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by Zack Young · Posted
Thypoch has unveiled the new Simera-C 16mm T1.9 full-frame cine lens, available in E- and M-mounts, along with a Simera-C six-lens kit and custom foam inserts. The 16mm is now the widest focal length in the series, with a 106° field of view. At T1.9, it’s a tad slower than the T1.5 maximum aperture seen in the rest of the line, but still quite impressive for so wide a focal length. The 6-lens kit, also available in E- and M-mounts, contains the 16mm, 21mm, 28mm, 35mm, 50mm, and
by Zack Young · Posted
Sigma expands their novel autofocus cine lens line with the new 28-105mm AF Cine T3 full frame zoom lens, available in E-mount or L-mount with markings in feet or meters. Based on the optical formula of the popular DG DN
by Zack Young · Posted
Zeiss is paying tribute to some of their most popular legacy offerings with the new Aatma Prime T1.5 cine lenses. The nine focal lengths in the set draw inspiration from classic Planar, Distagon, and Sonnar photo lenses, balancing technical precision and character-rich rendering. Large format coverage and Zeiss eXtended Data compatibility means the Aatma lenses can also keep up with the demands of modern productions.
by Steven Esposito · Posted
Obsbot is happy to announce its new Tiny 3 and Tiny 3 Lite AI PTZ webcams designed for creatives and presenters alike. Both PTZ webcams offer vast capabilities with multiple modes, allowing you to capture all of your content with ease.
Both cameras can capture high-quality 4K video at 30 Hz or 1080p video at 120 Hz with HDR capabilities. Built-in 4x digital zoom
by Zack Young · Posted
by Zack Young · Posted
Leitz remains a classic name in the world of high-end cinema lenses, with refined optics that balance character and precision. Their new HEKTOR lineup brings that legacy to the mirrorless camera world, with six T2.1 manual cinema lenses that cover full-frame sensors and feature a gentle Petzval effect with corner swirl and fall off. The line includes an 18mm, 25mm, 35mm, 50mm, 73mm, and 100mm, available in a
by Zack Young · Posted
Canon continues to innovate in the Cinema EOS line with the new C50, a compact, lightweight cinema camera capable of capturing 7K full-frame video in a 3:2 open gate mode, as well as a host of more traditional formats. Bundled with an XLR top handle that features a start-stop button and zoom rocker, the C50 represents the smallest Cinema EOS camera to date, yet is still chock full of features, codecs, and a dedicated
by Zack Young · Posted
PTZOptics is a key player in the remote controllable PTZ camera market, and the brand’s new Hive platform promises to be a comprehensive and easy-to-use solution for creating dynamic multi-camera productions that can be streamed out and recorded. The new PTZOptics Studio SE Hive-Linked camera, available with 20x or 12x optical zoom, isn’t technically a PTZ camera, as it can’t pan or tilt, but what
by Mary Latvis · Posted
Infuse your full-frame cine-style footage with a unique look featuring vintage characteristics using the BLACKWING Tuned lenses from TRIBE7. Developed with modularly controlled distortion, each of the three series of these ARRI PL-mount lenses have distinct personalities that help you craft an atmospheric look for your story. TRIBE7 was founded as a collaboration between artist and Academy Award-nominated cinematographer Bradford Young, ASC, and motion picture camera and lens technologist Neil Fanthom.
by Zack Young · Posted
The announcement of DZOFilm’s X-Tract 18-28mm T8 probe lens marked an exciting development in the growing probe category by introducing the ability to zoom in and out, allowing users to adjust the field of view while keeping the lens in place. At launch, the only iteration had a forward-facing direct view. Now, DZOFilm has formally unveiled
by Zack Young · Posted
Venus Optic’s Laowa-branded lenses have innovated been innovators in the anamorphic space for years, and their new line of Proteus 2x Anamorphic T2.9 Zoom Lenses, consisting of 26-45mm and 45-85mm lenses at launch, represents an exciting step forward. Laowa promises these PL-mount lenses exhibit minimal focus breathing, impressive sharpness even when wide open, and excellent parfocal abilities, a must for cine zooms. Each lens weighs just
by Jordan Gallant · Posted
NAB is underway and Atomos is one of the many brands giving us a slew of new products to debrief about. This year, they’re bringing us the StudioSonic Headphones, the TX-RX 4K/HD Video Transmission System, and the A-Eye PTZ Camera series. All these products are designed to improve your professional workflows from the studio to the classroom.
StudioSonic Headphones
The StudioSonic
by Zack Young · Posted
Two years after the announcement of their landmark ATHENA PRIME series, NiSi is back at NAB unveiling a fresh set of fast, lightweight lenses known as the AUREUS PRIME series. These new T1.4 full-frame cinema lenses are designed to be sharp, consistent, and ideal for modern large format sensors. The launch includes five focal lengths—18mm, 24mm, 35mm, 50mm, and 85mm—but more are already in development, including a 29mm, 65mm, and 105mm. The lenses are
by Mary Latvis · Posted
If you’re a storyteller who appreciates the rich, appealing natural look of classic films, Tokina’s new Vista-C Prime Lenses have you covered. This set of nine primes ranging from 18mm to 135mm combines a unique vintage look with the ease of a modern lens design, offering coverage for up to full-frame and large format sensors including VistaVision.
by Zack Young · Posted
Sirui unveiled their new Vision Prime T1.4 full-frame cine lens series alongside a 20mm T1.8 anamorphic lens. The Vision Prime series kicks off with a 24mm, 35mm, and 50mm T1.4 lenses. The Vision Primes are Sony E-mount out of the box but include a set of user-changeable RF-, Z-, and L-mounts. Sirui’s other announcement, the 20mm T1.8 1.33x autofocus anamorphic lens, is the widest focal length we’ve seen with anamorphic AF lenses, a burgeoning category that so far