wide-angle lenses for Sony E-mount cameras, I took notice. Included in the lineup are the 35mm f/2.8 Di III OSD M 1:2 and 24mm f/2.8 Di III OSD M 1:2, which will be available any day now, and a
by Jill Waterman · Posted
Type the tagline “Pro Quality Amateur Prices” into Google and watch links to the company Neewer float to the top of your feed. Founded in 2010 with an initial set-top flash, Neewer has grown to incorporate inexpensive LED on-camera lighting and ring lights popular with the beauty blogger set, while also expanding into microphones and audio accessories, tripods and stabilization gear, as well as lenses, filters, bags, and various other accessories for photo, video, and audio markets.
Location photographs © Jill Waterman
According to its website
by Cory Rice · Posted
The 24-70mm f/2.8 lens is a perennial favorite among photographers who prefer to travel light. As a someone whose heavy rotation rotation consists of hefty 35mm, 50mm, and 85mm prime lenses, a fast 24-70mm has long lingered in my mind. So when I was asked to review Sigma’s 24-70mm f/2.8 DG DN Art Lens, I jumped on the opportunity to see how well it could stand in for my usual trio.
by Allan Weitz · Posted
Cherry-picking the “best” point-and-shoot cameras from among the 200-plus point-and-shoots we carry at B&H Photo can be challenging, considering the criteria on which we base our choices. For this year’s best point-and-shoot camera roundup, we took every category of point-and-shoot camera in our vast inventory—from full-frame to 1/5" sensor-size cameras—into consideration. From there, we short-listed them based on user popularity, along with our own personal likes (and dislikes) in a bid to come up with a fair representation of what we