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Anamorphic, probe, full-frame, and fast are some of the words to describe the lenses highlighted in this video! Doug is on the floor at NAB 2025 with the details on NiSi's AUREUS PRIME T1.4 lineup, BLAZAR LENS's Mantis anamorphic lineup, ARRI's Enso prime lineup, and Venus Optics's Laowa Probe Zoom lenses.
0:00 - NiSi AUREUS PRIME
3:06 - BLAZAR LENS Mantis Anamorphic Lenses
5:10 - ARRI Enso Prime Lineup
7:27 - Laowa Probe Zoom Lenses
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Jabari runs down the entire lineup of DZOFilm's Arles Prime Cine Lens and takes the five-lens set to record some test footage.
0:00 - About DZOFilm's Arles Lineup
0:40 - Vista Vision Sensor Coverage
1:31 - Flares & Bokeh
2:04 - Aperture & Shared Specs
2:44 - Today's Video Shoot
3:50 - Test Footage
5:47 - Conclusion
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The 2024 holiday season is here! Jabari shares which cine lens to gift the filmmaker in your life, whether they’re searching for their first one, or looking to get the Hollywood look for a fraction of the price.
0:00 Intro
0:24 Investment Lenses: For Aspiring Cinematographers
2:52 Personal Set: For the Working Filmmaker
4:16 Anamorphic Lenses: For the Cinema Purist
5:36 Budget Lenses: Their First Cinema Lenses
7:32 Which to Buy?
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Level up your video calls with the OBSBOT Tiny 4K, a PTZ Webcam that is powered by AI. Its features include 4K video at 30 fps, sharp autofocus, AI-driven auto-exposure, an omni-directional microphone with noise cancellation, gesture control, and other helpful features.
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Let’s take a look at DZOFilm's line of macro prime lenses and how they look when used for food videography. Each lens includes ARRI PL and Canon EF lens mounts, making it suitable for use with a wider selection of cameras.
DZO Film 35, 65, 90mm primes
The 32mm T2.8 Gnosis Macro Prime Lens from DZOFilm provides impressive close-up views of your subjects with up to 1:1
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Join us in the field as we discuss our experience using the Atomos Ninja V+.
What do you think of this 4K monitor? Is it on your list of must-have gear? Tell us about it in the Comments section, below.
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Our video team tests the DZOFilm VESPID Prime Lens Kit, which is well-suited for filmmaking productions, ranging from independent to studio. These affordable cinema lenses boast impressive build quality, versatile mount-ability, and stunning cinematic image quality.
Have you used any of these lenses? Share your experiences below in the Comments section!
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See how the brand new ARRI Signature Zooms were integrated into the emerging world of LED Video Wall and Virtual Production for a fashion shoot with the set design rendered in real time via Epic Games’ Unreal Engine.
Have you used ARRI Signature Zooms on your film or video production? Tell us about your experience in the Comments, below!
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There is a new cinema zoom lens in B&H's inventory—the Sony FE C 16-35mm T3.1 G—and we are testing it on the Sony PXW FX6 cinema camera. This lens has been designed for filmmakers and video professionals, combining traditional cinema lens operability with the benefits of the Sony E Mount, which allows for autofocus and precise manual focus control. The 16-35mm offers superior sharpness, excellent resolution, a constant aperture of T3.1,
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B&H’s Michel Suissa talks with DPs Logan Schneider and Jimmy Matlosz about their experiences filming with ARRI’s Signature Zoom Lenses.
After you've enjoyed this conversation, learn more about The Studio at B&H Professional Services and shop for the ARRI Signature Zooms.
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Doug takes the Panasonic AG-CX10 out to test its various features, such as the built-in ND filter and 5-axis hybrid O.I.S. system.
Like what you see? Read more about the CX10 in this Hands-On Review.
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Jake introduces the new DJI Mavic Air 2. This lightweight drone contains highly advanced features such as 48MP photos, 4K at 60 fps, 1080p at 240 fps, 8K Hyperlapse, HDR video, a 10km video transmission range, and up to 34 minutes of flight time. Additionally, the Air 2 has a newly designed controller and smartphone clamp.
Check out the video, then read more about the Air 2 on
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Want to know the difference between a vectorscope and histogram, or how focus peaking works? Doug uses the Atomos Shinobi to show how to use a field monitor during a video production.
520 Views· Posted
Sony has just announced the Sony FX9 XDCAM Cinema Camera. Jeff Rojas sat down for an in-depth first look of the camera with Sony's Tom Cubby. A worthy successor to the Sony FS7 and FS7II, the PXW-FX9 features a new full-frame 6K Exmor R sensor, 15+ stops of dynamic range, dual native 800/4000 ISOs, a variable ND and fast hybrid auto focus.
Also announced, Sony’s new