John R. Harris is a photographer, a writer, and the Senior Producer of the B&H Photography Podcast. His photography has been exhibited at the International Center of Photography, the Museum of Modern Art and the Victoria and Albert Museum. A book of his photographs, Garzon, was published in 2011, and his work has appeared in numerous publications. As an on-set still photographer, he has worked on such films as The Motorcycle Diaries, Everybody Has a Plan, and Sunlight, Jr. See his Instagram feed here: @jrockfoto
John Harris
Latest Articles
This B&H Explora article contains a review of the new Zeiss Otus 85mm f/1.4 APO Planar T* Lens.
Samyang is forever on the move, quickly responding to our unfulfilled focal-length and format needs by producing quality manual-focus lenses at affordable prices. They sometimes even fill needs we didn’t realize we had.
Had I not arrived two hours prior to tip-off, I never would have seen what a jack-of-all-trades Brooklyn Nets photographer Adam Pantozzi is required to be. Pantozzi has been shooting for the Nets for almost ten years, and has moved with them from the Meadowlands, to Newark, and as of last year, to their new home at the intersection of Atlantic and Flatbush Avenues in Brooklyn.
If you could build your own digital camera at 8 years old, you would be a very impressive little big shot. This is the goal of the Bigshot Digital Camera Kit, which was developed by Columbia University Computer Science Professor Shree Nayar and his team of students and engineers. “It’s about getting kids’ hands dirty,” says Professor Nayar.
Speier has been shooting on the streets of New York City since the 1960’s. He’s actually been shooting a lot longer than that, but he didn’t get serious with his art until after a stint in the Army and a career as a trial lawyer. At 86, his work is in the permanent collection of numerous museums, and he’s a respected teacher, notably developing a popular course at The New School.
The Pentax K-3 DSLR is getting a lot of praise for a camera that was only announced three weeks ago. Specifically, the first-of-its-kind selectable anti-aliasing simulator is garnering attention for an optional function that, prior to the K-3, required two separate cameras to achieve. But in my short time with this camera it became clear that it’s not just the anti-aliasing filter option that makes the K-3 a camera worth talking about.

