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by Zack Young · Posted
There are countless brands putting out budget-friendly cinema lenses at the moment, but DZOFilm has separated itself from the pack with quality and consistency. Now the brand is making its biggest play yet at the professional space with the DZOFilm Arles series, T1.4 cinema lenses that cover full-frame and Vista Vision sensors. The look of the Arles attempts to bridge the gap between
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DJI has upped its gimbal game with the introduction of the RS 3 and RS 3 Pro models, along with the long-distance O3 Pro Video Transmission system. Both gimbals feature automated axis locks that unlock in lightning-fast time, letting you jump right into the action so you don’t miss that crucial shot. An updated stabilization algorithm, SuperSmooth mode, and new quick-release plate designs make your gimbal capture easier and more impressive than ever before. The RS 3 and RS 3 Pro also share exciting new features, such as wireless shutter
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Jake Estes takes the Zhiyun CRANE 3S Pro out for a spin—literally! This camera stabilizer boasts a large 14.3-lb payload, an updated axis-locking system, external power input, and the ViaTouch 2.0 motion control system, connectivity with the Zy Play App and more. It can also accommodate a wide range of cinema camera sizes by utilizing a separately available extension module to extend the horizontal arm, which is now positioned
by Jennifer Hahn · Posted
Handheld gimbals to stabilize your video recordings seem to be gaining popularity by the minute. The days of paying a stranger $25 to cut a custom stabilizer from a meter of aluminum pipe are far behind me, and it's a welcome sign that there are now gimbals to mount a smartphone, action camera, small or mid-sized camera, large rigs for heavy pro cameras, and there are even gimbals that come with integrated cameras. Since we've got a couple of small, mirrorless camera owners around our office, I decided to take a look at the new
1,321 Views· Posted
Cinematographer Mark Raker gets his hands on Sigma’s FF high-speed prime focal lenses and pairs them with a Canon C700 shooting at 5.9K and a Sony A7S II shooting at 4K. With specs like a 95mm front diameter, 0.8 moduling,
by Mary Latvis · Posted
Take it all in with Tokina’s Cinema ATX 11-20mm PL-mount zoom lens, also available in EF, MFT, Sony E
462 Views· Posted
Doug Guerra, from B&H, reviews the Sigma 105mm T1.5 Cinema Lens, a fast lens that renders incredibly shallow depth of field, optimized for shooting up to 8K. Watch the video for more features and footage taken with this powerful lens. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
by Shawn C. Steiner · Posted
An old commercial jingle went, “Weebles wobble, but they don’t fall down.” Today, I’ll tell you that the Zhiyun-Tech WEEBILL LAB doesn’t wobble. It’s also one of the smaller handheld stabilizers in its class, no doubt a reference to the tiny Australian bird of the same name, and offers a unique design approach with bonus features you won’t find standard on similar models. We spent some time with this stabilizer and were quite happy