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by Zack Young · Posted
There are countless brands putting out budget-friendly cinema lenses at the moment, but DZOFilm has separated itself from the pack with quality and consistency. Now the brand is making its biggest play yet at the professional space with the DZOFilm Arles series, T1.4 cinema lenses that cover full-frame and Vista Vision sensors. The look of the Arles attempts to bridge the gap between
1,321 Views· Posted
Cinematographer Mark Raker gets his hands on Sigma’s FF high-speed prime focal lenses and pairs them with a Canon C700 shooting at 5.9K and a Sony A7S II shooting at 4K. With specs like a 95mm front diameter, 0.8 moduling,
by Mary Latvis · Posted
Take it all in with Tokina’s Cinema ATX 11-20mm PL-mount zoom lens, also available in EF, MFT, Sony E
462 Views· Posted
Doug Guerra, from B&H, reviews the Sigma 105mm T1.5 Cinema Lens, a fast lens that renders incredibly shallow depth of field, optimized for shooting up to 8K. Watch the video for more features and footage taken with this powerful lens. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
by BH Online Videos · Posted
In this video, Alan Lugo, from B&H Photo, demos the brand new DJI Osmo Mobile Gimbal Stabilizer for Smartphones. Targeted at the Vlogger community, but with obvious wide-ranging applications, you use the Osmo with your iPhone or Android device. The Osmo provides incredible stabilization technology to shoot smooth video, create complex hyper-lapses, and even take high-quality selfies. The DJI Osmo Mobile can also track a subject and perform
by Justin Dise · Posted
As a Sony a7R II shooter, I was thrilled when Veydra announced that select lenses from its line of Mini Primes would be made available with Sony E mounts. Originally designed for MFT cameras, the Mini Primes are purpose-built from the ground up for cinema applications, rather than being re-housed DSLR lenses. Featuring matching sizes, front diameter, 0.8 mod (cine-style) gears on the focus/iris rings, and T2.2 maximum apertures, the Mini
by Mike Wilkinson · Posted
It would be an understatement if I said that I travel often for the work that I do. Whether it’s for a major client and I spend two weeks running around San Francisco, or I’m shooting for fun with friends while out on a hike, I have little patience for gear that is either heavy or useless. GoPros and smartphones often find their way into my kits and, in this review, I’ll be sharing some insight on a series of cases from Lowepro that were made with POV action cameras in mind, as well as a unique jib concept from Joby that’s made to work with
by Justin Dise · Posted
While the latest cameras, lenses, and 4K recorders catch most of the headlines, any video shooter knows that the greatest camera rig in the universe won't do you any good if you can't keep it powered. With each electronic component you add, the more batteries and chargers you'll need in your gear bag and the harder it is to keep all your gear powered during a long day of shooting. Wouldn't it be great if you could power your camera, monitor/recorder, and even charge your smartphone all from the same power source? Well, now you can, thanks to
by BH Online Videos · Posted
In the following video, Mia McCormick, from Kelby One Media, takes a quick look at two new battery chargers from Anton Bauer: the Performance Dual V-Mount Charger and LP4 Quad Gold-Mount Charger. Both chargers are multi-chemistry compatible and designed to charge batteries simultaneously, quickly, and efficiently.
by Justin Dise · Posted
On the surface, Convergent Design’s Odyssey7 is a high-quality, 7.7" 1280 x 800 OLED monitor with a touchscreen interface that delivers true blacks, accurate colors, and comes packed with a full set of professional monitoring features, including waveform, histogram, false color, and focus assist, just to name a few. It also has built-in Rec.709 display LUTs for popular ARRI, Canon, and Sony log
by Steven Gladstone · Posted
I recently had the opportunity to test the Beachtek DXA-POCKET audio adapter and the Beachtek BRM-1 Baseplate, and I found a lot to like. The DXA-POCKET gives you manual level control with visual level indicators over two mono or one stereo 1/8" inputs. Although I was surprised that it
by Justin Dise · Posted
One of the unsung heroes of the film industry is the focus puller. It doesn't matter how great the camera movement, lighting, or acting is if the image on the screen is out of focus. Traditionally, the focus puller, or 1st Assistant Camera (AC), operates on the side of the camera, using a follow focus to mark spots and "pull focus" to follow the action/subject. In many cases it isn't too difficult for the camera assistant to move along with the camera, but when the director calls for complex shots on jibs, dollies, stabilizers, or motorized