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by Steven Gladstone · Posted
No matter what time of year, there always seems to be a party, occasion, get-together, or something that calls for some kind of gift. Last-minute panic gift-getting often leads to questionable choices that may cause you to be excluded from the next party or two—hey, the drug store was closing and all they had left was a combination manicure/toe-nail fungus kit and I didn’t want to show up empty handed. So, don’t let this happen to you. Read on for a guide to some of the best video-related gifts for less than $100, suitable for most any
by Peter Ward_1 · Posted
The on-camera light is to the video shooter what the speed light is to the still photographer. Many would consider it an essential piece of kit. “On-camera” is a term that defines a category, but these light may not always (or ever) be mounted on your camera. It refers to a compact, battery-powered light that can be mounted on-camera if you so choose. Some even work on drones. There are hundreds out there so what I would like to do is consider
by Steven Gladstone · Posted
If you have a young filmmaker in your life and you are looking for some way to connect with them, then this is the article for you. From big to small, inexpensive to “it’s more than I paid for my first new car!” this article will briefly touch upon practical and fun gear for young filmmakers, beginning and experienced.
While you may be concerned that gear-buying is a very personal decision (and that is a valid concern), if the young filmmaker is starting from scratch, no worries—and if they already have gear, then there will be
by David Adler · Posted
Whenever I think of professional video cameras, my mind is drawn to those ubiquitous shoulder-mounted beasts on news sets, and hundred-pound 35mm film camera setups in movie studios. Romanticizing the idea of the iconic professional camera is easy to do. Generally speaking, the content that most people consume is created with gear that fits into that stereotype. In most cases, the cost, storage space, and maintenance required by that equipment is more than a single person can bear. Hence, those cameras are, more often than not, the property of
by Peter Ward_1 · Posted
We can safely say the “drone for the non-hobbyist” space really matured in 2016. By this, I mean drones that appeal to users other than just model builders, spanning the gamut from aerial imaging at the pro and prosumer level, as well as fun drones that some people use for practice, and others just to carry around to use for snapping aerial selfies.
This year, we’ve seen new additions from established companies, such as DJI, with the obstacle-avoiding
by David Adler · Posted
Piloting an Unmanned Aerial Vehicle (UAV or simply, drone) is fun, but what about stepping into a virtual cockpit? Drones and other remote-controlled flying machines have always offered an exciting flying experience, but with First Person View (FPV), you can get to be at the heart of the action. A combination of a tiny camera, radio transmission, and a viewing monitor or headset can make for a realistic viewing experience that can completely, and literally, change your perspective on UAVs.
What makes up an FPV system?
An FPV system requires
by Lawrence Neves · Posted
With clear skies and a ton of scenic venues around the country, now is as good a time as ever to get your drone on. With hundreds of options, we break down the best drones offered at B&H according to skill level, from the enthusiast to the drone-inspired videographers and filmmakers. Check out the lineup of our top selling drones, and let your creative flag fly!
by David Adler · Posted
It’s movie night, the time to see one of several big science-fiction films of the summer. You arrive just as the 15 minutes of previews start, trying to sneak past the other patrons in your row without tripping over any outstretched limbs or jutting armrests. At last, you’ve arrived at your seat. You ease into the overly spongy cushion and let out a sigh of relief as the realization that you didn’t tar-and-feather any of the other moviegoers with your one-two punch of glowing-yellow buttered popcorn and soft drink. It’s enough to almost make
by David Adler · Posted
Over the past few years, motorized gimbals have enjoyed a noticeable rise in popularity, becoming a viable and affordable camera-stabilization platform. In fact, these mechanisms took the world by storm, starting with the announcement of the FREEFLY MōVI, in 2013. Like most technologies, it has taken some time for motorized gimbals to break into the
by John-Paul Pale… · Posted
During my days as a film student, I shot projects using film and digital media. While digital footage was imported directly from tape, film was sent out, developed, and transferred to tape in standard definition. Now that more than a decade has passed and the industry has gone predominantly digital, what options exist for people looking to transfer their existing film? The answer is: film scanning, but how does this differ from the older telecine process? Before undertaking this journey, users will need to be familiar with items such as film
by Justin Dise · Posted
For many video shooters, a single camera is often enough. If you’re one of those people who finds this to be true then, by all means, feel free to skip this article. But if you’re someone who works with multi-cam setups or is thinking about picking up a second (or third) camera to supplement your main camera, then please keep reading. There are many things to consider when selecting a “B” camera, and while you could easily just purchase an identical model to your main camera, this isn’t always affordable, nor does it give you the opportunity
by Justin Dise · Posted
Vlogging—or video blogging—is becoming more popular by the day, with seemingly everyone seeking to become the next YouTube sensation. You may be thinking that with the right subject matter and your winning personality, stardom is right around the corner. And who knows—maybe it is! But if you’re really going to give it a go, then you’re going to need a few essential pieces of gear to get your vlogging career up and running, and looking good. I mean, let’s face it: viewers are brutal. Bad audio? Dislike! Lousy video quality? Double dislike! So
by Ronald Francis · Posted
If you shoot with up to 50 lb of weight, including with entry-level weights, you might find the new video-head lineup from Cartoni a very realistic match for your needs and investment considerations.
While the 80-year old Italian brand is most famed for its high-end tripod systems, over the past decade Cartoni has also been supporting reduced camera sizes with several entry- and mid-level heads. These options are distinguished for their counterbalance and smooth drag, light weight and solid builds, and long-term consistency.
by Steven Gladstone · Posted
Video needs lighting. This is a statement worth repeating: video needs lighting. Yes, you can shoot available light, and now there are cameras with obscenely high ISO ratings, but think about it—if you are shooting at 100,000 ISO, 400,000 ISO, or 4 million ISO, what is the quality of your light? And what exactly are you shooting? If you are shooting at high ISO ratings, most likely you are shooting in extremely low light, and although you may be able to get a decent exposure, it is unlikely there will be much contrast in your shot. This is a
by Steven Gladstone · Posted
The following article contains suggestions for items that you may not know exist, but you might just end up wanting. These accessories can make your production life a little bit better. In researching this article, I took the opportunity to peruse the accessories that B&H Photo sells, and if you have a day to spend doing so, I’d recommend it—there are more than