Pro Audio
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Posted
Kevin breaks down various setups you can use when recording vocals at home, from entry-level to high-end. The first step: understanding basic room acoustics. You'll also learn how microphones work, how to gain stage properly, and much more. Thank you to @mattrelevo for joining us!
0:00 - What We're Covering
0:44 - Treating The Room
1:36 - Audio Interface
2:54 - Dynamic vs Condenser Mic
4:01 - Basic, Bare-Bones Setup
12:30 - Home Studio Setup
17:10 - High-End, Professional Setup
by Freddy Gerngross · Posted
Tube microphones (also known as “valve mics” to those who refer to the subway as “the tube”) are something of a venerated patrician class of microphone technology known for their euphonic sound characteristics and historical pedigree, along with exorbitant prices that induce nightmares for recording studio accountants—discontinued models like the Telefunken ELA M 250E command upward of $30,000, making a brand-new Sony C-800G
by Freddy Gerngross · Posted
With their history and pedigree, tube microphones have built a reputation for being the delicate, rare, and expensive stuff only the wealthy or most prestigious of recording studios can afford to have in their arsenal. While that was true in the past (and still is for some tube mics), many audio equipment manufacturers are cloning vintage microphone architecture or producing their own designs that are affordable enough to be
by Freddy Gerngross · Posted
Solid State Logic has announced the new SSL 1, a compact and affordable audio interface with the same form factor as the powerful and popular SSL 2+. The new SSL 1 promises to be perfect for those with small home studios doing personal projects to those wanting to refine their craft and enter the next level of production.
by Gabby Bloch · Posted
If you’re thinking about building a home recording studio or upgrading your existing setup with better gear, there are a plethora of options at B&H that can take your production to the next level (maybe at the cost of fueling your gear-acquisition syndrome). Here are some of our favorite pieces of music technology we have on offer, covering everything you’d need to start working on your own music and recording projects, or bring your productions to the next level.
MIDI Controllers
Novation Launchkey MK4 Series—A Workhorse Controller
The
by Freddy Gerngross · Posted
Allen & Heath announced an updated lineup of their SQ series of digital mixers with the all-new SQ5+, SQ6+, and
by Freddy Gerngross · Posted
Wireless microphones are an incredibly popular and convenient solution to many of the problems that come with traditional wired setups: they require far less cabling, and that means fewer issues with shorted wiring, lowered chances of cable-related tripping, and a higher number on the “Days Since Last Incident” sign. While they can be a bit more difficult to onboard, once the system is up and running, audio engineers and A/V technicians appreciate the fast setup time and decreased storage space that wireless mics afford. So, with all the
Posted
teenage engineering's EP-136 KO Sidekick is a small, versatile beast with a secret. Join Gabe as he runs down how to utilize this two-channel mixer. It might be your sidekick in your future music endeavors!
Sponsored by
by Freddy Gerngross · Posted
Now that we’ve discussed the basic gear you need to put on a live show, lets look at the specific kind of gear and knowledge you’d need to set up a professional event at a large venue, stadium, or arena. Whether you want to gain more knowledge in pro live sound or you’re just curious, you’re in the right place!
If you’re a beginner or want more context for this article, go ahead and check out the
by Freddy Gerngross · Posted
The PA system is the linchpin of any venue or event space, whether it’s the hottest new night club, this weekend’s big house party, or the screening of the next indie film sensation. It’s integral to the experience of social activity—and because music and sound deserve to be clear, coherent, and exhilarating, the PA system needs to serve up the goods by being powerful, reliable, and properly scaled for the event.
In our
by Freddy Gerngross · Posted
When it comes to putting on a live show, knowing the specific gear to get and how to use it can be a daunting prospect. There are tons of different microphones, speaker systems, monitoring setups, and mixer environments, all of which are suited for different types of performance settings. And that's not even including power distribution, cabling, and other miscellaneous equipment you'll need to put on a proper event. But fear not reader. In this guide, we'll go over all the gear you'll want to consider and why, whether you're putting on
by Freddy Gerngross · Posted
Realistic artificial reverbs and other time-based processors are commonplace in today’s music technology, so it’s easy to overlook how much of a technical marvel it was when reverberation could be divorced from the physical location of a performance, and how quickly it transformed recorded music. From Bill Putnam’s reamping technique using physical echo chambers, to the Brobdingnagian 600-pound EMT plate reverb machine, to the complex digital convolution and algorithmic reverbs we have today, artificial reverbs have been sculpting the sonic
by Freddy Gerngross · Posted
Mackie is releasing the next evolution of their Thump PA systems with the new ThumpV4 lineup, updated with their new SoundCheck DSP system, which promises to deliver better flexibility and convenience with even more instant processing settings that designed to cater to almost any application.
by Freddy Gerngross · Posted
Sennheiser has unveiled the new HD 480 Pro professional recording and monitoring headphones, positioned as their highest tier closed-back pro-audio headphones for monitoring, music production, and mixing (not to be confused with the iconic open-back HD 600 series and audiophile reference-monitoring HD 800 series).
Sennheiser HD 480 PRO Plus Professional Recording and
by Freddy Gerngross · Posted
RODE has developed a brand-new Micro-Electro-Mechanical-System (MEMS) microphone technology they’ve dubbed SONAURA, the culmination of five years of research and development collaboration with Infineon Technologies. The new SONAURA microphone technology aims to redefine how professional audio is captured, with its ultra-compact 4mm x 5mm dimensions, industry-leading Signal-to-Noise Radio (SNR) of 83 dB, and a self-noise of 11 dBA.
This tech will be introduced across new next-gen products from RODE and the Freedman Group lineup beginning with