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Posted
People have been sleeping on the RED DIGITAL CINEMA V-RAPTOR XE. It's more than just a full-frame version of the KOMODO-X. Nick shares where this cine camera sits in RED's lineup and gets hands-on in for outdoor and indoor locations.
0:00 - Sizzle Reel
0:30 - Intro
1:53 - V-Raptor XE Specs
4:08 - Autofocus
5:03 - Dynamic Range & Low Light Performance
6:16 - Concurrent Pro-Res Proxy Recording
6:58 - Ergonomics
7:48 - File Sizes
9:10 - 2.2.1beta Firmware Updates
9:38 - Upgrade Program
10:04 - Takeaways
Sponsored by
Posted
Now that the hype surrounding Nikon’s acquisition of RED and the launch of the ZR cinema camera has settled, we’re finally putting it to the test on set. Nick combed through FAQs gathered from our YouTube comments, our website, and Reddit, and he’ll be tackling them all in this video. You'll also get his honest opinion on the best features and the quirks. This hands-on experience is truly a deep dive (especially since Nick read all 120 pages of the user guide).
0:00 - Today's Video
0:53 - Key ZR Specs
1:42 - Nick's Initial Thoughts &
Posted
An instant camera that also shoots video? With inspired effects from the 1930s to the 2020s, this one’s an easy add to cart. Get our team’s first impressions of the FUJIFILM instax mini Evo Cinema Hybrid Instant Camera.
0:00 - First Impressions
1:32 - Decade-Inspired Effects
3:28 - Microphone & Printing
5:22 - Adjusting the Decade Effects
Sponsored by
by Zack Young · Posted
Coming four years after the release of the FX3 and three years after the FX30, Sony’s new FX2 digital cinema camera surprised a lot of people who expected a successor to the existing FX models, not an entirely new offering that sits somewhere between the two. A true hybrid capable of stunning (though slightly cropped) 4K60p video and sharp 33MP stills, the FX2 is a unique proposition in a market crowded with
by Shawn C. Steiner · Posted
At this point in camera development, most people aren’t looking for a mirrorless camera that can shoot video. Instead, they want a compact cinema camera that shares features with the mirrorless cameras that skyrocketed in popularity, thanks to their surprisingly impressive video specs. Sony strove for this paradigm with the FX30 and has done an excellent job.
Posted
Let's take a look at the RED V-RAPTOR XL 8K VV Cinema Camera, which boasts a 35.4MP 8K VV Sensor, up to 8K120 Video, RED's first integrated electronic ND filters, and more. To learn more about what this cinema camera can do for your productions, check out the RED V-RAPTOR XL 8K VV announcement.
0:00 - Introduction
0:29 - Specs
3:10 - Production Packages
7:56 - Final Thoughts
Posted
ARRI’s new ALEXA 35 camera is already making waves in the cinematography world, and we are happy to provide you with the latest info. Boasting a new sensor design and new color science, the ALEXA 35 is a brand new camera with 17 stops of dynamic range (2.5 more than previous ALEXA cameras), and a familiar Super 35mm camera package with a host of dedicated accessories that will fit into established on-set workflows. Truly a 4K camera with a 4.6K resolution sensor that fulfills the mandates for 4K origination while using a Super 35mm-sized
Posted
Every filmmaker has their own needs on set, so which Canon camera is right for you? In this cinema camera comparison, Doug takes a look at the Canon C70, the Canon C300 Mark III, and the Canon C500 Mark II, as well as rigging options for the
Posted
In this video review, Doug Guerra explores the features of the Sony PXW FX6, a full-frame 4K cinema camera. This compact camera sits between the Sony FX9 and a7S III and was built for filmmakers who demand light, mobile tools that don’t sacrifice image quality or control. The FX6 is versatile, allowing you to use it on a variety of shoots—from gimbal to drone to documentary work.
Features include a 10.2MP full-frame BSI CMOS Sensor, 15+ stops
Posted
The RED KOMODO 6K Digital Cinema Camera marks a first for many features never seen before in a RED DIGITAL CINEMA camera. It features a built-in LCD screen, 19.9MP Super35 Global Shutter CMOS, phase-detect autofocus system, 16+ stops dynamic range, the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production, and more. Check out Doug
Posted
The B&H film crew took the RED Gemini 5K S35 out for a real-world test to see if this cinema camera could work in a run-and-gun situation. Bobby takes you behind the scenes on an independent WW1 film to see this camera in action, then Doug takes you through the post production process and tells you how color grading worked for this 5K cinema camera.
To learn more about the RED Gemini 5K, watch this
by Mary Latvis · Posted
As we prepare to usher in 2020, let’s look at five of the best new cine cameras released in 2019 by some major manufacturers. Including large format and Super 35 options, these picks range from ultra-pro and broadcast-friendly models to a DSLR-style 6K option. Features sported by individual cameras include large format sensors, up to 8K recording, interchangeable-lens mounts, high-speed frame rates, and a dial-in variable ND filter. We’ve also noticed some brands using the same sensor in larger and more compact models, and the introduction of
by Mary Latvis · Posted
Thinking about making the leap to 8K video capture for stunning resolution and color depth, incredibly nuanced HDR, improved low-light performance, and cleaner compositing? Shooting with 8K cameras like RED DIGITAL CINEMA’s MONSTRO 8K VV and
1,634 Views· Posted
We got our hands on the Blackmagic Pocket 6K and took it to the streets of New York City to see how it compares to its predecessor, the Blackmagic Pocket 4K. We explore shooting modes, lens options, settings, and accessories. What do you think of the new features and quality of the footage? Let us know in the Comments section, below.
To read more about the Blackmagic Pocket Cinema 6K, check out
6,476 Views· Posted
ARRI made cinematic history when the company introduced the ALEXA, in 2010. Now, with the introduction of the ALEXA LF, ARRI has taken its technical know-how and applied it to create a large-format cinema camera. In the video below, Michel Suissa, from The Studio at B&H, converses with Sebastien Laffoux, the President of Camera Sales for ARRI USA, about the ALEXA LF and its new features, as well as its ability to fit into modern cinema and TV production