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by Mathew Malwitz · Posted
For years, young photo enthusiasts have been striving to add a nostalgic look to their photos. From smartphone camera filters to old hand-me-down point-and-shoot cameras, we’ve been chasing a look that just can’t be replicated. That is, unless you design a camera specifically to accomplish that goal. And that’s exactly what Kodak did with the Charmera keychain camera
by Mathew Malwitz · Posted
We can say from experience that there’s nothing worse than your fingers freezing while on a winter photo shoot. From a scientific standpoint, exposure to the cold results in constriction of blood flow to the extremities, resulting in rapid temperature loss that approaches ambient temperatures. In layman’s terms, your hands get cold fast. Once you feel that chill, it’s nearly impossible to think about anything else.
Enter gloves. From mittens to liners, we all probably have more pairs of gloves than we know what to do with, but not all pairs
Posted
Join Maria Perez as she photographs Japan with the FUJIFILM X100VI. The camera’s new features allow for even more flexibility and spontaneity while traveling than its predecessor, the X100. Watch Perez put the X100VI through its paces as she makes images in a variety of genres, such as portraiture, architecture, street, landscape, and food.
0:00 - Introduction
0:35 - New Specs
2:27 - Portraits and Details
3:05 -
by Rebecca Melville · Posted
When FUJIFILM'S INSTAX announced its INSTAX Pal, I knew I wanted to try it. Maybe it's memories of my borderline millennial/gen-z childhood talking, but this gadget reminded me of Hit Clips, Tamagotchis, and various other keychain toys that defined growing up in the early
by Todd Vorenkamp · Posted
There are few things as slow and tedious in the photographic world as threading a head on a tripod or a camera on a tripod head—or turning of any threaded screw, for that matter. The process of threading a camera on a tripod has been mostly eliminated by the invention of the quick-release (QR) dovetail plate. Can this concept and functionality be brought forward into the world of the modern creative? The Manfrotto MOVE Ecosystem has done just that.
The previous sentence had the word “Ecosystem” in it. MOVE is truly a system of accessories and
by Cory Rice · Posted
There’s always room for improvement, even for the most tried-and-true designs. Such logic guides the thinking behind the Pelican Air™ lineup, a lightweight reboot of some of the industry’s most trusted hard cases. I tested the Pelican Air 1525TP™, a mid-size case
by Bjorn Petersen · Posted
Marrying its digital and instant film systems, FUJIFILM’s INSTAX MINI EVO seems to get a lot right about what makes a successful instant film camera. It’s funny that much of what makes this camera successful is a healthy dose of inspiration from the brand’s mirrorless X system of cameras. Characterized by its retro looks and 100 distinct combinations of creative lens and film effects, this camera keeps what’s fun about instant film photography but
by Shawn C. Steiner · Posted
Not gonna lie—the ZEISS ZX1 is not for everyone. It’s a unique, beautiful, and pricey camera option for a select few. Summed up, it is a full-frame camera system with integrated editing and sharing features in a compact, all-in-one body meant to be a perfect companion for capturing life’s moments. If all those things appeal to you, then it could be close to the perfect camera.
by Todd Vorenkamp · Posted
I am not a “hard case guy,” but I know many who use them, and I know they are essential for a lot of photographers, videographers, and creatives who are constantly on the go and need extra protection for their gear. And, if you have even given hard cases a moment of thought, the Pelican brand of protective “stuff” is guaranteed to have made it onto your radar because the term “Pelican
by Allan Weitz · Posted
When my test sample of Lensbaby’s OMNI Creative Filter System with the OMNI Color Expansion Pack and OMNI Crystal Expansion Pack showed up at my desk, I decided to revisit
by Todd Vorenkamp · Posted
I never fancied myself a passionate lover of a battery charger. That is, until I tried the Nitecore FX1 Dual-Slot USB Travel Charger for FUJIFILM NP-W126 & NP-W126S Batteries. Am I kidding you? No. Seriously, I really, really like, maybe love, this camera battery charger. Why and how did this charger win my heart? Four words: It is freaking cool!
Battery chargers usually come with a new camera except for some USB-charging only
by Allan Weitz · Posted
If you’re into analog film cameras, by extension you’re also into light meters. This is because while most modern cameras contain excellent TTL metering systems, if you use film cameras made prior to the 1970s and ’80s chances are: A. the camera has a meter but it doesn’t work anymore; B. the meter works but it’s no longer accurate; C. they stopped making batteries for your meter when Jimmy Carter was President; or D. the camera never had a light meter in the first place. If you resonate with any of the above and your film camera has an
by Allan Weitz · Posted
Cherry-picking the “best” point-and-shoot cameras from among the 200-plus point-and-shoots we carry at B&H Photo can be challenging, considering the criteria on which we base our choices. For this year’s best point-and-shoot camera roundup, we took every category of point-and-shoot camera in our vast inventory—from full-frame to 1/5" sensor-size cameras—into consideration. From there, we short-listed them based on user popularity, along with our own personal likes (and dislikes) in a bid to come up with a fair representation of what we
by Shawn C. Steiner · Posted
Everyone loves Pelican cases because when you pick them up, you just know that they will handle whatever abuse you throw at them, for years to come. Not everyone needs that degree of near indestructability for all their gear. The rest of us want something reliable and durable, but could do with saving a few bucks. Enter the Vault line, Pelican dependability at a better price, exactly the style for which many everyday outdoorsy
by Allan Weitz · Posted
When photographing situations that require exacting camera positioning, a geared tripod head should be at the top of your must-have list. Why a geared head? In a word: precision. When photographing architecture or similar venues in which it’s imperative that the camera and lens be level to the ground, if your camera is even slightly askew on the horizontal and/or vertical planes, you’re skunked.
What separates geared heads conventional ball and tilt-pan style tripod heads is that geared heads enable you to position your camera independently