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by Zack Young · Posted
Sirui unveiled their new Vision Prime T1.4 full-frame cine lens series alongside a 20mm T1.8 anamorphic lens. The Vision Prime series kicks off with a 24mm, 35mm, and 50mm T1.4 lenses. The Vision Primes are Sony E-mount out of the box but include a set of user-changeable RF-, Z-, and L-mounts. Sirui’s other announcement, the 20mm T1.8 1.33x autofocus anamorphic lens, is the widest focal length we’ve seen with anamorphic AF lenses, a burgeoning category that so far
by Zack Young · Posted
So, if a PTZ camera is basically a camcorder on a robotic head, why not just buy a camcorder and a robotic head? And why would you choose PTZ cameras over mirrorless cameras that have unique interchangeable lenses with shallow depth of field? Let’s discuss.
PTZ (pan-tilt-zoom) cameras have been around for decades, but their recent surge in popularity has greatly expanded the number of people who are considering adding them to their
by Jordan Gallant · Posted
Taking the improvements of the Shinobi II, the Shinobi GO from Atomos is a lower-cost version for budget filmmakers looking to expand their on-camera monitoring setup without breaking the bank. The Shinobi GO features the same 5.2” 1920 x 1080 resolution display with 1500 cd/m² maximum brightness for daylight visibility. While it might not boast the revolutionary camera control, DCI 4K support, and other advanced
Posted
Stuck in a lighting rut? Join Doug to learn three lighting setups to try for your next film or interview. Using the Godox RS60R and KNOWLED MS60R lights, he'll light a cinematic scene, an eerie scene, and a practical interview.
0:00 - Today's Video Shoot
1:03 - Lighting Setup 1
9:49 - Scene 1
10:30 - Lighting Setup 2
13:24 - Scene 2
13:52 - Lighting Setup 3
18:28 - Final Thoughts
Sponsored by
by Zack Young · Posted
Manfrotto has announced new 190- and 055-series tripods designed for photographers and videographers. Lightweight yet capable of holding hefty camera rigs, these new tripod legs are built to withstand tough shooting conditions and support you wherever you go. The fresh photo-centric offerings are the Manfrotto 190X3 3-Section AS
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DJI is bringing its RS stabilization algorithm to both smartphone and mirrorless vlogging with the new RS 4 Mini Handheld Gimbal Stabilizer. Weighing only 2 lb, the RS 4 Mini boasts a compact form factor capable of supporting lightweight camera rigs up to 4.4 lb. Dual quick-release plates allow you to switch out your camera batteries or memory cards without needing to rebalance your gimbal motors.
by John Foldi · Posted
Don't let an empty sky fool you. The air above our heads is just as filled with restrictions and regulations as the ground we stand on. However, unlike on land, there are no clear and visible signs to follow up there. Regardless, pilots are responsible for not violating these invisible boundaries. In this article we'll go over restricted airspace in general, explain how you can learn where to legally go, and even how to (maybe) gain access to prohibited areas in real-time!
Now Not Entering the "No Drone Zone"
The term "
by Darrell Holdaway · Posted
There is a first time for everything, and if you have your mind set on producing a wedding video, you will encounter plenty of “firsts” during that initial wedding weekend. There is a first kiss, a first dance, and a first slice of cake. Where will you have your cameras set up for each of these memorable moments? Will you need lights for every shot? How will you manage the audio? When the bride says “I do,” you will want everything in place to ensure that you capture every word and angle. This guide will address equipment needs, event
by John Foldi · Posted
Seat belts? Check. Mirrors? Check. When you operate a car, there's a set of tasks that you perform in order to get to your destination safe and sound. It's no different when it comes to piloting a drone. Pilots, like drivers, have a responsibility to ensure the trip is safe for everyone. In this article we'll go over some drone dos and don'ts, you'll get a couple of pre-flight checklists that you can follow before every flight, and we’ll touch on some safety accessories you can get for your drone to help make every flight as safe as possible.
by John Foldi · Posted
What could arguably be the most important feature of a drone, "return to home" is designed to make sure you get your aircraft back in one piece. However, not all RTH features are created equal. There are times you may not even want to use it. We'll quickly go over this essential feature to show how it works and some tips on how to use it effectively.
How Does RTH Work?
At the heart of the return to home feature is GPS. That’s right, the same technology you use to drive to the store without getting lost is the same thing your drone uses to know
by Jennifer Hahn · Posted
The wait is over for the next handheld smartphone gimbals from DJI: the Osmo Mobile 7 and Osmo Mobile 7P (and a new series of accessories) have just been released and they pack a whole lot of features into their tiny, portable package. Gimbal highlights include even quicker folding
by Jennifer Hahn · Posted
To solve the issues of latency and other obstacles that hinder long-range wireless video transmission, Hollyland has released the Cosmo C2 wireless transmission system using their newly developed HEVO 2.0 technology. Whether you’re live streaming, broadcasting, or monitoring multiple camera feeds, the Cosmo C2 delivers pristine video up to 3000’ line-of-sight, three times the distance of its predecessor the Cosmo C1. The C2 comes in a two transmitter and
![RED Announces Z-Mount Versions of the V-RAPTOR [X] and KOMODO [X]](/explora/sites/default/files/styles/356x200/public/red-announces-z-mount-versions-of-the-v-raptor-x-and-komodo-x-ts.jpg?itok=G32KqPGF "RED Announces Z-Mount Versions of the V-RAPTOR [X] and KOMODO [X]")
by Zack Young · Posted
Since Nikon acquired RED Digital Cinema last year, we’ve seen a couple collaborations on the software front, but now the brands have unveiled their first hardware collaborations, new iterations of RED’s popular V-RAPTOR [X] and KOMODO [X] cinema cameras, now with locking Nikon Z-mounts. Releasing alongside these models are new Z-to-PL mount adapters, some with electronic ND filters, as well as conversion kits for shooters who want to add a Z-mount to
by Luke Rollins · Posted
Less than a year after their acquisition of RED Camera, Nikon is making good on their renewed dedication to video with the release of their latest lens, the NIKKOR Z 28-135mm f/4 PZ Lens. It's the first Power Zoom lens the company has made for their FX format, and one they've designed to pair with their full-frame mirrorless cameras like the flagship Z9, along with the Z8 and Z6 III. An all-in-one lens aimed at the professional
by Zack Young · Posted
There are countless brands putting out budget-friendly cinema lenses at the moment, but DZOFilm has separated itself from the pack with quality and consistency. Now the brand is making its biggest play yet at the professional space with the DZOFilm Arles series, T1.4 cinema lenses that cover full-frame and Vista Vision sensors. The look of the Arles attempts to bridge the gap between