Digital Cine Lenses
0 Views ·Posted
No matter how much filmmaking continues to innovate and progress, we always have an appreciation for nostalgia. Contemporary film projects that use older, classic lenses is a never-ending trend, but that does not come without its own unique issues. Now, with the release of the new SP3 Full Frame Cine Lenses, Cooke invites you to partake in this nostalgia with these Speed Panchro-inspired lenses, which have been optimized
Angenieux is making it easy to swap your professional zoom lens between Super 35 and Full Frame/Vista Vision cameras without needing to procure an additional lens with the new EZ-3 Series Convertible Super 35 and Full-Frame/VistaVision zoom lens. The convertible feature of this lens makes it perfect for switching between cinema, broadcast, and ENG cameras without missing a beat or lugging a second zoom lens.
0 Views ·Posted
Jabari Holder tests the video quality of almost every entry-level ZEISS digital cinema lens available, from the CP.3 and LWZ.3 series. He also compares them to the Zeiss Otus, Milvus, Loxia, and Batis lenses.
0:00 - Introduction
0:52 - The Zeiss Look
1:52 - Photo vs. Cine Lenses
7:19 - CP.3
8:51 - LWZ.3
10:21 - Otus
11:23 - Milvus
12:23 - Loxia
13:26 - Batis
14:05 - Final Thoughts
Are you a ZEISS fan? Tell us why in the Comments section, below.