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by Christopher Witt · Posted
With an eye firmly set on a small versatility and portability, Synology has stripped the NVR down to its bare essentials and created the EDS14. The company removed most of the components associated with a standard recorder and has focused on the core of the NVR’s job: recording and storing media. This fan-less and drive-less unit has a 1.2GHz CPU with 512MB of RAM that gives it the computing and multitasking capabilities you need it to
by Justin Dise · Posted
Now available at B&H, Bescor's rechargeable lithium-ion battery pack provides a simple and convenient way to power your professional video equipment without the need for additional mounting hardware or support rigs. The FP-12VATM kit includes the FP-12V battery and the BC-FP12 universal charger.
"The charger accepts 110 to 240 volt sources, making it compatible with all global power standards."
Enclosed in a canvas pouch with a
2,788 Views· Posted
In the following video, Mia McCormick, from Kelby Media, relates her experience with the new Sony AS100V Action Cam, with Live View Remote. The video explores the camera's high data-rate recording, multiple format, and frame-rate capabilities. McCormick discusses the camera’s improvements over the previous version, including the new splash-proof body, control buttons on the waterproof housing, improved audio, and the Live
by Christopher Witt · Posted
Axis Communications has applied the technology that revolutionized the surveillance industry for access control and introduced the first IP network door controller. In the process, they seem to have stripped access control down to its foundation and kept all the things we love about it, discarded the things we hate, and added features that we didn’t even know we wanted. The result is a fairly plain white housing that hides a package that can do things that will turn the industry on its head and make competitors scramble to catch up.
1,157 Views· Posted
In this B&H video, Mia McCormick, from Kelby Media, enlightens us about video monopods. She begins by touching on the differences between photo and video monopods, and then moves on to compare a few of the more popular models. The video highlights the features of video monopods, with McCormick offering her impressions after working with each monopod. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos
4,564 Views· Posted
The Redrock Micro One Man Crew is a automated parabolic slider that keeps it's subject centered and focused while it quietly slides along the 36" track. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
10,363 Views· Posted
Larry Thorpe of Canon presents the new Cine-Servo CN7x17KAS S lens, a 7x broadcast/cinema zoom lens designed for both PL-mount and EF-mount cameras. Featuring a focal length range of 17mm to 200mm.
13,163 Views· Posted
Canon's Larry Thorpe introduces the new XF205 professional camcorder, a compact model with a 1/3" CMOS sensor and a 20x optical zoom lens with three rings for focus, zoom, and aperture.
by Christopher Witt · Posted
There are IP cameras, and then there’s this camera. The Axis Communications Q1614 stands above and apart from what you’re used to seeing, and what follows are the reasons why this camera isn’t like any of the others. Many cameras simply capture images; some might have limited recording options, and onboard memory card storage. The Q1614 does all this, and so much more.
6,422 Views· Posted
In the following video, Mia McCormick takes a looks at the Genustech Mini Jib and how it’s a great option for adding production value to your videos without the hassle and exra cost of a full-size professional jib. McCormick explores the jib’s design, including its lightweight 3.5-pound frame, 6-foot maximum extension, and ability to collapse down to just 33". She also examines tripod selection, setup, and how to balance the jib
11,174 Views· Posted
In the following video, Mia McCormick, of Kelby Media, demonstrates ways to achieve smooth shots using the Glide Gear DNA 5050 Stabilizer with DNA 6000 Vest and Arm. McCormick explores the one-size-fits-all padded vest with aluminum front plate, dual swing arm with adjustable tension springs, and the DNA 5050 camera stabilizer with three-axis gimbal. McCormick also shows us how to balance the stabilizer by adding weights and adjusting
7,088 Views· Posted
Join Mia McCormick, of Kelby Media, as she discusses the Canon VIXIA Mini X Full HD Camcorder, and why it may be the video blogging tool for you. This video explores the specifications of the camcorder, including the 12.8MP sensor, which captures Full HD, and the f/2.8 lens with ultra-wide-angle and close-up recording options, as well as the unique design of the camera, which features an articulating screen and kickstand for hands-free operation. McCormick also highlights some of the new features the Mini X introduced since the previous VIXIA
by Morgan McClure · Posted
Sony has announced two new Handycam camcorders, each with 1” image sensors at CES 2014. A veritable show stopper, the FDR-AX100 is capable of recording 4K Ultra HD video at 30 frames per second and Full HD 1080p at up to 60 fps. The second camera, the HDR-CX900 has a practically identical design and feature set, sans the
5,669 Views· Posted
The Sony HXR-NX3 is a handheld camcorder with a host of professional features. In this video, Mia McCormick, of Kelby Media, conducts a tour of what she calls a "workhorse" of a camera. In the video she points out important features, such as the 20x optical zoom, 40x Clear Image Zoom, and AVCHD 2.0 recording. Providing a balanced appraisal of the camera, she touches on its notable features. We hope you enjoy this video, and
by Peter Ward_1 · Posted
Since the introduction of Creative Cloud, the question has been: does Adobe's move mean a radically altered workflow for content creation professionals, particularly video editors? For the moment, the answer is probably not. For all intents and purposes, Creative Cloud applications remain ordinary desktop applications; Adobe has merely eschewed the traditional perpetual license in favor of a subscription license. And on top of that, they are granting the user a set of—fairly limited at this point—cloud-based services; notably 20GB of file