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by Mathew Malwitz · Posted
We can say from experience that there’s nothing worse than your fingers freezing while on a winter photo shoot. From a scientific standpoint, exposure to the cold results in constriction of blood flow to the extremities, resulting in rapid temperature loss that approaches ambient temperatures. In layman’s terms, your hands get cold fast. Once you feel that chill, it’s nearly impossible to think about anything else.
Enter gloves. From mittens to liners, we all probably have more pairs of gloves than we know what to do with, but not all pairs
by Bjorn Petersen · Posted
The Pentax K-3 Mark III Monochrome is one of the most surprising camera releases in recent memory. As a brand that’s already in rare air with its dedication to the DSLR, the choice to further isolate Pentax with a black-and-white-only DSLR is definitely intriguing―but also incredibly fun and refreshing. I had a chance to shoot with the camera for a little while; my immediate takeaways relate to nostalgia. It’s exciting to
by Todd Vorenkamp · Posted
Our lives are marked by firsts: First love, first car, first marriage, first kid, first heartbreak, and first camera (hopefully, not in that order). For many generations of photographers, that first “real camera” was the Pentax K1000.
Photographs © Todd Vorenkamp
Early models of the Pentax K1000 feature
by Luke Rollins · Posted
As we turn the corner into 2023, the emerging landscape for photography seems split between mirrorless maximalism, exemplified in the fourth-quarter releases of the FUJIFILM X-T5 and Hasselblad X2D 100C, and the triumphant resurgence of film that has culminated in Leica's re-release of its iconic M6 and an eleventh-hour announcement of an exploratory film camera project from RICOH Imaging's Pentax brand. It's more than a little strange that only two months earlier, Pentax announced its newest camera, the
by Todd Vorenkamp · Posted
There are few things as slow and tedious in the photographic world as threading a head on a tripod or a camera on a tripod head—or turning of any threaded screw, for that matter. The process of threading a camera on a tripod has been mostly eliminated by the invention of the quick-release (QR) dovetail plate. Can this concept and functionality be brought forward into the world of the modern creative? The Manfrotto MOVE Ecosystem has done just that.
The previous sentence had the word “Ecosystem” in it. MOVE is truly a system of accessories and
by Cory Rice · Posted
There’s always room for improvement, even for the most tried-and-true designs. Such logic guides the thinking behind the Pelican Air™ lineup, a lightweight reboot of some of the industry’s most trusted hard cases. I tested the Pelican Air 1525TP™, a mid-size case
by Todd Vorenkamp · Posted
I am not a “hard case guy,” but I know many who use them, and I know they are essential for a lot of photographers, videographers, and creatives who are constantly on the go and need extra protection for their gear. And, if you have even given hard cases a moment of thought, the Pelican brand of protective “stuff” is guaranteed to have made it onto your radar because the term “Pelican
by Bjorn Petersen · Posted
How do you make one of the most refined camera systems even better? Up the resolution, of course. For a camera system maker that thrives on minimalism, the launch of the M10-R is exactly what you'd expect from Leica: one strong and meaningful update without touching anything else. While I can argue that this is exactly the reason why Leica does camera updates right, I also wonder, is it enough? Does just bumping up the M10's resolution
by Allan Weitz · Posted
When my test sample of Lensbaby’s OMNI Creative Filter System with the OMNI Color Expansion Pack and OMNI Crystal Expansion Pack showed up at my desk, I decided to revisit
Posted
How fast is the Nikon D6 for sports photography? Can the autofocus track a boxer's face accurately? Can you push the ISO in lower light? Nikon ambassador and pro sports photographer Rod Mar puts the D6 through its paces at Church street boxing gym, in lower Manhattan.
Learn more at B&H Explora
Order the Nikon D6 DSLR Camera at
1,171 Views· Posted
We review the latest in FUJIFILM's X Series: the FUJIFILM X-T4. Derek Fahsbender and Doug Guerra give you their first impressions of this mirrorless camera, for photography and video. Features include FUJIFILM's IBIS (In-Body Image Stabilization), an improved mechanical shutter, adjustable flip screen, DCI 4K/60p and Full HD/240p super slow-motion video, and more.
by Todd Vorenkamp · Posted
I never fancied myself a passionate lover of a battery charger. That is, until I tried the Nitecore FX1 Dual-Slot USB Travel Charger for FUJIFILM NP-W126 & NP-W126S Batteries. Am I kidding you? No. Seriously, I really, really like, maybe love, this camera battery charger. Why and how did this charger win my heart? Four words: It is freaking cool!
Battery chargers usually come with a new camera except for some USB-charging only
by Allan Weitz · Posted
If you’re into analog film cameras, by extension you’re also into light meters. This is because while most modern cameras contain excellent TTL metering systems, if you use film cameras made prior to the 1970s and ’80s chances are: A. the camera has a meter but it doesn’t work anymore; B. the meter works but it’s no longer accurate; C. they stopped making batteries for your meter when Jimmy Carter was President; or D. the camera never had a light meter in the first place. If you resonate with any of the above and your film camera has an
by Allan Weitz · Posted
Speaking as a photographer who learned the craft of black-and-white photography using a 4 x 5" field camera and Tri-X film, I know a good black-and-white photograph when I see one. After spending an afternoon wandering about New York’s Chelsea Market and the elevated High Line with the new Leica M10 Monochrom, I can tell you straight up that the M10 Monochrom takes incredibly good black-and-white photographs. And you can bank
1,613 Views· Posted
Doug takes the Canon 1DX Mark III DSLR Camera out for a spin, showing you that "this camera is all about speed." Featuring a 20.1MP sensor with a newly designed low pass filter and a 191-point Dual Pixel CMOS AF system that prioritizes people. The 1DXIII can shoot up to 20 fps in Live View with AF/AE Tracking and can achieve a maximum burst rate of 1000+ images (RAW+JPEG). Video capabilities of the Canon 1DX III include 4K 60p with Canon Log, 10-bit 4