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by Zack Young · Posted
Tilta continues to push the possibilities of camera accessories with the new Nucleus Autofocus Adapter, a Sony E to ARRI PL-mount adapter that turns manual PL cine lenses into autofocus-capable E-mount glass that interfaces with the full focus system inside Sony cameras. That means face tracking and eye-detect Sony autofocus can now work with countless manual PL lenses for the first time. Alongside the adapter, Tilta unveiled new cages for recent Sony Alpha cameras
by Mary Latvis · Posted
Melding the higher frame rates, powerful hardware, and highly efficient ARRICORE codec of the ALEXA 35 XTREME with the modular form of the ALEXA 35 Live camera, the new ALEXA 35 Live (XR) Multicam System provides a complete toolset for your fiber-based live productions. This system is available in Entry,
by Zack Young · Posted
Zeiss is paying tribute to some of their most popular legacy offerings with the new Aatma Prime T1.5 cine lenses. The nine focal lengths in the set draw inspiration from classic Planar, Distagon, and Sonnar photo lenses, balancing technical precision and character-rich rendering. Large format coverage and Zeiss eXtended Data compatibility means the Aatma lenses can also keep up with the demands of modern productions.
by Zack Young · Posted
Atomos has long been on the forefront of camera monitoring, and the new 19" Shogun AV-19 rackmount monitor-recorder-switcher represents an exciting step forward for the brand, packing in high-end features like 6K raw recording, 10-bit HDR support, and NDI|HX3 via Gigabit Ethernet. The Shogun AV-19 can display and record up to four isolated camera
by Mary Latvis · Posted
Capture smoother, more professional-looking video with DJI’s new RS 5 Gimbal Stabilizer featuring enhanced stability, faster charging, and a longer runtime. Despite its lightweight design, DJI’s latest gimbal can support camera rigs up to 6.6 lb, and comes packed with plenty of pro-level features and enhancements. New intelligent tracking module and briefcase-style control handle options are available
by Steven Esposito · Posted
Obsbot is happy to announce its new Tiny 3 and Tiny 3 Lite AI PTZ webcams designed for creatives and presenters alike. Both PTZ webcams offer vast capabilities with multiple modes, allowing you to capture all of your content with ease.
Both cameras can capture high-quality 4K video at 30 Hz or 1080p video at 120 Hz with HDR capabilities. Built-in 4x digital zoom
by Zack Young · Posted
Panasonic brings more networking and imaging improvements to their Professional line of studio and broadcast cameras with the new box-style AK-UBX100 4K Multi-Purpose Camera. Featuring an impressive 19.29MP MOS image sensor alongside multiple 12G-SDI and fiber outputs, the camera is compatible with SMPTE ST 2110 standards, NDI High Bandwidth streaming, and
by Zack Young · Posted
Large color-accurate production monitors remain the best way to view and compose shots on set, especially with larger crews, and Elvid continues to make them more affordable with their accessible and capable new STV-280-4KHDR 28” StudioVision 4K HDR Monitor. This monitor packs a ton of inputs—two HDMI 2.0, two HDMI 1.4, 3G-SDI, DVI, and VGA—that support a variety of HD and 4K signals spanning NTSC and PAL.
by Zack Young · Posted
Hohem brings their latest artificial intelligence tools to prosumer gimbals with the new iSteady MT3 AI camera stabilizer. The MT3 is an easy way to achieve steady moving shots with mirrorless cameras, action cameras, and smartphones, employing Hohem’s latest AI-enhanced tracking algorithms. The gimbal has 360° pan, 270° tilt (upped to almost 300° with the Pro variation), and 90° roll rotation, as well as streamlined horizontal-to-vertical
by Mary Latvis · Posted
Widely used on both classic feature films and newer digital productions, Cooke’s Panchro line features a unique look designed to draw your viewer into your story. The new ARRI LPL-mount Cooke Panchro 65/i series offers this distinctive aesthetic for large-format cameras with up to VistaVision sensors.
by Zack Young · Posted
DJI continues to refine their popular action camera line with the new Osmo Action 6, available in a Standard or Adventure Combo kit. The Action 6 has a brand new 1/1.1” square sensor, a variable aperture of f/2.0 to f/4.0, 50GB of built-in storage, expanded wireless audio functionality
by Freddy Gerngross · Posted
RODE has announced their new all-in-one video and audio production console, the RODECaster Video S. This console combines a professional audio mixer with powerful video switching, recording, and production capabilities in a size perfect for desktop setup. Switch between up to four video sources with customizable scenes and take advantage of its dual combo input jacks with low-noise high-gain preamps that will capture perfect audio
by Zack Young · Posted
Atomos just announced a new monitor-recorder: the Ninja TX GO. It’s a 5.2” HDMI-only version of the Ninja TX that can capture video in a variety of codecs, including Apple ProRes, ProRes Raw, Avid DNx, H.265, H.264, and NDI 6 HX3. The TX Go can
by Zack Young · Posted
DJI has unveiled the latest entry in the popular Osmo smartphone gimbal series, the Osmo Mobile 8, which is capable of 360° pan rotation, equipped with ten hours of battery life, and utilizes more advanced subject tracking than previous models. Many of the new features, including the upgraded human and pet tracking, gesture control, wireless audio support, and dynamic fill lighting, are enabled by its Multifunctional Module, a small
by Zack Young · Posted