Video
- Recently Added
- Popularity
- Name
About 109 filtered results
by Zack Young · Posted
Thypoch has unveiled the new Simera-C 16mm T1.9 full-frame cine lens, available in E- and M-mounts, along with a Simera-C six-lens kit and custom foam inserts. The 16mm is now the widest focal length in the series, with a 106° field of view. At T1.9, it’s a tad slower than the T1.5 maximum aperture seen in the rest of the line, but still quite impressive for so wide a focal length. The 6-lens kit, also available in E- and M-mounts, contains the 16mm, 21mm, 28mm, 35mm, 50mm, and
by Zack Young · Posted
Sigma expands their novel autofocus cine lens line with the new 28-105mm AF Cine T3 full frame zoom lens, available in E-mount or L-mount with markings in feet or meters. Based on the optical formula of the popular DG DN
by Zack Young · Posted
Zeiss is paying tribute to some of their most popular legacy offerings with the new Aatma Prime T1.5 cine lenses. The nine focal lengths in the set draw inspiration from classic Planar, Distagon, and Sonnar photo lenses, balancing technical precision and character-rich rendering. Large format coverage and Zeiss eXtended Data compatibility means the Aatma lenses can also keep up with the demands of modern productions.
Posted
Photographers and partners of Back Left Media, Alex Geiger and Paul Seibert, were given the new Canon EOS R6 Mark III to set out and get their honest first impression of it. They took it on tour with a local artist to capture photos and videos. In their presentation, they break down the newest features of the Canon EOS R6 Mark III and discuss the results from their latest project.
0:00 - Intro / About Alex & Paul
4:26 - Back Left
by Zack Young · Posted
Leitz remains a classic name in the world of high-end cinema lenses, with refined optics that balance character and precision. Their new HEKTOR lineup brings that legacy to the mirrorless camera world, with six T2.1 manual cinema lenses that cover full-frame sensors and feature a gentle Petzval effect with corner swirl and fall off. The line includes an 18mm, 25mm, 35mm, 50mm, 73mm, and 100mm, available in a
by Zack Young · Posted
Canon continues to innovate in the Cinema EOS line with the new C50, a compact, lightweight cinema camera capable of capturing 7K full-frame video in a 3:2 open gate mode, as well as a host of more traditional formats. Bundled with an XLR top handle that features a start-stop button and zoom rocker, the C50 represents the smallest Cinema EOS camera to date, yet is still chock full of features, codecs, and a dedicated
by Mary Latvis · Posted
Infuse your full-frame cine-style footage with a unique look featuring vintage characteristics using the BLACKWING Tuned lenses from TRIBE7. Developed with modularly controlled distortion, each of the three series of these ARRI PL-mount lenses have distinct personalities that help you craft an atmospheric look for your story. TRIBE7 was founded as a collaboration between artist and Academy Award-nominated cinematographer Bradford Young, ASC, and motion picture camera and lens technologist Neil Fanthom.
by Zack Young · Posted
The announcement of DZOFilm’s X-Tract 18-28mm T8 probe lens marked an exciting development in the growing probe category by introducing the ability to zoom in and out, allowing users to adjust the field of view while keeping the lens in place. At launch, the only iteration had a forward-facing direct view. Now, DZOFilm has formally unveiled
by Zack Young · Posted
Venus Optic’s Laowa-branded lenses have innovated been innovators in the anamorphic space for years, and their new line of Proteus 2x Anamorphic T2.9 Zoom Lenses, consisting of 26-45mm and 45-85mm lenses at launch, represents an exciting step forward. Laowa promises these PL-mount lenses exhibit minimal focus breathing, impressive sharpness even when wide open, and excellent parfocal abilities, a must for cine zooms. Each lens weighs just
by Zack Young · Posted
Two years after the announcement of their landmark ATHENA PRIME series, NiSi is back at NAB unveiling a fresh set of fast, lightweight lenses known as the AUREUS PRIME series. These new T1.4 full-frame cinema lenses are designed to be sharp, consistent, and ideal for modern large format sensors. The launch includes five focal lengths—18mm, 24mm, 35mm, 50mm, and 85mm—but more are already in development, including a 29mm, 65mm, and 105mm. The lenses are
Posted
It seems like everyone is using a DJI Osmo Pocket 3, but is it worth the hype? How does the footage compare to a mirrorless camera's? Is it any better than using your smartphone? Join Matt to learn its pros and cons and how to maximize your Osmo Pocket 3!
0:00 - Intro
0:35 - Benefits
2:38 - Osmo Pocket 3 vs. Mirrorless or DSLR
5:38 - Pro Mode
7:06 - Smart Features
8:01 - So, What's the Verdict?
Sponsored by
by Jordan Gallant · Posted
I’ve seen the hype around Sony’s newest compact mirrorless and have always been intrigued, so when I was asked to give it a spin, I said yes without hesitation. Billed as a content creator’s dream, the ZV-E10 II Mirrorless Camera gives you balanced video and photo improvements for all of your content needs. Under the hood, the camera features a 26MP APS-C sensor and a 759-point phase detection autofocus system. It also boasts
by Mary Latvis · Posted
If you’re a storyteller who appreciates the rich, appealing natural look of classic films, Tokina’s new Vista-C Prime Lenses have you covered. This set of nine primes ranging from 18mm to 135mm combines a unique vintage look with the ease of a modern lens design, offering coverage for up to full-frame and large format sensors including VistaVision.
by Zack Young · Posted
Sirui unveiled their new Vision Prime T1.4 full-frame cine lens series alongside a 20mm T1.8 anamorphic lens. The Vision Prime series kicks off with a 24mm, 35mm, and 50mm T1.4 lenses. The Vision Primes are Sony E-mount out of the box but include a set of user-changeable RF-, Z-, and L-mounts. Sirui’s other announcement, the 20mm T1.8 1.33x autofocus anamorphic lens, is the widest focal length we’ve seen with anamorphic AF lenses, a burgeoning category that so far
by Zack Young · Posted
So, if a PTZ camera is basically a camcorder on a robotic head, why not just buy a camcorder and a robotic head? And why would you choose PTZ cameras over mirrorless cameras that have unique interchangeable lenses with shallow depth of field? Let’s discuss.
PTZ (pan-tilt-zoom) cameras have been around for decades, but their recent surge in popularity has greatly expanded the number of people who are considering adding them to their