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Posted
Sigma has announced a smaller, lighter 85mm f/1.4 DG DN Art Lens for full-frame L-mount and Sony E-mount mirrorless cameras. Over the years, Sigma’s Art-series lenses have gained a reputation for both their exacting sharpness and hefty weight. The latest portrait lens, redesigned specifically for mirrorless cameras, dramatically slashes the weight
by Allan Weitz · Posted
For many photographers, cropping is a dirty word. For some photographers, the very mention of the “C” word is enough to make them shudder. Me? I do it all the time, and I have my reasons… lots of them. But before we move on, let’s talk about the fact that the pictures we “create” are to a certain extent pre-cropped before we even press the shutter button.
“Huh?” Yes. You read my words correctly. The photographs we compose through our viewfinders are a small central portion of a much larger circular image projected by the lens. The central
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Sigma is continuing to expand its commitment to full-frame mirrorless, and the L Mount in general, with the launch of the 100-400mm f/5-6.3 DG DN OS Contemporary lens. This is the fifth lens from Sigma that has been specifically designed for the shorter flange-back distance of full-frame mirrorless camera systems, as opposed to SLR-intended lenses that have been adapted to mirrorless mounts, and brings with it an especially sleek form factor,
by Allan Weitz · Posted
Tamron has just introduced its 28-200mm f/2.8-5.6 Di III RXD Lens, now the fastest all-in-one zoom in its class, with a maximum aperture of f/2.8 at the widest end. This should help many zoom lens enthusiasts who are looking to capture a little extra light in dim conditions.
Tamron 28-200mm f/2.8-5.6 Di III RXD Lens for Sony E
by Allan Weitz · Posted
Pentax has announced the latest addition to its next-generation Star series prime lens family—the HD PENTAX-D FA* 85mm f/1.4 ED SDM AW. Designed for use with all full-frame and APS-C format, Pentax K-mount cameras, Pentax’s latest flagship prime lens features a
by Allan Weitz · Posted
In recognition of B&H Photo Macro Week, this week's FAQ topic is—you guessed it—macro lenses.
What is a macro lens?
Macro lenses are generally defined as lenses that can photograph an object at life-size (1:1) or half life-size (1:2) magnification.
Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD Lens
Are macro lenses available in different focal lengths?
Yes. For full-frame 35mm cameras, macro lenses that focus down
by Bjorn Petersen · Posted
After refining a pair of trusted primes, Rokinon has just announced its Series II lenses, and the 14mm f/2.8 and 85mm f/1.4 lenses are the first examples. These familiar focal lengths have been in Rokinon’s stable of lenses in various iterations over the years, but the updated versions today revolve around streamlined exterior designs and improved optics. Both lenses have manual focus designs, are weather-sealed, and both are available for Canon EF-M, FUJIFILM X, Micro Four Thirds, or Sony E mirrorless mounts, or Canon EF or Nikon F SLR mounts
Posted
Positioned as the go-to kit lens for L-mount shooters, Panasonic’s new Lumix S 20-60mm f/3.5-5.6 zoom adds a fresh dimension to its full-frame mirrorless system. This compact yet highly versatile lens offers a unique range, from an ultra-wide 20mm to a normal 60mm focal length when fully extended.
Measuring only 3.4" long and weighing just over a mere 12 oz, this sleek optic affords all-day portability while supporting
Posted
In this lens review, Jake tests the Tamron 70-180mm f/2.8 Di III VXD in both photo and video scenarios. Compact and fast, this lens was specially designed for full-frame Sony E-mount cameras and rounds out Tamron's offering for this series.
And while you're contemplating your next lens acquisition, watch our hands-on review of the
by Bjorn Petersen · Posted
It's not often that a prime lens with a unique focal length is announced, but Rokinon has just announced the AF 75mm f/1.8 FE lens for Sony E-mount cameras. More than just an eyebrow-raising number, the 75mm focal length is an interesting one because it sits in that sweet spot between 50mm and 85mm, similar to how the now-popular 40mm or 45mm lens strikes an agreeable balance between normal and wide-angle. Besides its particular field of
by Allan Weitz · Posted
Tamron has introduced its third f/2.8 zoom lens for full-frame Sony E-mount mirrorless cameras: the Tamron 70-180mm f/2.8 Di III VXD, which incorporates a number of imaging technologies designed to enhance your picture-taking experience. Measuring a compact 5.9" at the 70mm setting, Tamron's new short-to-mid-range telephoto zoom weighs 28.6 oz, making it a comfortable lens to sling over one's shoulder for an hour or an entire
by Allan Weitz · Posted
Most photographers use sharpness as qualifier to rate the quality of their lenses, but as any seasoned photographer can tell you, resolution isn’t the end-all when it comes to ranking lens qualities. If anything, it’s the character of a lens—the way it renders your subject, that determines the quality of a lens. In this article, we will discuss lenses that bring something special to the party—lenses that break from the rest of the pack.
Pinholes
Some of the earliest photographs were captured with cameras obscura, which have evolved into
by Allan Weitz · Posted
Creative filters can add that “extra touch” to your photographs and videos, but holding them in place as you go about taking pictures can often become a clumsy process, with results that cannot always be easily duplicated if the shot isn’t perfect the first time. The new Lensbaby OMNI Filter System Bundles are a simple, hands-free solution to this problem and are available in two sizes: the Lensbaby OMNI System Bundle – Small for 49mm
by Bjorn Petersen · Posted
Long awaited and highly anticipated, Sony has finally released an ultra-wide-angle prime lens for its full-frame mirrorless cameras: the FE 20mm f/1.8 G. While this company’s standard wides and normal-length lenses have been a focus and priority over the years, the ultra-wide sector has been relegated to zoom lenses—until now. With this new 20mm f/1.8, though, a more compact and focused design gives photographers and videographers a faster
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This week’s episode of the B&H Photography Podcast is a healthy set of conversations with gear representatives and camera experts from several of the major camera and lighting companies that we recorded at the 2020 Depth of Field Conference.
First we speak with Steve Heiner, of Nikon, discussing that company’s new DSLRs, including the