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by William Min · Posted
When Apple introduced M1 Pro and M1 Max chips for the MacBook Pro lineup in 2021, it easily became the best laptop for video editors. The balance of performance and efficiency made it possible for creative professionals to edit high-res videos on the go. Apple has since updated the MacBook Pro lineup for 2023, with the M2 Pro and the M2 Max chips, maintaining its title as the laptop for video editing.
B&H Recommends…
by Mary Latvis · Posted
Grip, electric, swing, and “best boy”... who are these people and what is it that they do on a TV or film set? In this follow-up to my article Who Does What on the Camera Crew?, I outline the duties of some movie and TV crew positions that are not part of the camera crew but are nonetheless essential to the process of cinematography.
Above Image: Electric adjusting light
These on-set crew positions are given as a general outline, not a
by Steven Gladstone · Posted
Syrp, creator of lightweight yet stable support systems for DSLR and mirrorless cameras, has focused on creating motion-control systems and sliders that are simple to use, helping you to create complex still photo image sequences and motion-controlled video easily.
Motion Control, from Simple to Complex
Start with the Genie II Motorized Pan/Tilt Head to create dynamic pan and tilt movements, with 360° of pan and 180° of tilt,
by Steven Gladstone · Posted
While a great deal is made of shooting with large-sensor cameras, for valid reasons, I thought it would be prudent to consider smaller-sensor cameras, especially in the ENG/camcorder form factor. All too often these cameras are overlooked, and they really should not be. The ENG camcorder developed from a need for an all-inclusive camera that was rugged and easy to transport, which dictated a camera body with integrated tape drive―now SSD or Media card―and a lens port so you can add the lens of your choice or, for an even smaller shooting
by Steven Gladstone · Posted
SHAPE has long been known for its design, innovation, and quality machining, and its recent accessories for the Canon C70, RED KOMODO, and Sony FX3, FX6, and FX9 cameras continue in that tradition. As you consider your accessory purchases, from just a cage, up to fully kitted-out rigs, remember one of the great advantages is the lifetime warranty on all of SHAPE’s CNC-machined gear. Additionally, most of the components found in the rigs are designed to be used with multiple cameras, essentially since they’re universal components that you can
by Mary Latvis · Posted
Looking to outfit your camera for cine-style shooting? Wooden Camera has you covered with a range of plates, cages, and other pro components released in 2021. Read on to discover a nifty monitor bracket plus a host of components designed expressly for popular cameras from Blackmagic Design, Canon, Panasonic, and Sony.
The latest crop of Wooden Camera components features the easily adjustable Ultra Quick Release Monitor Mount
by Jill Waterman · Posted
Hybrid creator Jason Vong credits friends from school with helping him cultivate the storytelling abilities that are the driving force behind his thriving YouTube channel, as well as his talent for wedding videos. Vong’s insightful reviews of the latest gear and his expertise with Sony cameras have earned him a devoted audience of nearly 250,000 followers to date, leading us to connect with him as our next B&H Creator of the Week.
In our conversation below, Vong reminisces about his
by Mary Latvis · Posted
The video camera baseplate—such a basic, humble camera component yet so important to a smooth shoot. Few moments are as aggravating to a camera operator or assistant as struggling to mount their camera with a baseplate that is not quite functioning. So, are high-end, cine-style baseplates worth their weight in gold? While some systems may be close to the current cost of an ounce of gold, luckily there’s no comparison pound for pound. Read on for reasons why high-end plates are worth it.
ARRI BPS-2 Bridge Plate Set
Baseplate Basics
by Steven Gladstone · Posted
In this segment of Show Us Your Shot, Gregory Blair pays homage to indie horror filmmakers, creating a disorienting feeling without the use of high-tech effects, CGI, or jibs and cranes.
“Deadly Revisions is a psychological thriller that pays homage to several horror films and filmmakers. In this scene, we wanted to give a loving nod to Sam Raimi and the Evil Dead films. The scene involves Bill Oberst Jr. as Grafton Torn—a horror-film writer with amnesia, haunted by nightmares—who is having a sort of breakdown/hallucination moment. We
by Steven Gladstone · Posted
In this segment, Chris Seivard shares with us how he pulled off a professional shoot for a client, using mostly natural daylight streaming through the location’s windows, supplemented with two LED fixtures to light the interior. Watch the video, as Seivard explains his setup, and be sure to study the lighting diagram.
This project was for an insurance company. The goal was to give investigators a feel for what the deposition process might be like, after an incident investigation.
by Steven Gladstone · Posted
In Learning to Drive, Director Roderick E. Stevens wanted the camera to drop straight down over the actor, the way it might on a telescopic crane. Without the budget to rent one, that seemed impossible. It’s a simple shot that only lasts a few seconds, but it occurs at a crucial turning point in the film, and the director is far too stubborn to give up. About $150 in electrical conduit and hardware and some funky engineering resulted in a vertical slider that accomplished the shot.
Roderick Stevens's Bio
by Steven Gladstone · Posted
In this segment of Show Us Your Shot, Michael Epstein and Sophia Cacciola share with us their technique for creating a dreamlike driving shot with a stationary car, shooting high speed on the film, Clickbait.
“Clickbait is a modern, giallo-inspired horror, dark comedy film about the costs of seeking notoriety. A college student who will do just about anything for Internet fame is kidnapped by a stalker, and her reluctant roommate is the only one who can save her. During the attempted rescue sequence, we were looking to create a dramatic, music
by Steven Gladstone · Posted
I love a well-made product, be it camera, grip stand, dolly, or what have you. Working with a product where form, function, and finish come together as a cohesive whole is such a joy. I also must admit that I love poring over a piece of gear, looking for ways to improve it, and I’m willing to bet that more than a few of you are the same. I recently had the opportunity to discuss the evolution of the Zacuto VCT Pro from the original VCT