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Posted
GoPro's Mission lineup aims to pack cinema camera specs into a pocket-sized action camera. Today, we're testing out the GoPro MISSION 1 PRO, and what better way than with the rides at Coney Island?
0:00 - Test Footage
0:26 - GoPro Mission 1 Pro Specs
0:55 - Sensor (Low Light, Open Gate, Frame Rates)
1:58 - LCD Screen, Battery Life, Buttons
3:04 - Internal Mics & Test
3:39 - New GoPro Wireless Mic & Test
4:11 - Photography Specs
4:23 - Patrick's Thoughts
Sponsored by
by Mary Latvis · Posted
LED panels are a key component of the LED volume walls that form the backdrop for virtual production, an increasingly popular technique used in feature film and television production. This emerging technology enables productions to recreate the look of fictional worlds, far-flung or difficult-to-access locations, or multiple real-world sites in the controlled, safer, and more comfortable environs of a soundstage. Crucial specs to look for in an LED panel include a low pixel pitch of <3mm (high-density pixel count), high brightness levels,
by M. Brett Smith · Posted
Trilogy Studios was developed as a cutting-edge virtual production facility designed to support film, television, automotive, commercial, and branded content creation. Rather than building a single LED volume, the team behind Trilogy Studios envisioned a comprehensive, multistage environment that would provide content creators with the flexibility to produce a wide range of projects within a controlled and highly immersive production space.
To bring this vision to life, Trilogy Studios partnered with virtual production systems integrator
by Mary Latvis · Posted
XR (Extended Reality) and VP (Virtual Production) are two terms you’ll hear used to describe professional video capture on special stages equipped with LED volume wall backgrounds. In consultation with the experts in The Studio B&H, here we review the components needed to set up an XR stage and break down some of the specifics of this VP capture technique.
Extended Reality vs. Virtual Production
XR and VP stages both use
by Mary Latvis · Posted
Optimal imaging for virtual production (VP) requires certain camera functions that are not integral to all video cameras. A global shutter (or fast readout speeds), genlock capability, and timecode input are key factors to look for when selecting a camera for your VP video capture. Let’s review these specifications and highlight several cameras that incorporate these key specs.
Global Shutter Sensor
Most video cameras are designed with a “rolling” shutter that successively scans each row of photosites (the physical embodiments of pixels) on
by Mary Latvis · Posted
Large-scale LED signage display walls have been a boon for retailers, sports broadcasts, and live events, providing clear viewing and immediate content updates. The LED volume walls used for OSVP (On-Set Virtual Production) take these massive displays a step further, upping multiple specs to produce stunningly lifelike, high-resolution video that serves as an immersive backdrop for capturing live talent and creating
by Steven Gladstone · Posted
This article is an introduction to virtual production using photogrammetry and lidar. In this article I will discuss what photogrammetry is, and how advances in lidar scanning allow you to use it in pre-viz as well as production.
What Is Photogrammetry?
Simply put photogrammetry is the process of creating a 3D image, or gleaning 3D information about a location from 2D images. Essentially you use a series of 2D images to create a 3D “map” of a surface, area, or room.
Why Use Photogrammetry?
Photogrammetry enables you to make realistic and
by Zack Young · Posted
In an increasingly digital world, it’s often no longer feasible for an entire technical team to be on site for a production. But as more infrastructure moves to the cloud, physical camera hardware still often stands in the way by requiring in-person setup and fine tuning. That’s where PTZ cameras come in. With their ability to be remotely panned, tilted, and zoomed, they open up a world of possibilities for remote production. So what are the best ways to utilize them? Let’s dive in!
Posted
Legacy broadcasting has taken a big shift over the decades, with the shift to digital and now to streaming. Nick and Doug discuss the broadcast, film, and streaming industries, and where heading.
0:00 - Intro
0:50 - From Legacy Broadcasting to Online Content
8:42 - Democratization of Technology
14:03 - Will Smartphones Replace Cine Cameras and Camcorders?
24:32 - The Oversaturation of Content
25:32 - How Does AI Fit Into the Puzzle?
31:20 - NAB 2027
Posted
Doug and Nick are back in the B&H booth's temporary podcast studio to share highlights from day 2 of the NAB Show 2026 (including a few unannounced products!). Ridiculously powerful lighting, broadcasting lenses, shoulder rigs—you won't want to miss a thing from our Las Vegas NAB 2026 roundup!
0:00 - DJI Gear
0:58 - Aputure Booth
7:49 - FUJIFILM Booth
10:20 - Canon Booth
17:49 - SmallRig Booth
25:21 - Nanlux & Nanlite Booth
29:28 - Acsoon Booth
33:30 - Viltrox Booth
36:20 - What's Next?
Posted
Doug and Nick sit down at the B&H Podcast booth to discuss the new announcements from NAB Day 1, such as RODE's RODECaster Studio, GoPro's entrance into cine cameras, DaVinci Resolve's new photo editing feature, and so much more. Whether you're interested in cine cameras, new livestreaming setup, or broadcasting, there's something for you in this video!
0:00 Tilta Booth
4:25 Blackmagic Design Booth
10:50 GoPro Booth
16:13 Atomos Booth
20:46 RØDE Booth
25:17 Adobe Booth
29:21 What's Next?
Posted
People have been sleeping on the RED DIGITAL CINEMA V-RAPTOR XE. It's more than just a full-frame version of the KOMODO-X. Nick shares where this cine camera sits in RED's lineup and gets hands-on in for outdoor and indoor locations.
0:00 - Sizzle Reel
0:30 - Intro
1:53 - V-Raptor XE Specs
4:08 - Autofocus
5:03 - Dynamic Range & Low Light Performance
6:16 - Concurrent Pro-Res Proxy Recording
6:58 - Ergonomics
7:48 - File Sizes
9:10 - 2.2.1beta Firmware Updates
9:38 - Upgrade Program
10:04 - Takeaways
Sponsored by
Posted
What is open gate, and how can it streamline your video production? Doug will show you how to get the most out of open gate, such as cropping from horizontal (16:9) to vertical (9:16).
0:00 - What Is Open Gate Video?
0:42 - Why Use Open Gate?
2:17 - Advantage 1
3:07 - Advantage 2
3:53 - 3x2 and 4x3
5:08 - Why Is It Called Open Gate
Posted
Do your outdoor portraits suffer from a well-exposed subject but blown-out background? A strobe light is key in that situation, and Godox's AD800Pro flash is here to help. Join Juan for an outdoor portrait photoshoot to showcase how, with just one light, you can transform your portraits.
0:00 - Intro
0:22 - Outdoor Portrait Samples
0:51 - Flash vs. No Flash
1:42 - Who Is This For?
2:29 - Studio Lighting Outdoors
2:49 - Recycle Time
3:12 - Battery Life/Power
3:55 - Miscellaneous Specs
Sponsored by
by Zack Young · Posted
On-camera monitors continue to grow in popularity with filmmakers and photographers wanting a bigger, better view of their image than a flip-out LCD can provide. The Desview R5II 5.5" touchscreen monitor is, on paper, a great offering: lightweight, affordable, versatile, and bright. It even comes with useful accessories like a swivel-and-tilt shoe mount, a sunshade, a USB drive for loading LUTs, and a couple variations of HDMI