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by Zack Young · Posted
There are countless brands putting out budget-friendly cinema lenses at the moment, but DZOFilm has separated itself from the pack with quality and consistency. Now the brand is making its biggest play yet at the professional space with the DZOFilm Arles series, T1.4 cinema lenses that cover full-frame and Vista Vision sensors. The look of the Arles attempts to bridge the gap between
1,321 Views· Posted
Cinematographer Mark Raker gets his hands on Sigma’s FF high-speed prime focal lenses and pairs them with a Canon C700 shooting at 5.9K and a Sony A7S II shooting at 4K. With specs like a 95mm front diameter, 0.8 moduling,
by Steven Gladstone · Posted
Monitors are flawed. They display limited color space, usually sRGB (although newer ones can display a wider color gamut), they age and change over time, and different backlight technologies will affect how the images are displayed. Let us not forget that the viewing conditions make a big difference in how we perceive, and need to be considered. For text, this isn't important, but for the visual media, this can make a huge difference. I remember the analog days of trying to calibrate the field monitor by eye, using the various test patterns
by Mary Latvis · Posted
Take it all in with Tokina’s Cinema ATX 11-20mm PL-mount zoom lens, also available in EF, MFT, Sony E
462 Views· Posted
Doug Guerra, from B&H, reviews the Sigma 105mm T1.5 Cinema Lens, a fast lens that renders incredibly shallow depth of field, optimized for shooting up to 8K. Watch the video for more features and footage taken with this powerful lens. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
by BH Online Videos · Posted
In this video Doug Guerra explains how the Spyder5CAPTURE PRO Color Calibration Bundle helps you to keep track of your color during the entire photo process, from capturing the perfect shot up to and including color accuracy when printing. This bundle includes the SpyderLENSCAL, which is a focus chart allowing you to adjust your autofocusing system accurately through the camera. Next comes the SpyderCHECKR, which provides an objective
by josh brown · Posted
Not more than a decade ago, the power to create Hollywood-style effects was exclusively the domain of highly specialized artists using expensive software that ran on workstation-class computers. However, in the last few years, inexpensive compositing software has become available, offering visual-effects artists and motion-graphics designers the ability to create powerful visual effects. HitFilm 3 Pro from FXHOME is one such piece of software, built