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by Trevor Collins · Posted
Cranborne Audio is a boutique British audio company known for trying new things. Its Carnaby 500 HarmonicEQ, a unique equalizer module for the 500-series rack system, utilizes a truly inventive method of boosting and cutting frequency content using genuine analog harmonic saturation. Now, Cranborne presents the
by Nicholas Messitte · Posted
Steven Slate is known for many things—creating industry-leading drum samples, fashioning world-class analog emulations—but a sleekly modern, 24-band EQ isn’t one of them. On Janurary 16, 2020, that changes: Slate Digital announced its new Infinity EQ, and we here at B&H are excited to carry it as soon as it becomes available. It is sure to be a boon for any mixing engineer who wants analog sound on a digital deadline.
The interface may be recognizable to lovers of Fabfilter, iZotope, DMG Audio, or CraveDSP. Need a parametric boost at 2 kHz
695 Views· Posted
In this video, AB demonstrates how to use a parametric EQ to shape your sound. By cutting frequencies you don’t like and boosting the “good stuff,” you can apply this technique to sweeten any audio track you’re working with.
To read more about the EQ series, click here.
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224 Views· Posted
In this new series on using equalizers (EQ), our man AB offers a very quick description of what an EQ is, and the various types of equalizers one can use. For this part, it’s Graphic EQ vs. Parametric EQ! What's the difference? When do you use one over the other?
To read more about the EQ series, click here.
For more audio-specific videos, click here.
Come back often to watch our
149 Views· Posted
In this introductory video to a new series on using EQs, A.B. gives a very quick description of what an EQ is, and he outlines what will be covered in the subsequent video.
To read more about the EQ series, click here.
More of Our Pro Audio Videos, click here.
Come back often to watch our world of videos at BandH.com.
by Andrew Eisele · Posted
An equalizer or EQ is a device that adjusts the loudness of specific frequencies, and is available in a variety of types including shelf, graphic, parametric, and semi-parametric, which allow for surgical precision to wide-band adjustments. With such a wide range of classic designs to more esoteric offerings, the sheer number of EQs available can be a bit overwhelming. This article will help you make sense of what 500 Series EQ can do and will help guide you in finding the perfect EQ for your application.
EQ Types
Shelf EQs are quite common on
by Andrew Eisele · Posted
For our final installment in the 500-Series guide, we’ll be looking at the available offerings of effects in the 500-Series format. I’m also including more utility modules that aren’t necessarily an “effect,” but don’t fall under the Preamp, EQ, or Compressor categories and are quite useful, nonetheless.
Specialty Modules
If you are after some serious color, it’s worth checking out the Big Bear Audio MP1+, which provides a low-noise,
by Nicholas Messitte · Posted
So, you want to get into mastering, and you’ve found yourself here. Welcome. Soon we will cover topics like compression and limiting—mayhaps, monitoring and room treatment to boot—but first, we’re going to give you a few insights into a process with tons of tonal impact on the final master. I speak, of course, of equalization.
The General Approach
It is often said that EQ adjustments in the realm of mastering are usually subtle. If you watch a tutorial or stand over the shoulder of a mastering engineer, you’ll frequently notice minute changes
2,229 Views· Posted
Join B&H’s Rob Rives as he shows off two new Lectrosonics transmitters: The SMWB and the SMDWB. The only difference between these two transmitters is the battery capacity, with the SMDWB providing room for an additional AA battery to increase your operating time. Watch as Rives demonstrates the switchable
2,594 Views· Posted
Watch B&H’s Rob Rives as he walks you through using the Sound Devices MixPre 10-T, a multi-channel audio recorder and USB interface. As you hear the dulcet tones of his voice through the unit’s Kashmir mic preamps, Rives will expound on the device’s channel count, I/O combinations, Timecode capabilities, 32-bit A/D conversion, control methodologies, and more. We hope you enjoy the video, and invite you to view the wide selection of
636 Views· Posted
Cranking it up to eleven, Sonic Scoop’s Justin Colletti shows you how to mic electric guitars using one, two, and even three microphones at a time. He’ll go through different microphone possibilities, different mic-positions, different options for blending—and as always, you’ll get to hear every result.
815 Views· Posted
In the following video, Rob Rives demonstrates the Arturia AudioFuse Desktop USB Audio Interface, and how the device fits into an audio engineers or musician’s workflow. This video explores the functions, controls, and features of the AudioFuse, including the array of connections that allow you to record and play back up to 14 audio tracks. We showcase the Discrete/PRO microphone preamp, with its 75 dB of high-quality, low-noise gain and how to utilize
3,663 Views· Posted
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
7,733 Views· Posted
In this video, Rob Rives demonstrates the RØDElink Newsshooter Kit, which utilizes an RX-Cam wireless receiver in conjunction with a TX-XLR wireless transmitter, thus allowing you the option of using handheld XLR microphones in a roaming, wireless fashion. Rives shows off its power abilities, gain-reduction switches, and line-of sight range. With Rives positioned far away from the camera, you’ll be able to see—and more importantly, hear—how this kit
4,197 Views· Posted
We’re trying out Rycote’s model-specific “Perfect For” Series of windshields and shock mounts for popular Sennheiser and Rode microphones.