Photography
- Recently Added
- Popularity
- Name
About 349 filtered results
Posted
Let's take a look at the Nikon NIKKOR Z 400mm f/2.8! Made for Nikon's Z mount, this super-telephoto lens is perfect for sports and wildlife photography, with a maximum aperture of f/2.8 and built-in 1.4x teleconverter, as well as sophisticated optical, autofocus, and VR systems.
What would you capture with this camera lens? Let us know below in the Comments section!
by Todd Vorenkamp · Posted
Attention, Nikon Z mirrorless shooters! Your wide-aperture, super-telephoto dreams have been answered with the release of the Nikon NIKKOR Z 400mm f/2.8 TC VR S lens. This previously announced lens features a built-in 1.4x teleconverter, giving it an effective focal length of 560mm.
Nikon NIKKOR Z 400mm f/2.8 TC VR S lens
The new lens features Nikon
by Todd Vorenkamp · Posted
Capturing amazingly sharp photos of birds in the wild is the goal of many birders. There are different ways to do this, but the most organic is using extremely long telephoto lenses for digital or film SLR cameras or mirrorless interchangeable lens cameras. Not only useful for photography, modern digital cameras also can record
by Cory Rice · Posted
Nikon has just announced the NIKKOR Z 28-75mm f/2.8 Lens, a fast, lightweight zoom for Z-series mirrorless cameras. The new lens provides flexible reach, whether capturing events, portraits, landscapes, or even close-ups, while maintaining a bright, constant f/2.8 aperture and manageable weight for easy carry. Additionally, Nikon has also revealed the development of the herculean
Posted
On this week’s episode of the B&H Photography Podcast, we welcome Craig Strong, the co-founder and Chief Creative Officer of Lensbaby, the special-effects lens manufacturer. Lensbaby was started by Strong, in 2004, and quickly established a name for itself. Over the years, the company has added lenses, optics systems, and accessories to grow its brand while maintaining an emphasis on creative expression—and embracing imperfection.
With Strong,
by Todd Vorenkamp · Posted
The 35mm focal length has long been regarded as the best focal length for many forms of photography—especially street and landscape images—and Panasonic has rolled out an exciting new large-aperture prime Lumix S 35mm f/1.8 lens for Leica L-Mount full-frame photographers.
by Bjorn Petersen · Posted
During a solid year of camera and lens development, Sony had a productive 2021 that saw a great deal of attention given to the prime lens. With six primes and one zoom being released over the past 12 months, Sony made a concerted effort to release some tempting, but humble, compact prime lenses along with some more high-end and fast G Master lenses. The brand has clearly reached a level of maturity at which it is filling in the gaps with more specialized and unique lenses, as well as updating some of the classic lenses with faster design and
by John Harris · Posted
Whether you want to photograph your pets, pamper them, study them, or memorialize them for eternity, B&H has a wide array of gifts that will appeal to animal enthusiasts. Let’s have a look at a few possibilities.
Fisheye Lenses
Not for fish, but perfect for taking fun pictures of your dog, cat, or bunny rabbit. Extreme wide perspectives from a fisheye lens create pet portraits with exaggeratedly long noses and elongated whiskers. They are also great for capturing action shots, like a dog in mid-frisbee jump. Check out these screw-on
Posted
Sony has announced the FE 70-200mm f/2.8 GM OSS II lens, an extensive overhaul of one of the most popular lenses in the G Master lineup. The upgrade boasts completely reconfigured optics, faster and more accurate autofocus, and a laundry list of practical improvements for still and video shooters. A favorite zoom of professional portrait, event, sports, and wildlife photographers, this bright, constant max-aperture lens works well for a wide
by Cory Rice · Posted
Nikon has announced an all-in-one zoom for Z series mirrorless cameras: the NIKKOR Z DX 18-140mm f/3.5-6.3 VR Lens. Designed to capture everything from landscapes to close-ups, this compact yet powerful zoom promises to be a dependable choice for everyday carry―or any scenario that requires the convenience and simplicity of a single lens.
NIKKOR Z DX
by Jill Waterman · Posted
No matter how many lenses a photographer has, there are often added lenses we still wish for, and even more lenses after which we lust.
There are so many options that choosing your next lens can often involve a dizzying cavalcade of choices—manufacturers, focal lengths, prime or zoom functionality, auto or manual focusing, and price. Below, we offer up some thoughts on what your next lens might be based on your shooting preferences and needs.
To keep things simple, our suggestions are based on the use of a full-frame camera—those seeking a
Posted
The day is finally here! Canon has, at last, unveiled its topflight mirrorless camera, the EOS R3. Combining assets from the EOS R5 and the flagship EOS-1D X Mark III DSLR, the R3 is a high-performance body built for speedy shooting, featuring fast and precise focusing, and sporting a robust, professional-grade body. It's the first 3-Series camera since the film era and introduces a wealth of new tech to Canon's mirrorless system, including an
by Bjorn Petersen · Posted
When looking for an ideal everyday lens, what pops into your mind? Wide-angle? Normal? If you’re looking for something from Nikon, the NIKKOR Z 40mm f/2 might be just the happy medium you’re seeking. Straddling wide-angle and normal-length fields of view, this svelte prime is about as versatile as a single focal length lens can get.
Nikon
Posted
Expanding its lineup of stylish, compact, and modest primes, Sigma has just announced two new I Series lenses: the 90mm f/2.8 DG DN and 24mm f/2 DG DN. Both of these lenses fall under the Contemporary designation and both are available for L and Sony E mirrorless lens mounts. If you look back to last fall, when
by Cory Rice · Posted
Panasonic has just announced the third lens to join its growing series of compact f/1.8 primes for full-frame L-mount mirrorless cameras: the Lumix S 24mm f/1.8. The new lens shares the same maximum aperture, form factor, and performance as the previously released 50mm and 85mm primes, making it easy to swap lenses while maintaining consistent visuals. As the widest option of the trio, the 24mm is an excellent choice for capturing street