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About 80 filtered results
by Mathew Malwitz · Posted
We can say from experience that there’s nothing worse than your fingers freezing while on a winter photo shoot. From a scientific standpoint, exposure to the cold results in constriction of blood flow to the extremities, resulting in rapid temperature loss that approaches ambient temperatures. In layman’s terms, your hands get cold fast. Once you feel that chill, it’s nearly impossible to think about anything else.
Enter gloves. From mittens to liners, we all probably have more pairs of gloves than we know what to do with, but not all pairs
by John-Paul Pale… · Posted
Designed primarily for sports and wildlife photography, super telephoto lenses let you take advantage of long focal lengths, a narrow field of view, and shallow depth of field to fill the frame with distant subjects that are more isolated from the background. The narrow field of view also creates a compression effect, making the subject seem closer to the background than it is. With focal lengths
by Luke Rollins · Posted
Macro photography demands precision. Mere millimeters can determine an image’s success. To help small-scale photographers, tripod and accessories manufacturer Oben has released a new pair of macro focusing rails in 4” FRM-4S and 7” FRM-4L options—available separately and together as a kit. Recently, I was able to get my hands on the new focusing rails, along with
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Join Matt Zefi at a local baseball game in Santo Domingo, Dominican Republic, as he puts Sigma's 500mm f/5.6 DG DN OS Sport Lens to the test.
0:00 - Introduction
0:31 - Specs and First Impressions
2:07 - In Action and Images
3:29 - Camera Settings
4:18 - Customizing
5:11 - Zefi's Thoughts
What do you think of this Sigma lens? Share your thoughts in the Comments section, below.
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The Venus Optics Laowa Aurogon FF 10-50x NA0.5 Supermicro APO Lens opens the door to microphotography, allowing you to use the camera gear you already have. Watch as Sam Fuller takes the camera out for a spin and shares some helpful tips for microscopic photography.
0:00 - Introduction
0:35 - Specs and Today's Setup
2:46 - More Tips
3:17 - Fuller's Thoughts
Will you be adding the Laowa Aurogon to your kit? Let us know your thoughts in the Comments section, below.
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Sigma's 10-18mm f/2.8 DC DN Contemporary is the perfect lens for hybrid shooters working with APS-C cameras. Vloggers and photographers will enjoy its small form factor and wide f/2.8 aperture. Watch to learn all about it.
Will you be adding this lens to your kit? Let us know in the Comments section, below.
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The NIKKOR Z 600mm f/6.3 VR S offers Nikon users another super-telephoto lens from its comprehensive lineup. How does this differ from its f/4 counterpart, as well as the NIKKOR Z 180-600 f/5.6-6.3? Nick Brigadier takes the Nikon NIKKOR Z 600m f/6.3 VR S out for a spin to test its wildlife and portrait-photography capabilities.
0:00 - Introduction and Key Specs
0:39 - Detailed Specs, Sample Photos, and Video
3:06 - This Lens vs. NIKKOR Z 180-600 f/5.6-6.3 vs. NIKKOR Z 600mm f/4
3:47 -
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From landscapes to vlogs, Tamron's 17-50mm f/4 Di III VXD for Sony E-Mount is a versatile lens that covers a unique focal length. In this video, Sam Fuller takes the lens out for a spin.
0:00 - Introduction
0:36 - Specs
2:24 - Final Thoughts
What is your impression of Tamron's 17-50mm f/4 Di III VXD lens? Let us know in the Comments section, below.
by Todd Vorenkamp · Posted
The professional-grade OM SYSTEM OM-1 made a huge splash upon its arrival—single-handedly reviving the Micro Four Thirds market. Following up on that high bar is the OM SYSTEM OM-5 mirrorless interchangeable lens camera, representing OM SYSTEM’s
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OM SYSTEM has announced a 2x telephoto macro built for the field: the M.Zuiko Digital ED 90mm f/3.5 Macro IS PRO for Micro Four Thirds cameras. Featuring a 180mm equivalent focal length, 5-axis image stabilization, and IP53 weather sealing, the new lens was made for macro photographers longing to get up close and personal with nature.
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The last few months have been a whirlwind for FUJIFILM's mirrorless division, with the company unveiling a suite of new sensor technologies inside the successors to a line of cameras that not everyone was sure would ever return. While the X-H2 and X-H2S are very exciting cameras and deserving of their flagship status, they aren't necessarily what most people think of when they think of FUJIFILM cameras: that would be the X-T line, and many have been waiting to see what these announcements would mean for the
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Our team tests the Sony FE 24-70mm f/2.8 GM II to make note of how it has been improved—photographers and videographers should enjoy the upgrades! This G Master lens is smaller and lighter than its predecessor and boasts even greater resolution and bokeh quality, an improved motor for faster and smoother autofocusing, minimized focus breathing, and much more.
Read the Sony 24-70mm f/2.8 GM II Lens announcement to learn
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Perfect for travel photography, the Tamron 17-70mm offers unlimited creativity, with a constant f/2.8 aperture, reduced focus breathing, vibration compensation, an effective minimum focusing distance, and more!
Click to read the Tamron 17-70mm f/2.8 for FUJIFILM announcement to learn more.
Let us know in the Comments section, below, how excited you are to try the Tamron 17-70mm!
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Over the course of six years, Sony’s G Master lineup has offered some of the best lenses in the business—and yet Sony still pushes itself to get even better. With the release of the FE 24-70mm f/2.8 GM II, it’s easy to see Sony’s drive to improve in action based on all the upgrades made to one of its earliest, and still good, G Master lenses. Sony also appears to be watching industry trends, further tuning its optics and handling to suit the demands
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Jake Estes tests the Tamron 18-300mm f/3.5-6.3 for FUJIFILM X, a versatile ultra-wide to telephoto lens. This zoom lens was created for the X-mount/APS-C format and is a perfect all-arounder, because it covers almost any shooting situation.
Will you be adding this lens to your kit? Share your thoughts on it in the Comments, below.