Pro Audio
- Recently Added
- Popularity
- Name
About 1461 filtered results
4,422 Views· Posted
We're taking a look and a listen to the Lectrosonics Digital Hybrid Wireless System.
by Jurek Ugarow · Posted
Arturia has long been known for its excellent software instruments, whether for use in a DAW, or at the heart of the company’s hardware packages. On top of this, the company’s V Collections provided users with a cost-effective software bundle featuring some of the company’s greatest hits. The new V Collection 5 has been revamped with
22,896 Views· Posted
In the following video, Rob Rives, from B&H, demonstrates how to mike talent using lavalier microphones. Rives explores the reasons for using a lavalier over a boom microphone, the actual placement of the lavalier, and how to deal with issues of clothing noise. We also showcase alternate locations for mounting lavaliers, and provide some solutions for frequency attenuation that occurs when lavaliers are hidden, as opposed to being exposed. We hope you enjoy the
by Jurek Ugarow · Posted
The iZotope company, renowned for making software products that cover a multitude of audio activities, has once again expanded the frontiers when it comes to the treatment of vocals. VocalSynth is a multi-effects plug-in for studio or live use that allows for creating a wide gamut of complex, interesting,
by BH Online Videos · Posted
Justin Colletti, from our partners at Sonic Scoop, sits down with recording legend Joe Chiccarelli (The White Stripes, U2, Elton John, Beck) in the first part of a three-part interview. In the first installment, Chiccarelli shares some of his approaching to tracking and mixing, including when he knows to let someone else take over with fresh ears and mix an album he’s recorded. They delve into how recording and production create an emotional response to the music, and how Chiccarelli goes about achieving that goal.
460 Views· Posted
Sitting down at Avatar Studios, Sonic Scoop’s Justin Colletti speaks with legendary engineer Joe Chiccarelli (The Shins, The White Stripes, Morrissey) about the producer-artist relationship, emotional investment in the tracking process, taking the time to experiment in the studio, and the “planned accident” method. Together, Colletti and Chiccarelli cover everything from stereo panning to the pre-production process.
312 Views· Posted
Delving into the nitty gritty of technique and gear, Sonic Scoop’s Justin Colletti (Frank Zappa, Spoon, Morrissey, Alanis Morissette), sits down with legendary engineer Joe Chiccarelli to talk about his tool box (analog and digital), his master buss techniques, his preferred speakers, and why he never uses a stompbox for its intended purpose.
106 Views· Posted
Spend a few minutes with Justin Colletti from B&H’s partner Sonic Scoop and learn some useful guidelines for mixing audio through multiple compressors in series—meaning, one after the other.
by Nicholas Messitte · Posted
by jaime traba · Posted
I admit it: I am an audio snob, but at the same time, I find the concept of some “audiophile” gear to be ridiculous. Some people go to lengths to enjoy their music that are well beyond reasonable and border on the absurd, and my experience as a recording engineer always has me reaching for the practical approach. While I track audio at high resolution rates (24-bit, 88.2 or 96 kHz) for mixing purposes, I have never experienced a practical difference listening to a mastered album at higher-than-CD quality or one at normal CD quality (sorry Neil
by Andrew Eisele · Posted
There’s no shortage of MIDI controllers on the market, most of which come in the form of keyboards, drum pads, and mixer emulations with faders and knobs. In fact, you’ve probably already noticed the abundance of all-in-one keyboard controllers with drum pads, faders, and knobs. With so many options, I thought it might be useful to look at some MIDI controllers that shy away from the norm and offer new ways of interacting with your software or hardware instruments.
NU-Desine AlphaSphere Nexus
by Nicholas Messitte · Posted
You’ve written the parts, tuned your axe, and informed your neighbors that things are going to get loud. Now it’s time to record some electric guitars at home. But a question tugs at you: How can you, with your home setup, ever approach the sound of a top-notch studio?
We’re here to suggest some tips and tricks on how to do just that. If you’ve ever wanted a compendium of everything from gear options to recording tips, read on:
DI and software
If you’re reading this, most likely you’ve already got an interface, anything from the Apogee
by Andrew Eisele · Posted
Held in Frankfurt, Musikmesse is an international trade fair for musical instruments, sheet music, and music production. More than 100k visitors from nearly 130 countries made their way to the Frankfurt Fair and Exhibition Center to find out about the latest innovations and new products. Let’s see what’s up and coming!
Three New Antelope Products
Antelope announces the LiveClock, Zen Tour, and Goliath. The LiveClock is a master-clocking device built specifically for live scenarios. Featuring compact construction and proven Antelope innards,
by Gregory Johnson_1 · Posted
A well-designed room can make the difference between smooth sailing and major headaches down the road. With today’s technology, it doesn’t take thousands of dollars to get the gear needed to set up your home audio studio. Here are a few things (six steps) you should know before you start so that you can spare yourself some months of frustration and get it right from the very beginning.
Step 1: Choosing the Right Space
In the average household, you may have a selection of rooms to choose from. If you have only one option, that choice is
45 Views· Posted
Justin Colletti, from our partners at Sonic Scoop, sits down with recording legend Joe Chiccarelli in the first part of a three part interview. In the first installment, Chiccarelli shares some of his approaching to tracking and mixing.