audio mixing
Allen & Heath is announcing six new additions to their line of live-oriented digital mixers. Taking the ever-popular Qu form factor of the Qu-16, Qu-24, and Qu-32, and adding powerful FPGA-based 96 kHz XCVI processing, new FX engines, and an Slink port for Everything I/O connectivity, the new
Audio-Technica is introducing a brand-new turntable to its premium lineup—a sophisticated and aesthetically distinctive design that elevates the brand’s standards with respect to its high-quality turntable technology. The AT-LPA2 is a fully manual belt-drive turntable with a high-density, transparent acrylic chassis and platter that delivers remarkable control and vibration damping. The result is
If you’re a musician, investing in a couple of effects processor pedals is a great way to expand your creative possibilities, whether on stage or in the studio. Since there are a myriad of options available on the market, we thought it would be helpful to list our favorites, from powerful distortion pedals to multi-effects processors for vocals and acoustic instruments.
Overdrive and Distortion Effects
For budget-conscious musicians in search of an 80’s style rock or heavy metal sound, the
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Polyend takes a risk with their new Mess (Multi-Effect Step Sequencer) effects pedal that brings you truly unique sound options. Take a listen to the presets that this effects pedal has to offer!
0:00 - Overview
1:08 - Effects & Presets
2:58 - More Specs
Many budding producers may wonder if it is best to use monitors while mixing or whether headphones can give an equally accurate picture of one’s mix. And while many professionals will insist that monitors are the best way to go, an argument can be made as to why mixing with headphones is sometimes more appropriate. So, let’s look at the pros and cons of both monitors and headphones and explore some tips that will help you get the best mix possible.
Are Monitors Better for Mixing?
Most often, it is recommended that monitors be used for mixing
For those of us who have only mixed in stereo, setting up a Dolby Atmos studio can be quite a challenge. Of course, one of the first steps to mixing and mastering in Atmos is to invest in an interface that offers at least 10 output channels. You’ll also need speaker calibration tools and other acoustic adjustment features, which are included in some of the models listed in this article. While working with Dolby Atmos is not cheap, we’ve provided Atmos compatible interfaces in various price categories to meet the needs of every budget.
ORIA
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Grammy-nominated recording engineer/mixer Kostadin Kamcev goes behind the scenes of pop-ular productions like Dune to see how audio is produced. He will be discussing everything from gear and techniques to the people involved in the process.
0:00 - Intro
1:35 - How Kostadin got started
3:22 - The process of producing music for films
14:27 - Kostadin's favorite to work on
16:15 - How audio was produced for the film Dune
21:21 - What to look for in gear
24:36 - Recording music for films
30:58 - Mixing
38:16 - Constantly learning
42:35 - Must
If you’re new to the world of podcasting, you may be wondering how to effectively distribute your podcast. Well, for starters, you’re going to need a hosting platform that’s capable of delivering your podcast to the various podcast directories that are out there—such as Apple Podcasts and
Like most of us, if you don’t have the optimal recording space for mixing Dolby Atmos tracks, or you just can’t afford a 7.1.4 speaker-based system, you’re going to be relying on headphones to do your mixing. This is not necessarily a bad thing. With the right pair of headphones, you can get a soundstage that convincingly approximates a Dolby Atmos speaker setup, while saving yourself thousands of dollars in expensive gear and acoustic room treatment.
For the best imaging experience, the key is to invest in open-back headphones, as they will
Blackmagic Design has dropped some brand-new products to maximize your broadcast and live production environments. New ATEM switchers, studio cameras, and even a Microphone Converter bridge the gap between set and post-production, thanks to camera-to-cloud workflows.
ATEM Microphone Converter
ATEM
Location sound mixing is a demanding art that requires a very specific set of tools and skills; one without the other won’t get you far. Though you can’t purchase talent and dedication from B&H, we do offer the gear you’ll need to make it in the business. As you might suspect, some pieces are slick, but not necessary, while others you don’t want to live without. So, let’s look at 10 essential items for the rig of a serious location sound mixer.
1: Multitrack Field Recorder
Obviously, you need something portable on which you can record and
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Spend a few minutes with Justin Colletti from B&H’s partner Sonic Scoop and learn some useful guidelines for mixing audio through multiple compressors in series—meaning, one after the other.
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Sit down with Justin Colletti, from B&H’s partner, Sonic Scoop, and learn the ins and outs of one of the most widely used techniques in mixing audio: parallel compression. If you’ve ever wondered how the pros get their drums, bass, or vocals to pop out, parallel compression might be just the trick. Colletti discusses just what parallel compression is, how to go about setting it up in the box, and offers some examples of other types of parallel processing. We hope you enjoy the video, and invite you to view the wide selection of other