Pro Audio
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by Nicholas Messitte · Posted
Arturia has crafted some well-received pieces of analog gear of late, and the company is at it again, with the Arturia DrumBrute—a full analog drum machine and sequencer; we at B&H are proud to announce that we carry this powerful, accessible device.
Building on the look and sonic palette of other offerings in
4,197 Views· Posted
We’re trying out Rycote’s model-specific “Perfect For” Series of windshields and shock mounts for popular Sennheiser and Rode microphones.
1,220 Views· Posted
In this video, B&H’s Rob Rives test-drives Output Exhale and Output Signal in various configurations, showing you how to create EDM tracks, soundtracks, and music beds with these exciting virtual instruments, powered by the Native Instruments Kontakt engine. We hope you enjoy the video, and invite you to view the wide selection of other
by Nicholas Messitte · Posted
Anyone who’s ever miked or mixed a drum set knows that a putting up a room mic—and getting a good room-mic sound—is unbelievably useful for shaping the tonal picture of acoustic drums.
There’s a problem though, one that rears its head in these days of declining budgets, where people often flock to home studios—or their own living rooms—to record drums: it’s not always possible to put up a room mic. Maybe your interface doesn’t have the real estate. Maybe a sloppy engineer patched the wrong input, and you got a duplicate of the tom track
3,275 Views· Posted
In the following video, Rob Rives demonstrates the QSC TouchMix–30 Pro Digital Mixer, and how it can be a useful addition to any band setup, rehearsal room, club, concert hall, house of worship, school, or broadcast studio. This video explores the functions, controls, and features of the TouchMix–30 Pro, including the large 10" multi-touch screen, anti-feedback and room-tuning wizards, two real-time analyzers (RTA), the patch matrix,
by Nicholas Messitte · Posted
A microphone that connects via USB can be handy, because it has the potential to bypass thousands of dollars of gear while supplying you with a serviceable sound; a USB microphone that can accomplish this for PCs, Macs, iPhones and iPads—such as the new Blue Raspberry—might be just what you’re looking for. B&H is proud to carry such a
by Nicholas Messitte · Posted
If you’re in the pro audio racket, then chances are you’ve heard of Apogee Electronics’ AD/DA prowess; items like the Symphony, the Ensemble, and the Groove receive regular accolades from users and reviewers alike. So, we here at B&H are proud to tell you about the brand new Element series, which borrows its technology from the aforementioned models, and is available (at B&H) in
by Nicholas Messitte · Posted
Good news, friends: DANTE isn’t just for pretentious graduate students anymore—the acronym has occupied the audio zeitgeist lately, allowing engineers to connect various and disparate audio devices over an Ethernet network. If you’re looking for a simple way to convert either one or
by Nicholas Messitte · Posted
Whether you’re a Native Instruments aficionado or someone looking to make a creative adjustment to your electronic composition/performance rig, the Maschine Jam Production and Performance System provides a plethora of features which will help you focus—and even enhance—your creative prowess.
Its interface is designed to provide
6 Views· Posted
Time is of the essence in part 3 of this series—time-based effects, that is! Watch as Sonic Scoop’s Justin Colletti manipulates reverb and delay on a vocal track to craft a sense of ambiance.
by jaime traba · Posted
Long the standard bearer for delivering portable audio, the 3.5mm headphone jack had its plug pulled one final time, in Cupertino, on September 7, 2016, and reportedly met its fate with a steely courage you don’t often see outside of Apple designers. In its long and storied life, it survived countless audio formats, from vinyl to 8-tracks, cassette tapes, and CDs. In recent years, it had even coexisted peacefully with purely digital formats, and the advent of wireless streaming technologies, such as Bluetooth.
Originating in use with the
487 Views· Posted
Sit down with Sonic Scoop’s Justin Colletti for this extended look at how to shape a vocal with EQ, dynamics manipulation, and automation.
by Nicholas Messitte · Posted
When I was tasked to write an article on five mistakes I’ve made on stage, I thought it would be an interesting opportunity to come clean with my clams, to let go of my guitar-based gaffs, so that we may all laugh and learn. I’m hoping this article won’t fall on deaf ears, but then again, we’re all guitarists here, so…
…I kid! I kid! But really, I don’t. From personal experience gigging on guitar, I know how we are on stage. But multi-instrumentalists should take note: these errors could have been made by any young, naïve musician. Some are
by Andrew Eisele · Posted
Every audio engineer on the planet knows that Shure deserves a heap of praise for their stalwart microphones, so if you’re looking for that classic Shure sound in a celebratory package, then B&H has you covered with a limited 50th anniversary edition of the SM58. It’s the same mic you know and love, but now crafted
347 Views· Posted
In this conversation between Grammy-Award winning producer/engineer John Congleton and Sonic Scoop’s Justin Colletti, Congleton talks about gear—specifically not letting it get in your way, utilizing non-fussy classics like SM7s, putting up as few microphones as possible on the drum set, figuring out the right pedal-chain for electric guitars, preserving dynamic control, and doing whatever you can to make the mix sound good.