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Julia Blaukopf is not afraid to think big, particularly when it comes to her photographs. She’s also not afraid of blurring the lines between fine art and commercial enterprise. Equal parts photographer, designer, visual artist, and entrepreneur, Julia is the founder of Fotografica—an arts-products venture with the goal of re-envisioning options for photography and photo-based products.
Above photograph © Julia Blaukopf
In this week’s podcast, Julia leads us along her inspiring path—from her early days working with alternative processes and
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Fine art photographer Anya Anti shares her process for creating surreal portraits, including planning her photo shoots, conveying her message, and much more.
0:00 - Introduction
1:06 - Overview
3:01 - What is Meaningful Art?
7:33 - What is Conceptual Photography?
9:19 - Character Development
10:40 - Styling
13:21 - Mood, Tone, and Emotion
14:05 - Associations, Symbols, and Metaphors
17:04 - Strong Title
18:32 - Project, Start to Finish
38:43 - Q&A
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“The eye should learn to listen before it looks.” – Robert Frank
Australian photographer Wayne Quilliam used to consider his camera as a tool, but today it’s become his “companion.” This is just one of the inspiring takeaways from our chat for the new monthly podcast series, “Picturing World Cultures.”
Above photograph © Wayne Quilliam
Listen in as Quilliam describes his journey—from growing up on the island state of Tasmania knowing little about his indigenous roots, to gaining a fascination with culture while traveling with the Royal
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1950s America proved fertile ground for photographers Robert Frank and Todd Webb, who both received Guggenheim Foundation grants to traverse the country in 1955 and record their respective visions. While Frank’s resulting book, The Americans, eventually made him a legend, Webb’s photographs remained unpublished, and were all but lost to history due to a 1970s-era business deal gone bad.
The saga of Webb’s unaccounted-for archive and its eventual recovery is one of the juicier tidbits from today’s show, which focuses on the long-awaited
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How central is your personal drive and unique creative vision to the pictures you make? If these characteristics strike a chord or are traits to which you aspire, then you won’t want to miss our inspiring chats with photographers Ashok Sinha and Anabel DFlux. We caught up with both of these accomplished creatives earlier this year at B&H’s 2023 Depth of Field Conference.
Above photograph © Ashok Sinha
We begin with architectural
by Jill Waterman · Posted
A photographer’s gift is to record his or her encounters with the world in pictures. If that photographer meets with success, pictures from their archive are published in magazines and books, exhibited in museums and galleries, licensed for commercial use, and sold as prints. With careful planning, these images have a life that endures well beyond that of the artist, through the continuing efforts of a legacy keeper.
Such is the relationship between the trailblazing work of 20th-Century photographer Ruth Orkin and the ongoing endeavors
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For artists and photographers who make their art on paper, a key consideration is how it will be displayed later. In this B&H video, Barrie Lynn Bryant demonstrates viable options for artists and photographers to use for displaying their works with the art of framing.
0:00 - Introduction
1:30 - Bryant’s Intro
5:36 - Frame History
8:03 - Displaying Your Work with the Community
11:21 - Studying Framing
18:47 - Printing and Shrink Wrapping
21:10 - What Goes into Framing
29:50 - Printing on a Prism Jet Printer
32:02 - When to Use a Picture
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Graham Nash is a true visionary. Whether in the lyrics he writes, the music he plays, the songs he sings, or the photographs he captures, he sees things a little differently and—most importantly—he sees beauty everywhere. As he describes it during our podcast, "It's just energy. I see my life facing a column of energy every day. Where do I want to plug in today?"
Above photograph © Joel Bernstein
Listen in as Nash regales us with how multidisciplinary interests help him avoid writer's block, his fascination for early Daguerreotypes, his
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From skate and street photography to fine art and portraiture, east coast to west coast, and fresh from capturing the stunning aerial image of South L.A. used in this year’s iconic big game halftime show, Stephen Vanasco has spent the last two decades ahead of the photography curve. We sit down with Vanasco to talk about his far-reaching body of work and the creative process behind it all. Join us for more stories from the industry’s most dynamic minds.
0:00 - Introduction
4:33 – Vanasco’s L.A. Inspirations
14:06 - Why Use Leica?
22:27 - How
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Join photographer Stephen Mallon as he shares his experiences photographing industrial landscapes such as bridges, trains, boats, and subway cars, and explains how he uses those subjects in his images.
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Is artistic creativity passed down through generations of a family? How is style and wisdom garnered? How can a father and son collaborate to expand their work individually and as a team? These are just a few of the questions we posed to Moshe and Eddie Brakha, otherwise known as Brakha x2, during this week’s episode of the B&H Photography Podcast.
Moshe Brakha likes to say that he was “born in Israel and reborn in Hollywood,” and
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This is a fun conversation—very informative, and gets the creative chemistries gellin’. Our guest on today’s episode of the B&H Photography Podcast is Rhiannon Adam and, if there is anyone who knows more about instant film photography, I don’t want to meet them. Adam brings a wealth of researched knowledge about the history of the Polaroid company and also simple but effective techniques to improve your instant film photography
by Jill Waterman · Posted
How does one begin to reconcile the unspoken sacrifices a mother makes to build her children a better life? For photographer, filmmaker, and experimental storyteller Diana Markosian, the key to understanding such mysteries of her childhood was through recasting long unexplained events in a monumental art project told through an embedded narrative—a nested story to honor her mother’s sacrifice.
Photographs © Diana Markosian
Above photograph: The Arrival, 2019, from Santa Barbara (Aperture, 2020)
Markosian was born in Moscow, in 1989, to
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In September 2017, we dedicated an episode to a conversation about one photograph—an image made by photographer Richard Drew, on September 11, 2001, in New York, which has come to be called “The Falling Man.” It was an insightful recollection and analysis of an incredibly painful image, and on today’s episode of the B&H
by Jill Waterman · Posted
As she approached her 40th birthday, Jennifer McClure decided to take stock of her life, using photography as a vehicle to explore why things had never really worked the way she thought they would.
Her previous work with self-portraits offered a basic framework for making the pictures, yet nothing could prepare her for the discovery she would make from the photographs themselves, which was the opposite of what she had expected. “I was just shocked,” she admits. “I didn't know self-portraits could take me there.”
Photographs © Jennifer McClure