Post Production Software
Even with the plethora of online sharing methods and virtual ways to view your photographs nowadays, there is still nothing quite as satisfying as seeing, and holding, a printed photograph. Call it nostalgia or call it a respite from our otherwise plugged-in lifestyles, seeing an image on paper is one way to give, inherently, some deserved importance to your best shots. Throughout the process of printing your photographs, numerous decisions need to be made beyond simply deciding which image you want to use, most of important of which can be
So you want to work with raw video, huh? Good. You’re ambitious—I like that. Working with raw video, however, is not something to be taken lightly. It’s a very powerful asset that has been made available to many consumers through a variety of affordable cameras from Blackmagic Design. But raw video takes up a lot of space and the benefits can be a little esoteric or unclear, especially if you don’t come
Not more than a decade ago, the power to create Hollywood-style effects was exclusively the domain of highly specialized artists using expensive software that ran on workstation-class computers. However, in the last few years, inexpensive compositing software has become available, offering visual-effects artists and motion-graphics designers the ability to create powerful visual effects. HitFilm 3 Pro from FXHOME is one such piece of software, built
by Julia Kuzmenko McKim ·Posted
The past few years have been full of new challenges, opportunities, discoveries, and obstacles for me. Even though I was naturally happier for the opportunities to come knocking on my door, it is the challenges that made me a better artist and a stronger professional. I've learned to welcome obstacles and setbacks, because I discovered that in the process of overcoming them I must get out of my comfort zone, learn new things, and master my craft further—all the things that we often comfortably avoid doing when everything is nice
With its recent release of Media Composer 8.3, you can now edit and output native 4K footage. Prior to this release, working in 4K was only possible by importing your footage through Avid AMA, and working with lower-resolution versions of your footage. However, Avid has introduced its DNxHR codec to support 4K workflows. DNxHR comes in six flavors, from DNxHR LB (low bandwidth) all the way up to DNxHR 444 (Cinema Quality), allowing you choices in compression and