About 15 filtered results
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Canon announces its third lens of 2024 and the smallest and lightest zoom lens of the RF lineup, the RF 28-70mm f/2.8 IS STM for full-frame and APS-C EOS R-series mirrorless cameras. Equally suited for stills and video, the lens’ innovative design benefits both the image quality and the lightweight, compact form factor. Its bright maximum aperture and versatile field of view makes it ideal for content creators seeking a high
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Meet the Nikon NIKKOR Z 35mm f/1.4 Lens, a hybrid full-frame camera lens. Its well-balanced and lightweight design make it ideal for gimbal video shooting and as an everyday carry lens for travel and street shooting.
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Canon EF 35mm f/1.4L II USM fans, rejoice! The legendary lens has finally received its RF upgrade with the new RF 35mm f/1.4 L VCM. The latest addition to Canon’s L-series lineup is 27% lighter than its EF equivalent, while maintaining a similar sharpness, character, and lack of chromatic aberration.
Canon has also announced the EOS C400 Cinema Camera and Cine-Servo 17-120mm T2.95-3.9 Lens;
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Sigma just announced the 28-45mm f/1.8 DG DN Art Lens, the world's-first f/1.8 zoom for full-frame cameras. This groundbreaking new lens acts as a full-frame spiritual successor to Sigma's wildly popular 18-35mm f/1.8 DC HSM Art lens for APS-C SLRs. Like its iconic predecessor, the 28-45mm f/1.8 DG DN offers the flexibility of a zoom with the speed of a prime.
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For photographers and videographers seeking great specs in a small body, the new Panasonic Lumix S9 could be just the ticket. This mirrorless camera packs a 24.4MP full-frame sensor into the first compact design in the Lumix S series, coming in at only 14.2 oz. The S9 also includes Panasonic’s advanced Phase Hybrid autofocus system, in-body stabilization, and 6K video codecs. For people looking to step up from a
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Sigma has announced the 24-70mm f/2.8 DG DN II Art lens, featuring improved optics, a smaller and lighter design, and faster focusing performance. It’s an evolution of one of Sigma's most-beloved flagship lenses and a standout zoom within the DG DN Art lineup.
Sigma 24-
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What better way to celebrate Venus Optics' 10-year anniversary than with a 10mm lens? The Venus Optics Laowa 10mm is the world's widest f/2.8 full-frame, rectilinear lens. Remarkably, this lens is not a fish-eye and features close to zero distortions. Sam shares the specs of this ultra-wide angle lens, as well as his cityscape and macro images.
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Hot on the heels of February’s 24-50mm announcement, Sony is back with another compact, short-range zoom: the FE 16-25mm f/2.8 G. This ultra-wide full-frame lens is all about portability, with a sleek design and a useful range that hits an everyday sweet spot for those photographing architecture, interiors, landscapes, and street subjects. And with a constant f/2.8 maximum aperture, it’s a solid choice
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Panasonic continues its 2024 offerings with yet another “smallest and lightest in its class” lens, this time delivering the Lumix S 28-200mm f/4-7.1 Macro O.I.S., a wide-to-tele macro zoom that fits in the palm of your hand. The lens is an all-in-one multitool whose impressive image quality makes it ideal as a jack-of-all-trades for travel and everyday carry or as the foundation for building out a Lumix lens kit
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The classic 24-70mm has some competition. Sony has just revealed an alternative in the standard zoom space with the release of the FE 24-50mm f/2.8 G Lens. Within Sony’s lineup, this new full-frame offering packs a wide-to-normal zoom range and a fast, constant f/2.8 aperture into a compact form factor—effectively splitting the difference between the hefty 24-70mm f/2.8 GM and lightweight 20-70mm f/4 G.
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Jabari Holder tests the video quality of almost every entry-level ZEISS digital cinema lens available, from the CP.3 and LWZ.3 series. He also compares them to the Zeiss Otus, Milvus, Loxia, and Batis lenses.
0:00 - Introduction
0:52 - The Zeiss Look
1:52 - Photo vs. Cine Lenses
7:19 - CP.3
8:51 - LWZ.3
10:21 - Otus
11:23 - Milvus
12:23 - Loxia
13:26 - Batis
14:05 - Final Thoughts
Are you a ZEISS fan? Tell us why in the Comments section, below.
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We try out the Panasonic Lumix S PRO 70-200mm f/2.8 lens, compatible with Panasonic DC-S1, DC-S1H, and
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Using ALL the Zeiss Batis lenses, Jake challenges our resident photographers to see who can take the best photo. The B&H film crew gives their in-depth thoughts on these prime lenses.
Click here to learn more about ZEISS Batis Lenses
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A new G Master has arrived. The ninth addition to the series is the FE 135mm f/1.8 GM Lens, a stellar portrait-length prime. Watch here as Jake Estes and a couple of B&H photographers take the lens for a quick spin both in a studio and out on some New York City streets. Be sure to check back in at BandH.com for more informational videos and reviews!
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In the following video, Allan Weitz gives us a quick look at Canon's longest and perhaps most mythological lens ever produced: the EF 1200mm f/5.6L USM. In the video, Weitz presents a quick rundown of some of the highlights of the lens, including its substantial size, weight, and mechanisms used to simply to operate it, along with the lens’s ability to render subjects sharply that are miles away. We hope you enjoy the video, and