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by Jabari Holder · Posted
We've all seen them, but how can you create one?
As you shop for your first or next home, research a new vacation location, or (like me) cruise around Street View, you might stop and wonder: “How are these 3D tours made?” The answer is less complex than one might think, thanks to Matterport, and its line of 3D modeling solutions.
From allowing the use of smartphones and third-party VR cameras for scanning to streamlining the acquisition process with its online platform and companion application to offering a reliable, field proof,
Posted
Let’s take a look at the Sony VENICE 2 Digital Motion Picture Camera! In this video, the B&H video team gets its hands on this camera and we also hear first impressions from filmmaker Tim Nagasawa. The latest in the Sony cinema line boasts the option for a 6K or 8.6K sensor. The brand-new 8.6K CMOS sensor features an impressive 16-stop dynamic range, and the camera body features numerous updates, including internal recording to a high-
by Jennifer Hahn · Posted
Many professional broadcast cameras today can livestream to various platforms using their firmware and an adapter, but they usually require a step in between, such as a computer or a streaming box with specialized software to direct video to a media server such as Facebook Live—until now. JVC is updating its professional GY-HM250 UHD 4K Streaming Camcorder firmware with integrated support for Facebook Live's API so you can stream right from your
2,584 Views· Posted
by Steven Gladstone · Posted
In Part 1 of this article, I discussed my experience using the RED GEMINI camera brain with 5K S35 sensor and I mentioned that this was really my first time using a RED camera, shooting raw, and using RED CINE-X PRO software to output. There is a bit of a learning curve and, to be truthful, it is a
by Steven Gladstone · Posted
If you are reading this, you probably have two main questions, so I'm going to cut right to the chase and address them both. First, the RED DSMC2 GEMINI 5K S35, which has a 5K Super35mm sensor, is a great camera; I enjoyed working with it and would do so again with no reservations. Second, since GEMINI is the astrological sign of the Twins, I would guess this camera’s name has something to do with the sensor, which features
7,973 Views· Posted
Join Jake Estes as he explores the Sony PXW-Z280 4K XDCAM Camcorder, a replacement of the highly popular PXW X200. The Z280 retains some of the features that made its predecessor great, and it adds even more powerful capabilities, such as UHD 4K at 59.94 4:2:2 (10-bit), face-detecting AF with single-face priority, and a USB port on the back of the camera for easily backing up to a flash drive. Keep watching for more details and
6,536 Views· Posted
In this video, Rob reviews the RED Gemini, a 5K camera that features standard and low-light modes, both of which produce incredible image quality. Like other RED cameras, the Gemini is simple to use—watch and listen to the video for more features and footage taken with this powerful and versatile camera. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
9,101 Views· Posted
Join videographer Chase Kubasiak as he puts the new Sony PXW-Z190 4K 3-CMOS 1/3" Sensor XDCAM Camcorder through its paces. This lightweight camera has some impressive features, including 25x optical zoom in 4K, good image stabilization, and effective autofocus—even at a distance. Check out the video to learn more about the PXW-Z190’s capabilities. We hope you enjoy the video, and invite you to view the wide selection of other
by Mary Latvis · Posted
This week I enjoyed taking the Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera out for a spin; in a nutshell, this lightweight EF-mount camera packs a lot into its compact form. Highlights include 5.7K images that are down-sampled to 4K, 2K, etc., V-Log and V-gamut options, 14 stops of dynamic range, in-camera 10-bit recording to
by BH Online Videos · Posted
Join B&H’s Robert Rives as he discusses how to improve the sound of your guitars, vocals, and combinations thereof for YouTube videos captured on iOS devices. In this video, Rives employs the talents of colleague Nick Messitte to test-drive the Focusrite iTrack Pocket and the Shure MV5 Digital Condenser Microphone.
by Steven Gladstone · Posted
As tempting as it is to create fanfare about getting my hands on a pre-release version of Sony's 4K professional camcorder, the reality was very much like the camera itself: quiet, and to all appearances, unassuming. There is quite a bit that I liked about the PXW-Z150, things that most people who shoot for a living are going to find both exciting and, yet, very familiar. But first, a brief look at the tech aspects, before I get to the really
by David Adler · Posted
When the Canon XC10 camera was presented at NAB 2015, I immediately became curious about it—joining many others who record their opinions on the great and all-powerful Internet, I couldn’t place my finger on the targeted end-users of this camera. The spec sheet lists 4K UHD recording at a whopping 305 Mbps from a 1" sensor to CFast 2.0 cards, C-LOG and other picture profiles from the EOS C series, a relatively small ergonomic form factor with a rotating side-handle, a few customizable buttons, a tilting LCD with touchscreen controls, a Canon
by Justin Dise · Posted
We’ve seen a dramatic rise in the low-light capabilities of cameras in recent years, but nothing quite as impressive as the Canon ME20F-SH Professional Multi-Purpose Video Camera. Featuring a 2.26MP full-frame CMOS sensor, the camera captures up to 1080p color footage in extreme low-light environments at a maximum ISO of 4560000. You read that correctly—that’s an ISO of more than 4 million. With that kind of sensitivity, the ME20F
15,142 Views· Posted
In the following video, Doug Guerra, from B&H Photo, goes hands-on with Canon’s ME20F-SH, a professional multi-purpose video camera optimized for extreme low-light recording. Equipped with a 2.26MP full-frame 35mm CMOS sensor, the camera captures up to 1080p color footage at a maximum ISO of 4560000 and outputs it over HDMI and SDI. Guerra puts the camera’s low-light abilities to the test, while also examining features such as