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by Todd Vorenkamp · Posted
I am not a “hard case guy,” but I know many who use them, and I know they are essential for a lot of photographers, videographers, and creatives who are constantly on the go and need extra protection for their gear. And, if you have even given hard cases a moment of thought, the Pelican brand of protective “stuff” is guaranteed to have made it onto your radar because the term “Pelican
by Allan Weitz · Posted
I can’t say I’ve ever gotten excited over a firmware upgrade, but then again, as a photographer who enjoys photographing architecture, I never thought I’d see the day I could correct keystone distortion—the distortion that makes buildings look like they’re falling over backward—in-camera and in real time with a Leica rangefinder camera. 2021 is only a couple of months old and already I have good feelings about it.
Leica’s latest firmware update, which enables a
by Allan Weitz · Posted
In addition to its innovative image-processing abilities, the recently introduced Zeiss ZX1 is also notable as being the first camera to wear the Zeiss nameplate in five decades. This Classic Camera review is about the last camera to wear the Zeiss nameplate—the Zeiss Ikon Hologon Ultrawide (1969-71), which was as technically remarkable as its 21st-century follow-up act. Although this article is a classic “camera” review, the story is really about
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In this B&H Online Video, Doug Guerra tests Sony’s newest full-frame mirrorless camera, the Alpha 1. Sony’s flagship camera is designed to do it all, boasting impressive features such as:
50MP Full-Frame Sensor
Up to 30 fps Shooting
ISO 50-102400
8K 30p and 4K 120p Video in 10-Bit
Real-time Eye AF for humans and animals
759 phase-detection points and 425 contrast-detection areas
120 AF and AE calculations per second
and much
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Among the madness that is CES, Sony slipped in a surprise photo announcement: the FE 35mm f/1.4 GM lens. Sony has been very clear that this full-frame E-mount lens is aiming to deliver top-tier image quality in a compact package, and it looks like the company absolutely hit the mark. The 35mm GM appears to be one of the best and most versatile prime lenses to join Sony's ever-growing mirrorless system.
by Todd Vorenkamp · Posted
Are you feeling the seismic waves of Fujinon’s first entry into the premium roof prism birding and hunting binocular market? Well, not only do these new Fujinon Hyper Clarity 8x42 and 10x42 binoculars from FUJIFILM look great, their performance matches their looks. Let’s dive deeper into these new Fujinon roof
by Bjorn Petersen · Posted
Continuing to add to its growing DG DN lineup of full-frame mirrorless lenses, Sigma has just released a trio of new lenses, along with a new designation for lenses that are sleek and stylish. Introducing the 65mm f/2 DG DN Contemporary, 35mm f/2 DG DN Contemporary, and 24mm f/
by John Harris · Posted
Olympus has officially released its long-awaited M.Zuiko Digital ED 150-400mm f/4.5 TC1.25x IS PRO lens, and I was given the opportunity to photograph with it for a few days. The representatives from Olympus were very excited and proud of this new telephoto zoom and after my time with it, I find it obvious why. Let’s start with the basics: this is a noticeably lightweight and compact lens, designed for Micro Four Thirds format
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Doug Guerra tries the Tamron 70-300mm f/4.5-6.3 Di III RXD Lens using the Sony a7R IV. This Tamron lens offers a good balance of size, reach, and image quality for your full-frame, mirrorless Sony camera.
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Black-and-white photography and the name Leica have a synergy unlike any other medium and camera company, which is why it shouldn’t come as a surprise that Leica has introduced its fourth camera in eight years to wear the Monochrom nameplate. What is interesting is that with the introduction of the new Leica Q2 Monochrom, Leica has expanded the Monochrom brand beyond its fabled M-series bodies to now include Leica’s popular Q-
by Todd Vorenkamp · Posted
The upper echelons of the binocular world just got a bit more crowded with the introduction of the new ZEISS 8x32 Victory SF binoculars and their stablemate, the ZEISS 10x32 Victory SF. Designed and manufactured for
by Cory Rice · Posted
Sigma has added a short telephoto macro to its Art lens lineup: the 105mm f/2.8 DG DN Macro Art lens. The new lens offers 1:1, life-size rendering, a handful of manual controls, and the exacting sharpness that has become synonymous with Sigma Art glass. Designed specifically for mirrorless cameras, it is available in E-mount for Sony cameras and L-
by Shawn C. Steiner · Posted
Another day, another camera. The past few months have been absolutely mind-blowing when it comes to the frequency and quality of camera releases. Now, we have the Panasonic S5 to check out. Arguably the "entry-level" of Panasonic's full-frame mirrorless lineup, the S5 is a step up from the true beginner's feature set—and budget, the reason being that it boasts a full-frame sensor capable of 10-bit 4K 60p video in a body that is
by Allan Weitz · Posted
In the early and mid-1970s, I often prowled the various neighborhoods of my native Brooklyn with my camera in tow. Coney Island was one of my favorite haunts and, despite the fact Coney wasn’t the safest of places at the time, I managed to wander the boardwalk and alleyways with a 4 x 5 field camera and a bag of Nikons slung over my shoulder without incident.
In a bid to lower my visual profile—and maybe shake up my shooting habits in the process—I started looking for a camera that was smaller and stealthier than the gear I was currently using
Posted
The Sony a7S III is finally here! The newest Sony camera features a brand-new back side-illuminated 12.1MP full-frame CMOS sensor that delivers vibrant, yet natural colors, fast autofocus for photo and video, internal 4K 10-bit video up to 120 fps, touch focus in every mode, 5.5 stops of image stabilization, passive heat management, and much more! Doug Guerra takes the Sony a7S III out for a real-world test in various conditions,