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by Jennifer Hahn · Posted
It's time to introduce yet another new and innovative RED DIGITAL CINEMA camera to push color, form, and camera sensor technology boundaries. This revolutionary and highly accessible camera is the RED KOMODO 6K, an all-in-one Super 35mm cinema camera in a form that even budget-conscious run-and-gun filmmakers can afford and understand. This fully redesigned powerhouse takes an extremely compact form, weighing a scant
by Shawn C. Steiner · Posted
Already a leader in digital cinema production, Sony is launching the Cinema Line today with products for all types of content creators. While Sony is bringing existing products into the Cinema Line, surprising us all was the reveal of the FX6, a more compact cinema camera. Of course, details are scarce on the new camera, because it is slated for later in 2020, but it is exciting to see it.
by Jennifer Hahn · Posted
Get ready for the next contender for Camera of the Year, with the announcement of the new URSA Mini Pro 12K cinema camera from Blackmagic Design. This new innovation from Blackmagic takes the original URSA Mini Pro, rips its guts out, and replaces them with upgraded electronics and a sensor that records native 12K aimed at high-end 8K cinema productions. Also released are updated accessories that have been staples of Blackmagic's camera
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The B&H film crew took the RED Gemini 5K S35 out for a real-world test to see if this cinema camera could work in a run-and-gun situation. Bobby takes you behind the scenes on an independent WW1 film to see this camera in action, then Doug takes you through the post production process and tells you how color grading worked for this 5K cinema camera.
To learn more about the RED Gemini 5K, watch this
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Jake talks to Paul and Ryan from Canon about the new EOS C300 Mark III Digital Cinema Camera and the CINE-SERVO 25-250mm lens. The Canon C300 III is made for versatility and flexibility. Built on Canon's new Super 35mm
by Steven Gladstone · Posted
The digital wizards at RED DIGITAL CINEMA have done it again. Now, you can upgrade your RED DIGITAL CINEMA BRAIN with a 5K Dragon-X S35 sensor, to add 6K support without needing to swap out your sensor. While firmware V7.3.0 brings a few minor fixes, the real star of the show is the 6K support, which makes the firmware upgrade process well worth it. Upgrading your firmware will mean that you cannot roll back/downgrade the
by Mary Latvis · Posted
As we prepare to usher in 2020, let’s look at five of the best new cine cameras released in 2019 by some major manufacturers. Including large format and Super 35 options, these picks range from ultra-pro and broadcast-friendly models to a DSLR-style 6K option. Features sported by individual cameras include large format sensors, up to 8K recording, interchangeable-lens mounts, high-speed frame rates, and a dial-in variable ND filter. We’ve also noticed some brands using the same sensor in larger and more compact models, and the introduction of
by Shawn C. Steiner · Posted
Remember the Canon 5D Mark II? Feels like ages ago in the world of technology. When it was released, it boasted an at-the-time-unheard-of capability of recording full-frame Full HD video at 30 fps. Jump forward a decade and full-frame 4K video is now an expected function of DSLRs and mirrorless. Cinema cameras were fairly content with their Super 35 sensors—after all, most existing lenses were built around the format. The past couple of years have seen a substantial shift, however, as RED, ARRI, Canon, and Sony released new
by Staff Writer · Posted
Crafted around a new full-frame 6K Exmor R sensor, Sony’s new E-mount PXW-FX9 XDCAM digital cinema camera is shaping up to be a worthy successor to the PXW-FS7 and PXW-FS7M2, Sony’s resoundingly popular Super 35 4K cameras. With 15+
520 Views· Posted
Sony has just announced the Sony FX9 XDCAM Cinema Camera. Jeff Rojas sat down for an in-depth first look of the camera with Sony's Tom Cubby. A worthy successor to the Sony FS7 and FS7II, the PXW-FX9 features a new full-frame 6K Exmor R sensor, 15+ stops of dynamic range, dual native 800/4000 ISOs, a variable ND and fast hybrid auto focus.
Also announced, Sony’s new
by Mary Latvis · Posted
Thinking about making the leap to 8K video capture for stunning resolution and color depth, incredibly nuanced HDR, improved low-light performance, and cleaner compositing? Shooting with 8K cameras like RED DIGITAL CINEMA’s MONSTRO 8K VV and
794 Views· Posted
Canon has just announced the return of the EOS C500 Cinema Camera with the new C500 Mark II. Capable of more than 15 stops of dynamic range, the newly added 5.9k full-frame sensor is sure to bridge the gap for documentary and feature filmmakers, making it the most outstanding feature of this new cinema camera.
Meanwhile, the newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such
1,634 Views· Posted
We got our hands on the Blackmagic Pocket 6K and took it to the streets of New York City to see how it compares to its predecessor, the Blackmagic Pocket 4K. We explore shooting modes, lens options, settings, and accessories. What do you think of the new features and quality of the footage? Let us know in the Comments section, below.
To read more about the Blackmagic Pocket Cinema 6K, check out
by Staff Writer · Posted
Blackmagic Design has just made its ultra-compact camera line even better, with the impressive Pocket Cinema Camera 6K topping even the company’s best-selling Pocket Cinema Camera 4K. Though the camera has a similar look and size to the 4K, it improves on its
by Staff Writer · Posted
Do you love Z CAM’s E2 Compact 4K Cinema Camera but don’t need all its bells and whistles? Check out the even more affordable 4/3" CMOS sensor Z CAM E2C version. This latest E2 camera shares features like 10-bit 4K video capture, an MFT lens mount, HDMI video output, a durable aluminum body, and Gigabit Ethernet for live streaming, data, and control. User-friendly updates include recording to widely available SDXC SD cards