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by Mary Latvis · Posted
Taking to the skies to capture breathtaking footage has never been easier. Modern drones are not only incredible filmmaking tools they are also becoming more affordable and accessible. Filmmakers looking to take flight will want to find something that can capture cinematic imagery with ease. Fortunately, there are plenty of options available today. Whether you are a first-time content creator,
by Zack Young · Posted
There's nothing like the feeling you get after playing your footage from an arduous day of filming, when you realize that everything you shot looks like your camera stumbled into a rogue washing machine, which then toppled down a comically large mountain range. Nothing like it. Unintentionally shaky footage can make a seemingly successful shoot become the bane of one's career. While there are certain measures one can take to mitigate the shakiness of footage in post, nothing will be as painless as simply stabilizing during production—hence the
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Matt tests out the Tilta Nucleus Autofocus Adapter, showing you how to set it up and demo footage. Stick around until the end to hear Matt's thoughts.
0:00 - Elevator Pitch
0:26 - Today's Camera Setup
1:26 - Adding Lens to Library
6:17 - Autofocus Tests (In Studio & Outdoors)
8:58 - Matt's Thoughts
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by Zack Young · Posted
With cameras outputting increasingly higher resolutions, many creatives are deciding to de-sharpen their images and find new ways to wipe away some of that digital sheen, easing highlight transitions in the process and adding analog warmth to modern video. Kondor Blue’s first entry into the world of softening is their Opaline Diffusion Filter, with a new screw-on offering now available in a variety of sizes and strengths. We
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What is a cinema camera, and how do you rig one out? Doug is covering the basics for those who already have experience with mirrorless or broadcast-style cameras. In order to understand modern digital cine cameras, we'll cover a brief history of their predecessors. After, Doug will breakdown the entire cine rig setup.
0:00 - What We're Covering
0:34 - What is a Cinema Camera?
6:19 - TLDR
9:29 - Trapped in a Cage
14:13 - Am I Seeing Things?
15:22 - You Might Need Glasses
24:22 - Absolute Power
28:14 - Accessories Make the Outfit
31:47 - Did
by Zack Young · Posted
Looking to learn more about the LED volume walls used in the burgeoning field of OSVP (on-set virtual production)? These walls are a key component of the process, serving as true-to-life backgrounds, sets, and locations for OSVP. Volume walls are composed of multiple LED displays (also called cabinets) that are seamlessly joined together to form a custom-size screen on which your background footage and real-time graphics are shown. Here, we’re going over key specs for the most visible component, the displays themselves.
Configuration
The first
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Now that you've filmed your video, it's time for editing and delivery in HDR. Doug dives deeper into HDR formats, as well as standards and workflows when working with HDR video. Join him in DaVinci Resolve where you'll learn about both the technical and creative sides.
0:00 - Intro
1:03 - Choosing an HDR Monitor
5:08 - Color Gamut
6:44 - Setting Up Your Monitor & Project
10:39 - Grading in HDR
24:28 - Exporting & Delivering
25:32 - Final Thoughts
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by Mary Latvis · Posted
Blending a high-resolution video display with live action, real-time computer graphics, camera tracking, and game engine software to create immersive environments, virtual production is rapidly transforming the face of video production. To streamline your VP or XR (extended reality) stage setup, consider getting a jump start with the help of a turnkey VP package.
LED Nation P1.86mm GOB Video Wall Turnkey Kit for
by Jennifer Hahn · Posted
Point-and-shoot cameras are a great value-add to your photography kit, social media sharing, or as a vacation companion for quick stills and capturing memories on the fly. And these days, the value is even greater with point-and-shoot video recording. The point-and-shoot design makes things simple to change to video mode and press record. Though after you’ve captured your video, it can become cumbersome to edit and share that footage.
Some cameras allow you to edit/trim your video footage (also called “Movies” in some cameras) in camera, which
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In part one, Doug shares how you can introduce HDR into your workflow. He discusses the advantages and disadvantages of shooting HDR video, the basics of HDR formats, and monitoring HDR on set.
0:00 - Intro
0:59 - What Is HDR Video?
2:20 - HDR Format Basics
5:30 - Middle Gray
7:19 - HDR Monitoring
12:59 - A Note on Exposure
13:45 - Where Is 18% Gray in HDR?
14:26 - Final Thoughts
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Monitors are a critical component for a video production set. Sidney shares what to look for in an on-camera monitor, featuring the SmallHD ULTRA 10 4K Portable Production Monitor.
0:00 - In This Video
0:20 - Size
1:03 - Brightness
1:27 - Color Accuracy
1:58 - Connectivity Options
2:54 - Professional Monitoring Tools
3:40 - Conclusion
Sponsored by
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Join Lotta to learn what sets Insta360's Luna Ultra apart from other gimbal cameras, including its dual Leica lenses, ability to capture up to 8K30fps action footage, and more.
0:00 - Sensor & Leica Lenses
0:35 - Photos & ND Filters
0:52 - Modes
1:05 - LCD Screen & Tracking
1:38 - Battery Life
1:51 - Who Is This Camera For?
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by Roberto Bayde · Posted
Action cameras are one of the best tools to capture everyday life and action adventures. Most cameras feature a universal two-prong adapter that can connect to a multitude of accessories. Here are some of our favorites.
SmallRig Quick Release Chest Strap Mount for Action Cameras
This Chest Strap from SmallRig is an essential for POV filming and can be used to record all types of content, including travel, action, and
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Large format sensors have been making their way across the filmmaking industry, so a need for compatible lenses has arisen. Enter ZEISS's Panoptes 65 lineup of cinema lenses. Join Doug for two video shoots—one in-studio and the other a documentary-style—as he puts the 35mm, 40mm, and 110mm through their paces.
0:00 - Intro
0:28 - Indoor Video Shoot
3:18 - Test Footage (Indoors)
4:19 - Outdoor Video Shoot
5:04 - A Note on Image Quality
7:04 - Demo & Test Footage (Outdoors)
10:00 - Doug's Overall Thoughts
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by Mary Latvis · Posted
Are you looking to learn more about the LED volume walls used in the burgeoning field of OSVP (on-set virtual production)? These walls are a key component of the process, serving as true-to-life backgrounds, and in effect, sets and locations for OSVP. Volume walls are composed of multiple LED displays that are seamlessly joined to form a custom-size screen on which your prerecorded background plates are played back. Here we'll go over the component that stiches together those displays and controls the behavior of your LED volume wall: