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by Bjorn Petersen · Posted
The Pentax K-3 Mark III Monochrome is one of the most surprising camera releases in recent memory. As a brand that’s already in rare air with its dedication to the DSLR, the choice to further isolate Pentax with a black-and-white-only DSLR is definitely intriguing―but also incredibly fun and refreshing. I had a chance to shoot with the camera for a little while; my immediate takeaways relate to nostalgia. It’s exciting to
Posted
Join Matt Zefi at a local baseball game in Santo Domingo, Dominican Republic, as he puts Sigma's 500mm f/5.6 DG DN OS Sport Lens to the test.
0:00 - Introduction
0:31 - Specs and First Impressions
2:07 - In Action and Images
3:29 - Camera Settings
4:18 - Customizing
5:11 - Zefi's Thoughts
What do you think of this Sigma lens? Share your thoughts in the Comments section, below.
Posted
The Venus Optics Laowa Aurogon FF 10-50x NA0.5 Supermicro APO Lens opens the door to microphotography, allowing you to use the camera gear you already have. Watch as Sam Fuller takes the camera out for a spin and shares some helpful tips for microscopic photography.
0:00 - Introduction
0:35 - Specs and Today's Setup
2:46 - More Tips
3:17 - Fuller's Thoughts
Will you be adding the Laowa Aurogon to your kit? Let us know your thoughts in the Comments section, below.
Posted
Sigma's 10-18mm f/2.8 DC DN Contemporary is the perfect lens for hybrid shooters working with APS-C cameras. Vloggers and photographers will enjoy its small form factor and wide f/2.8 aperture. Watch to learn all about it.
Will you be adding this lens to your kit? Let us know in the Comments section, below.
Posted
The NIKKOR Z 600mm f/6.3 VR S offers Nikon users another super-telephoto lens from its comprehensive lineup. How does this differ from its f/4 counterpart, as well as the NIKKOR Z 180-600 f/5.6-6.3? Nick Brigadier takes the Nikon NIKKOR Z 600m f/6.3 VR S out for a spin to test its wildlife and portrait-photography capabilities.
0:00 - Introduction and Key Specs
0:39 - Detailed Specs, Sample Photos, and Video
3:06 - This Lens vs. NIKKOR Z 180-600 f/5.6-6.3 vs. NIKKOR Z 600mm f/4
3:47 -
Posted
From landscapes to vlogs, Tamron's 17-50mm f/4 Di III VXD for Sony E-Mount is a versatile lens that covers a unique focal length. In this video, Sam Fuller takes the lens out for a spin.
0:00 - Introduction
0:36 - Specs
2:24 - Final Thoughts
What is your impression of Tamron's 17-50mm f/4 Di III VXD lens? Let us know in the Comments section, below.
by Todd Vorenkamp · Posted
Our lives are marked by firsts: First love, first car, first marriage, first kid, first heartbreak, and first camera (hopefully, not in that order). For many generations of photographers, that first “real camera” was the Pentax K1000.
Photographs © Todd Vorenkamp
Early models of the Pentax K1000 feature
by Todd Vorenkamp · Posted
The professional-grade OM SYSTEM OM-1 made a huge splash upon its arrival—single-handedly reviving the Micro Four Thirds market. Following up on that high bar is the OM SYSTEM OM-5 mirrorless interchangeable lens camera, representing OM SYSTEM’s
Posted
OM SYSTEM has announced a 2x telephoto macro built for the field: the M.Zuiko Digital ED 90mm f/3.5 Macro IS PRO for Micro Four Thirds cameras. Featuring a 180mm equivalent focal length, 5-axis image stabilization, and IP53 weather sealing, the new lens was made for macro photographers longing to get up close and personal with nature.
by Luke Rollins · Posted
As we turn the corner into 2023, the emerging landscape for photography seems split between mirrorless maximalism, exemplified in the fourth-quarter releases of the FUJIFILM X-T5 and Hasselblad X2D 100C, and the triumphant resurgence of film that has culminated in Leica's re-release of its iconic M6 and an eleventh-hour announcement of an exploratory film camera project from RICOH Imaging's Pentax brand. It's more than a little strange that only two months earlier, Pentax announced its newest camera, the
Posted
The last few months have been a whirlwind for FUJIFILM's mirrorless division, with the company unveiling a suite of new sensor technologies inside the successors to a line of cameras that not everyone was sure would ever return. While the X-H2 and X-H2S are very exciting cameras and deserving of their flagship status, they aren't necessarily what most people think of when they think of FUJIFILM cameras: that would be the X-T line, and many have been waiting to see what these announcements would mean for the
Posted
Our team tests the Sony FE 24-70mm f/2.8 GM II to make note of how it has been improved—photographers and videographers should enjoy the upgrades! This G Master lens is smaller and lighter than its predecessor and boasts even greater resolution and bokeh quality, an improved motor for faster and smoother autofocusing, minimized focus breathing, and much more.
Read the Sony 24-70mm f/2.8 GM II Lens announcement to learn
Posted
Perfect for travel photography, the Tamron 17-70mm offers unlimited creativity, with a constant f/2.8 aperture, reduced focus breathing, vibration compensation, an effective minimum focusing distance, and more!
Click to read the Tamron 17-70mm f/2.8 for FUJIFILM announcement to learn more.
Let us know in the Comments section, below, how excited you are to try the Tamron 17-70mm!
Posted
Over the course of six years, Sony’s G Master lineup has offered some of the best lenses in the business—and yet Sony still pushes itself to get even better. With the release of the FE 24-70mm f/2.8 GM II, it’s easy to see Sony’s drive to improve in action based on all the upgrades made to one of its earliest, and still good, G Master lenses. Sony also appears to be watching industry trends, further tuning its optics and handling to suit the demands
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Jake Estes tests the Tamron 18-300mm f/3.5-6.3 for FUJIFILM X, a versatile ultra-wide to telephoto lens. This zoom lens was created for the X-mount/APS-C format and is a perfect all-arounder, because it covers almost any shooting situation.
Will you be adding this lens to your kit? Share your thoughts on it in the Comments, below.