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5,462 Views· Posted
In the following video, Rob Rives demonstrates the Zoom LiveTrak L12 Digital Mixer and Multitrack Recorder, and how it can be a useful addition to a small club, live band’s rehearsal space, or project studio. This video explores the functions, controls and features of the LiveTrak L12, including the 8 mono tracks and two stereo tracks, which not only allow you to mix your live instruments, but records each track individually to the on-board SD recorder. We showcase the on-board FX processors, use of instantly recallable scenes, and the setup
7,733 Views· Posted
In this video, Rob Rives demonstrates the RØDElink Newsshooter Kit, which utilizes an RX-Cam wireless receiver in conjunction with a TX-XLR wireless transmitter, thus allowing you the option of using handheld XLR microphones in a roaming, wireless fashion. Rives shows off its power abilities, gain-reduction switches, and line-of sight range. With Rives positioned far away from the camera, you’ll be able to see—and more importantly, hear—how this kit
6,526 Views· Posted
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications.
The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address
3,455 Views· Posted
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: