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by Mathew Malwitz · Posted
When it comes to choosing the right camera, there’s often a gap between the small, pocketable point-and-shoot cameras and larger mirrorless ones. While interchangeable lens mirrorless cameras have much to offer, their higher price points and larger form factor often make them unfeasible for the average photo enthusiast. It often leads to the question of how a photographer can bridge that gap.
Enter the aptly named
by Jill Waterman · Posted
As a follow-up to Part 1 of our fireworks story, it’s worth noting that photographing a fireworks show is no easy feat. Readers seeking a how-to guide to this subject need look no further than this Explora article, by Todd Vorenkamp.
Yet, as that article notes, and the photos featured here make evident, the challenge of capturing bursting pyrotechnics in images offers great opportunities for experimentation and fun. This is perhaps
by Bjorn Petersen · Posted
In a world where photographers are being asked to capture video and filmmakers need to shoot photos, having one tool that can do both is a major asset—especially in the world of wedding photography where it’s often the same team putting together both the photographs and the video. For this type of scenario, Sony’s latest camera solutions offer some of the best options for hybrid shooting.
Here are some of the best
by Mathew Malwitz · Posted
The wait is finally over, and Sony has unveiled not one, but two new game changing imaging tools to their arsenal. Introducing the a7R VI mirrorless camera and the FE 100-400mm f/4.5 G Master lens. The perfect marriage of speed and resolution.
by Luke Rollins · Posted
Sports photographers are newcomers to the a7R party. Not because they're late to the series, but because until now the camera line simply wasn't well-suited for action, what with its processor-hungry file sizes slowing things down. Sony aims to change all that with the a7R VI Mirrorless Camera, the company's latest 66.8MP full-frame shooter offering unprecedented speed for the series.
by Mathew Malwitz · Posted
The a7R series has long been popular among wildlife photographers for the big files and associated crop-ability so to speak. That said, one area where the R could use some improvement is in the speed department. After all, it was never designed to be a wildlife camera; Its bread and butter was always resolution with landscape, portrait and studio photographers making the most use of all the extra detail. But, as tends to happen, Sony bends the rules.
by Luke Rollins · Posted
Since its inception, the a7R series has been a mainstay of portrait photographers, for whom its high-resolution imagery benefitted large-scale prints in fashion, beauty, and art contexts. With the release of the a7R VI Mirrorless Camera, Sony has introduced speed into the portraitist's toolkit, eliminating the tradeoff between resolution and processing and making the act of portraiture one of agility and discovery.
by Mathew Malwitz · Posted
Wedding photography is a blend of genres, sort of a marriage (pun intended) between portrait, street, and occasionally even landscape photography. There’s always a bit of mystery when it comes to lighting, and we need to be ready for anything. In a reception hall, you may dimly chandeliers, bright LEDs, or even pulsating, colorful strobes from the DJ booth. All of these variables, and you may not be able to use flash! What can you do?
by Mathew Malwitz · Posted
Getting a new camera is always an exciting affair. Whether it’s your first interchangeable lens camera or a long-awaited upgrade, there’s almost always new features to explore. Mirrorless cameras are especially exciting as they bring new and intuitive features that boost creativity while making photography easier than ever! Whether you’re new to cameras, shopping for one, or looking to dust off an old hobby, let’s get into setting up our new mirrorless camera.
What Is a Mirrorless Camera?
It’s not often something is named after a feature it
Posted
Today’s mirrorless cameras offer many advanced features that are often overlooked by users. Join Russell Graves as he goes over some of the more obscure features in today’s mirrorless market.
0:00 - Intro
2:15 - Making the switch to mirrorless
6:40 - A short disclaimer
10:37 - View options
15:03 - Bright monitoring
19:14 - The function button / Q button
22:45 - Camera control app
29:10 - Built-in intervalometer
36:53 - Manual focus assist
42:16 - Bulb timer
47:26 - Crop mode
54:44 - Closing thoughts
55:25 - Q&A
by Mathew Malwitz · Posted
Any place in the world can be a photo destination in the winter, but the general idea is to explore a few locations that offer wonderful photographic possibilities in winter that they might not offer in summer. We want to make use of all that snow and everything else the cold temperatures have to offer. After all, we can enjoy the warmer weather come spring. We can always blend in a bit of that warm escapism we all crave after a few months of short days, snow, and cold.
Lake Reschen and South Tyrol, Italy
The Tyrol region of northern Italy and
by Mathew Malwitz · Posted
We can say from experience that there’s nothing worse than your fingers freezing while on a winter photo shoot. From a scientific standpoint, exposure to the cold results in constriction of blood flow to the extremities, resulting in rapid temperature loss that approaches ambient temperatures. In layman’s terms, your hands get cold fast. Once you feel that chill, it’s nearly impossible to think about anything else.
Enter gloves. From mittens to liners, we all probably have more pairs of gloves than we know what to do with, but not all pairs
by Mathew Malwitz · Posted
Starting off 2026 on a strong note, Nikon has unveiled their latest lens for the Z system. The Z 24-105mm f/4-7.1 is a flexible, carry-everywhere zoom designed with convenience in mind. At just 12.4 oz, this is one of the lightest zooms of its caliber in Nikons current lineup.
Nikon NIKKOR Z 24-
by Mathew Malwitz · Posted
If renowned landscape photographer Ansel Adams were alive today, he would surely be astounded at the variety of cameras available. When compared to his hulking 8x10 view camera, today’s cameras look like child’s play. He would also be flabbergasted at the image quality these little devices produce.
This year, we have a bottomless well of cameras
by Luke Rollins · Posted
Like a painter choosing a paintbrush, a photographer’s lens choice will dramatically affect the resulting picture. This is especially true when it comes to landscape photography. Lens choice can make a big difference when you don’t have the benefit of directing your subject. A mountain will not turn its face toward the sun, no matter how hard you beg. As a result, your creativity is limited to a couple of key factors, such as time of day, weather, and―you guessed it, lens choice.
Similar to the range of unique considerations to keep in mind