Gimbal Stabilizers
Redrock Micro's booth had some cool new products. Combining a boompole and a gimbal, the DigiBoom gives you the stability of a three-axis gimbal stabilizer with the added flexibility of an extendable boom, for cameras. The boom itself is made from carbon fiber and it extends from 3 to 6'. The three-axis motorized gimbal stabilizer supports cameras weighing up to 6.5 pounds, and it has pass-through connectors for audio, LANC, and S.Bus, for audio input, output, and camera control using the integrated interface.
Redrock Micro also showed us its
When videographers use gimbals and other advanced rigs, they require precise movements and control to create the cinematic shots they dream of. Knowing this, and the potential of their Ronin series of stabilizers, DJI has taken this NAB to flesh out its control systems with the release of the Master Wheels and Force Pro. The creation of multiple control options means that all varieties of filmmakers can find a device that fits their needs and budget, with the Master
I recently had the opportunity to try the Feiyu a2000 gimbal. I've worked with a few camera-stabilizing systems before, and have only recently begun to feel more comfortable with them, so I was happy to try another system. Now, truth be told, I have always felt that for free-form work—I shoot handheld—and for anything else, that is what tripods, dollies, and jibs are for. Also, I'm over 50 now, so rig weight has become more of an
Here at B&H, we love watching products evolve, and we are happy to announce the Zhiyun-Tech Crane-2, a handheld gimbal stabilizer with built-in follow focus control. Supporting cameras and lenses weighing a total of 7.1 pounds, the Crane-2 can work with mirrorless and DSLR cameras. A simple cable connection between gimbal and camera provides you with control over some camera parameters such as TV, AV, ISA, and EV. However,
Long known as a major force in the professional cinema camera market, ARRI also manufactures a wide array of robust, ergonomically designed professional camera accessories (PCA, in ARRI-lingo). As renowned as this Munich institution is for its current ALEXA lineup and its established film cameras, some shooters may not be familiar with its range of camera accessories available not just for ARRI models, but for other brands of cameras, as well. As ARRI celebrates its 100th anniversary this year, let’s look at this wide array of cinematic tools
Motorized gimbal stabilizers for action cameras are great tools for the adventurer. Now in stock at B&H, Feiyu’s WG2 gimbal is a great option for sporting enthusiasts, as it’s designed to be worn or mounted by the user for nearly limitless framing possibilities. Additionally, the WG2 is waterproof; its IP67 rating seals it against water to depths of 3’ for up to 10 minutes. While this rating may not be sufficient for underwater cave
by Val Lazarev ·Posted
Featuring a 2-in-1 design, the FreeVision Vilta can be used handheld or with its base removed and attached separately on a helmet or other surface. However, how you mount it on that helmet is what makes the Vilta really stand out. And there are a few similarly cutting-edge features that make it exceptional beyond its 2-in-1 versatility and advanced rotation algorithms.
After you remove the base from the handle, a standard 2-prong mount folds